Showing posts with label Season Debuts. Show all posts
Showing posts with label Season Debuts. Show all posts

Monday, September 24, 2007

Poll Results? And The Week’s New Shows

Okay, well that was a bit of a disappointment! Just to review, I asked you which of last week's new shows would be the first to be cancelled. By which I meant which of the six shows that debuted last week would be cancelled before the other five, or would all six complete their runs. Two votes received, one said CW Now the other said None!

So here are the Series Debuts and Season Premieres for this week. As for the poll, well I'll try it again but there's a problem – not enough spaces in Bravenet's polling software for all eleven debuting series. Based on pre-season hype, I'll arbitrarily take NBC's Chuck off the list.

September 24th

  • Dancing With the Stars (ABC)
  • How I Met Your Mother (CBS)
  • THE BIG BANG THEORY (CBS)
  • CHUCK (NBC)
  • Two and a Half Men (CBS)
  • Heroes (NBC)
  • The Bachelor (ABC)
  • Rules of Engagement (CBS)
  • CSI:Miami (CBS)
  • JOURNEYMAN (NBC)

September 25th

  • NCIS (CBS)
  • The Unit (CBS)
  • House (FOX)
  • REAPER (CW)
  • Boston Legal (ABC)
  • CANE (CBS)
  • Law & Order: SVU (NBC)

September 26th

  • PRIVATE PRACTICE (ABC)
  • Criminal Minds (CBS)
  • BIONIC WOMAN (NBC)
  • DIRTY SEXY MONEY (ABC)
  • CSI:NY (CBS)
  • LIFE (NBC)

September 27th

  • Ugly Betty (ABC)
  • Smallville (CW)
  • My Name is Earl (NBC)
  • Grey's Anatomy (ABC)
  • CSI (CBS)
  • The Office (NBC)
  • Without a Trace (CBS)
  • BIG SHOTS (ABC)
  • ER (NBC)

September 28th

  • Ghost Whisperer (CBS)
  • MOONLIGHT (CBS)
  • Las Vegas (NBC)
  • Numb3rs (CBS)

September 29th

  • 48 Hours Mysteries (CBS)

September 30th

  • American Dad (FOX)
  • Extreme Makeover: Home Edition (ABC)
  • Desperate Housewives (ABC)
  • Brothers & Sisters (ABC)


Thursday, September 20, 2007

Much Ado About...?

I have to confess, of the four shows that debuted on Wednesday night, the one I was looking forward to least was Kid Nation. On the other hand I knew it was also the show that I was going to have to write about on the first Wednesday of the new TV season. Why? I guess that, because of the CBS PR machine and the inadvertent push from law suits, the controversy over child labour laws, and everything else that has gone on surrounding this series, it has become the most hyped TV series of the season. It's certainly the one that everyone has heard about and I fully expect that the first episode at least will be the most watched show of the week.

For me that's a bit of a problem because based on what I've seen in the first episode I'm pretty sure it doesn't deserve to be. My perception is that the show is pretty much a clone of Survivor and I'm not sure it's a particularly well done one. Oh sure, there are differences. No one gets voted off for one thing, although the kids can drop out at the various town meetings if they choose to. Still there are other aspects that are very much like Survivor. The kids are split into groups, called "districts" rather than tribes, and there are reward challenges. But I'm getting ahead of myself. Let's try a recap of this week's episode and see if we can spot some of the similarities to the established series.

The show opens with host Jonathon Karsh telling us the tale of Bonanza City, New Mexico a town – we're told at least – was abandoned in 1885 after the people of the town were unable to make it work. The town in fact is a set used for movies although it is built on the ruins of the real Bonanza City. Now we're told a new group of pioneers will try to make a go of it, but this group is made up entirely of children between the ages of 8 and 15. The kids, or at least 36 of them, arrive in a yellow school bus. They aren't taken into town though, but are left near some push carts, a corral of goats and some boxes of chickens. Then four more kids arrive aboard what appears to be a military helicopter (it has what appears to be an Air Force insignia on it but it may be a helicopter used for movies). These four, Spelling Bee contestant Anjay (12), Beauty Pageant contestant Taylor (10), Boy Scout Mike (11), and student leader Laurel (12), are the town council, selected by the producers of course. There first task is to lead their new pioneers to their new home for 40 days.

