Showing posts with label The CW. Show all posts
Showing posts with label The CW. Show all posts

Saturday, May 17, 2008

Video Links For The New Shows

Last year was a great time to blog about the new TV season and include clips from the new shows. NBC had its own YouTube Channel and CBS even provided a "bloggers kit" that provided links from their InnerTube video service. The other networks at least had clips on a page even if you couldn't embed them. This year it's not so easy to provide links. This season it's not so easy. NBC gave up on YouTube and put all their eggs in their Hulu basket, not that it matters much since they didn't do pilots this season. Similarly InnerTube seems to be gone, but CBS does have its own YouTube channel (with the series previews on their own playlist), as do The CW and FOX. But ABC provide you with...a PDF file. At least that's what they do officially. If you hunt around you can find clips at YouTube and other video sites such as Brightcove and DailyMotion...if they haven't been taken down yet. Under these circumstances, rather than provide hints on where to find clips it might be better just to show some. To help things along I've set up some playlists of my own with clips from the various networks.

We start off with CBS, and the first video in this group of five generated the most comment from the people who watched it on YouTube...mostly negative. It's for The Ex List, and the negative comments were because it is the show replacing Moonlight on Friday nights. And two more different show you're unlikely to see. Based on this clip I'm not likely to be watching. Following that are clips for The Mentalist and Eleventh Hour. Both show's look more than a little intriguing. Finally come clips for the two new sitcoms on the CBS line-up, Project Gary and The Worst Week. Neither one looks like something I'd be interested in watching, but bear in mind that it takes a lot to get me interested in sitcoms.


Next up we have clips from two of the three new CW shows. First are two clips from Surviving The Filthy Rich featuring Joanna Garcia with Lucy Kate Hale in the first, and with Micheal Cassidy in the second. Then there's a clip from the reality show Stylista that basically introduces Anne Slowey as she clumps (about the best way I can describe her walk in those heels). Nothing from 90210 yet, but a lot of the parts in that series have yet to be cast, and I don't think they've done a pilot.


Next up we have ABC's two new shows