It isn't necessarily an easy task. The kids have to lead the kids (of the human and goat varieties) down a road. At times the carts get bogged down in some mud and at least one boy suffers a muscle cramp. There's also dissension as Greg, at 15 one of the oldest of the group, claimed that Mike wasn't doing his share of work (in this case at least Greg was probably in the right, but it was a sign of things to come where he wasn't so right). Once they arrived at the town they started exploring. They found bunkhouses with some mattresses but no beds. They also found a communal kitchen with a wood burning stove. The obvious thing to cook is macaroni and cheese, but the adage about too many cooks spoiling the broth proved to be true particularly when none knows how to cook. They put the macaroni in the water too soon and put in too much. Finally one girl, Sophia, steps forward and after throwing out the badly cooked macaroni manages to get the group fed. She does it again the next morning, making pancakes from a recipe in a cook book. She tells everyone to take only one but some of the kids take more than one so that some of the smaller kids don't eat. This leads to an unofficial town meeting in which Eric confronts Mike. It gets physical with Greg pushing Mike and trying to intimidate him before another boy, Eric, intervenes in support of Mike.

The town councillors have been instructed to go to the town chapel where they'll find a book that will help them organize the town. They aren't able to do it the first day but eventually get around to it. The book tells them about the "history" of the town and suggests that they organize. There are four colours of bandanas in a box and the councillors are told to split the group into four teams – red, green, yellow and blue. The leaders are able to select the teams they'll lead based on whatever criteria they choose. Taylor on her Yellow team seems to gravitate to the younger children, while Anjay decides to go with Greg and his buddy Blaine on the Blue team or District. They seem to go a bit wild; during the night the graffiti (with chalk) most of the buildings in the word "Blue" and disrupt groups from the other districts by running in and shouting "BLUE!" Needless to say they believe that they`ll dominate things. Jonathon shows up again to tell the town that there are various jobs to be filled with money (in the form or Buffalo Nickels) to be paid, depending on which level of the town hierarchy they fall into. This will be decided based on "showdowns" which take place every three days. There are four levels: Laborers (paid 10 cents for duties including cleaning the outhouse, picking up garbage, and hauling water), Cooks (paid 25 cents to cook, wash dishes and care for the livestock), Merchants (paid 50 cents to run the grocery store, dry goods store and the saloon which serves root beer for a nickel), and the Upper Class (paid a dollar and basically can do what they choose). The first showdown requires the teams to carry derricks with pumps to various holes in the ground. There they pump water, which shoots out of the top of the derrick. They have to catch the water in buckets and then run back to the starting line to fill three bottles with water. The complication is that the water is coloured and you have to get your District colour. Which class a team ends up being depends on order of finish. In addition, if the task is completed within an hour the leaders will be able to choose between two bonus prizes for the whole town. Motivated by the desire to beat the Blue team with Greg and Blaine, Mike and the Red district manage to complete the challenge first with the Blue district coming second, the Yellow district third and the Green group fourth. They also manage – barely – to complete the showdown in time to win the bonus. It's a choice between seven additional outhouses or a Television. There's some debate before the leaders decide that seven outhouses (which one kid insists on calling a portapotty; anyone who has ever used an outhouse – and I have as a child – knows that there's a significant difference between the two) to supplement the one they have which to put it kindly stinks.

I missed much of the next section of the show – I was making my own dinner – so I missed the segment where the girls of the Yellow district made their first meal (apparently Taylor refused to clean up after saying "I'm a beauty queen; I don't do dishes."), the efforts by a couple of the boys to befriend little Jimmy (at 8 one of the youngest kids and terribly homesick), the spending spree by the Upper Class Red kids who spent most of their money on candy and pop, though one bought a copy of Henry V, or labourer Sophia dancing for nickels to buy a bike. Those I read about on the CBS website. What I did see however was the first official town meeting. The meetings are important in that they are an opportunity for the "citizens" of Bonanza City to change their leadership if they wish and to air grievances. Moreover they are an opportunity for any of the kids to declare their decision to go home because they can't cope. Jimmy, the 8 year old who was desperately homesick despite the best efforts of all of the other kids to make him feel like part of the group, decided to pull out. Taylor thought of leaving as well but eventually decided to stay. Finally came the awarding of the Gold Star. The council members had been told about the Star by Jonathon earlier but it came as a surprise to everyone else. The Star, supposedly made of real gold, is awarded to the person in town who the members of the council decide has been the hardest worker. It isn't just a trophy though, because the kid who wins it wins the value of the gold used to make it, $20,000. The council quickly decide to award it to Sophia for organizing in the kitchen before the official jobs board was created. It carried one further benefit – access to the only telephone in town for a phone call to her parents.

As you can probably tell, this has a lot of the characteristics of Survivor albeit without most of the backstabbing, though try telling Mike that after his several confrontations with Greg. There are challenges and rewards for both groups and individuals. At the same time the show's cast is entirely kids, and I hate to say it but more than a few of them are annoying, like the one who suddenly and inappropriately decided to quote Martin Luther King saying "I have a dream." The problem being that if I recall correctly this kid's dream had a lot to do with getting the extra outhouses. And that's part of the problem – kids on camera tend to be the biggest bunch of hams ever or they tend to shrink away from standing out. Another aspect is the behaviour of Greg in particular. He comes across as an out of control little punk – the town outlaw along with his buddy Blaine. Is this behaviour real or has he somehow been encouraged by the producers? Maybe he's just trying to gain camera time but it comes across as forced.

Then again the whole thing seems more than a little forced to me, the product of a bankruptcy of ideas that led someone to say "let's do Survivor but with kids." For all of the controversy, I am trying to write about the show as it is on the screen and what I'm seeing is depressingly ordinary. On Thursday I'll be watching adults doing much the same thing on Survivor and will, most likely, be more entertained. There at least I know what the point is – in this little saga of Bonanza City I'm not sure what anyone is trying to accomplish, most particularly the producers. For all of their talk before the show began of a society run by children what we are given is a town populated by children but one in which order and structure, in the form of pre-selected leaders, creation of groups and division of labour, and rewards (but so far at least no punishment), is imposed by adults even if the adults are unseen. The show has some attraction but on the whole I'm unhappy with the result even though I realise that there really aren't many other ways that this show could go. I'll probably stick with it for a couple of episode, but unlike K-Ville I have absolutely no expectation that it will improve beyond the current, rather lacklustre level. If I find something I like better I'll happily abandon this show.

Wednesday, September 19, 2007

K-Ville – Not There Yet But Maybe With Time

I frequently worry about writing about the debut episode of a new series. Pilots are, on the whole, not typical of the totality of a show. Sometimes a show is better than you'd expect based on the pilot. Sometimes the pilot is as good as it gets (and in some cases that's damning with very faint praise). The fact is though that a pilot serves two very big purposes – to sell the show to the network and to get the viewers to watch next week's episode instead of something else. A pilot has to be packed with exposition to introduce us to the principal characters, but it also has to grip the audience, whether it's an audience of TV Executives or an audience on Monday nights. FOX's new series K-Ville certainly gets a grip on the audience and holds it but to use another metaphor, at times the pilot feels like it's a mile wide and an inch deep and if they don't improve on that they could have problems.

K-Ville sets its location most effectively. Marlin Boulet and his partner Charlie are trying to help refugees on the I-10 freeway during Hurricane Katrina. Sent to their car to get a blanket to help someone with an injured leg, Charlie instead takes the car and speeds off, leaving his friend and partner alone. Cutting from that vignette to today we see a montage of images of devastation before we are eventually reintroduced to Marlin. He's making a sandwich when he spots a kid digging up a tree outside his house. The kid is stealing the tree "because people gotta landscape." Marlin is personally insulted by this – not only is the tree his but it's a cypress of the type that used to grow all over the city but now doesn't because the salt water from the flooding killed them all. Still the kid is one of his neighbours and in an ordinary place he wouldn't be stealing anything, let alone his neighbour's tree. We're soon introduced to another of Marlin's neighbours, a jazz singer who just bought a classic car ("cost two FEMA checks").

When Marlin gets to work – his police unit is based out of what looks like an old warehouse because their new HQ isn't finished yet – his boss introduces him to his new partner, Trevor Cobb. Cobb is from Cincinnati, an ex-soldier who did a tour in Afghanistan; these facts are enough for Marlin to question his motives or at least his sanity: "What is he, some kind of nut job?" They soon get their first job together; security at a benefit for the 9th Ward, the area where Marlin lives (and which is usually featured on real world news reports about the continued devastation in New Orleans). The featured performer is Marlin's neighbour and the host is the daughter of one of the city's wealthiest men, the owner of a major casino. Things seem calm enough until gunfire erupts killing Marlin's neighbour. Marlin and Cobb go off in hot pursuit, a pursuit which ends at the casino. They lose their suspect in the building. Marlin initially suspects the murdered woman's ex-boyfriend and goes to "question him"; questioning being a kinder and gentler word for tying him up and dropping him off the side off his commercial fishing boat until he gives them an alibi. When the alibi checks out they're forced to go back to square one. Another charity event is shot up. There's no high speed pursuit this time – the bad guys have put a bomb in the police car. Marlin and Cobb figure out that going to the casino wasn't random – it was part of the escape plan all along. They go to the casino to check the security footage of the entrance in hopes of figuring out where the shooter went but mysteriously, the security cameras at that moment were out of position (suspicious in itself). After another encounter with Charlie, who is now working security in the hotel attached to the casino, Marlin discovers that the casino's head of security and some of the other people he met with was actually a Gulf War vet who became a mercenary working for a company – Black River – which had provided security during the clean-up. They immediately become suspects, particularly after

Earlier Marlin's wife had been introduced. She's living in Atlanta with their very young daughter. The little girl was so traumatized by the storm that the sound of rain terrifies her, and even the sound of the wind means that her mother is up all night with her. They still love each other, but Marlin's attempt at a romantic evening with his wife are shattered when their daughter comes screaming down the stairs with a torrent of water following. A fire hose has been inserted into the daughter's room to flood it. Outside they find an ominous piece of graffiti – the address of Marlin's wife and daughter in Atlanta. Suddenly Marlin is mad. He brings in the three Black River mercenaries for questioning but between political interference – Black River is important for the war effort – and the fact that he has nothing proving positively that they are responsible for the murder or even the flooding of his house. They're let go. However Marlin discovers a motive for the attacks on the fund raising event. Large chunks of the 9th Ward have been bought up buy a development company, Orleans Renewal. The company is owned by Christina DuBois, the daughter of the Casino owner. She organized the relief events that were shot up but she also organised the attacks to scare people out of the 9th Ward. Her brother was killed in the area two years before the hurricane and she saw the aftermath of the storm as an opportunity to keep the people who had been forced out by the storm, people she felt had no sense of the value of human life, from coming back to the city. Cobb and Marlin arrest her, but before they can take her to jail, the Black River men attempt to silence her. They fail, but Marlin and Cobb take off in pursuit. The mercenaries seem to be getting away until Charlie crashes his car into theirs. He's taken hostage and the pursuit begins again, ending at a dock where the Black River men have a helicopter waiting. As the car with the wounded Charlie in it rolls off the dock, Cobb dives into the water to save him while Marlin uses a heavy chain to secure the helicopter to the dock. The denouement of the episode is a block party in Marlin's neighbourhood where his friends burn their "For Sale" signs because he has restored their confidence.

I am really torn about this show and I think it's because of the pilot. Anthony Anderson is superb as Marlin, a man suffering as much from Post Traumatic Stress Disorder as his ex-partner or his little girl. In Marlin it's held back but from time to time it shows up: he drinks on duty and doesn't give a damn and at a crucial moment he flashes back to his time on the bridge. It shows up in his choice not to follow the wife and child, both of whom he clearly loves, in abandoning the city that he's sworn to protect. What he went through during the storm made the city more important to him than his family; leaving it would be surrender. I'm less impressed with Cole Hauser as Trevor Cobb. Maybe it's because Cobb has a secret beyond what he's told anyone else – a secret that Marlin unravels in a single episode – or it may be that Cobb is currently a less interesting character because he doesn't have Marlin's faults (at least not that we know about yet). The fact remains that Hauser seems rather flat when compared with Andrews...and since most of his scenes are with Andrews that weakness is quite obvious. John Carroll Lynch is his usual workman-like self playing Marlin and Cobb's boss, Captain James Embry. Lynch clearly has a talent for accents – Embry's slight Nawlins patois is a long way from his most famous role as Norm Gunderson in Fargo, and while it's not as heavy as Dennis Quaid's accent in The Big Easy it is noticeable. We really don't get much time with most of the other cops on the team. In a guest role as Gordon Wix, leader of the Black River security team, William Mapother does his usual good job playing a superficially civilized but secretly very dark and dangerous man.

Where I really have a problem with K-Ville is in the writing. Strip away the whole post-Katrina New Orleans aspect and you have a standard cop who breaks the rules but gets results partnered with a straight arrow who is his exact opposite set-up. There's even the boss who isn't always in love with their methods but keeps them together because they're effective. It's pat and clichéd and the fact that it works in this case says more about Anderson and to a lesser extent Hauser than it does about the writing. I'd like to see a lot more character and story development here. In the episode there really wasn't much in the way of plot development; instead there were two big car chases. Right up until the revelation that Christina was behind the entire plot there was no indication that she was even connected to the Black River men. They could literally have been working for anyone at all. While her motivation was intriguing (not to mention more than slightly insane) we as an audience had absolutely no clue that it existed until it suddenly appeared seconds after Marlin found out about Orleans Renewal. I swear it seemed like it was revealed because they needed a mastermind and they needed to shoehorn everything about why everything was happening in between the incident at Marlin's home and the big car chase finale. More thought – and more time – was give to giving us the clues about Cobb's deep dark secret and how Marlin figures it out than was given to revealing the identity and motive of the person behind the major event of the episode. I find that to be extremely sloppy and poorly paced writing but it also doesn't entirely surprise me in a pilot episode where you are introducing not just the antagonists for the episode and their motivation but also the protagonists for the series. The question for me is will this continue.

I look at K-Ville and right now I see a lot of potential which in the pilot episode at least hasn't really been tapped. FOX promoted the series as the next groundbreaking drama but except for making the city of New Orleans, recovering from one of the biggest natural disasters to hit a major American city probably since the San Francisco Earthquake of 1906, almost a character in the show it isn't breaking new ground but rather going over well tilled soil. I hope that in later episodes the series does push the envelope more. I want this show to live up to its potential; I want it to succeed if only to remind people each week about New Orleans and what still needs to be done. The pilot episode was something of a disappointment but there's a ton of room in which to grow and to become what Fox promoted it as being, a groundbreaking new drama. It is definitely a show that I'll be checking in with to see if it lives up to what it can become. I can't call it a failure but right now, by most measures I can't whole heartedly call it a success either. It is definitely one to keep monitoring.

Monday, September 17, 2007

Debuts and Premieres: September 17-23 – And A New Poll Too!

Just for the sake of this series of postings, Debuts refers to season debuts for older shows, while Premieres refers to new series. Just to flash things up a bit, new shows will be in Red. (Times are Eastern – adjust appropriately).

September 17th

  • Deal or no Deal (NBC) 8 p.m.
  • Prison Break (FOX) 8 p.m.
  • K-VILLE (FOX) 9 p.m.

September 18th

  • Beauty and the Geek (CW) 8 p.m.

September 19th

  • KID NATION
    (CBS) 8 p.m.
  • America's Next Top Model (CW) 8 p.m.
  • BACK TO YOU (FOX) 8 p.m.
  • Til' Death (FOX) 8:30 p.m.
  • KITCHEN NIGHTMARES
    (FOX) 9 p.m.
  • GOSSIP GIRL (CW) 9 p.m.

September 20th

  • Survivor: China 9 p.m.

September 21st

  • Friday Night Smackdown (CW) 8 p.m.

September 23rd

  • CW NOW (CW) 7 p.m.
  • ONLINE NATION (CW) 7:30 p.m.
  • The Simpsons (FOX) 8 p.m.
  • King of the Hill (FOX) 8:30 p.m.
  • Cold Case (CBS) 9 p.m.
  • Family Guy (FOX) 9 p.m.
  • Shark (CBS) 10 p.m.

Now here's the poll question: Which of the new series premiering this week will be cancelled first? I'm going to include being put on indefinite hiatus as being cancelled – these shows can be like zombies and spontaneously resurrect but for most of them dead is dead and they get even worse ratings than they did the first time they showed up. Note that there's a "None" category just in case you think that all of these shows will get an order to finish the season (actually I may cut Kitchen Nightmares some slack on this since I don't think it was meant to go more than 13 episodes based on the original Fox schedule). Wouldn't that be a shocker!

As usual feel free to comment or bloviate here (bloviate being one of the great words in the English language, even if I sometimes – sometimes?! – engage in it too much). I'll end this one next Monday.

Update: I had old information about the premiere date of Gossip Girl. I've changed it here, but I can't change the poll so I'll have it on the list for next week. Thanks to Annie in Comments for the information The debuts that Annie mentioned for Desperate Housewives and Brothers and Sisters is a bit misleading though. These are recap episodes of the past season of both shows; new episodes in terms of content and story lines start on September 30.

Sunday, September 11, 2005

Shows Debuting This Week

The following series will be debuting this week. (New shows in italics).

Sunday
The Simpsons (Fox)
The War At Home (Fox)
Family Guy (Fox)
American Dad (Fox)

Monday
Wife Swap (ABC)

Tuesday
Bones (Fox)
Biggest Loser (NBC)
Gilmore Girls (The WB)
House (Fox)
Supernatural (The WB)

Wednesday
Head Cases (Fox)

Thursday
Survivor: Guatemala

Friday
What I Like About You (The WB)
Twins (The WB)
Reba (The WB)
Life With Fran (The WB)
Threshold (CBS)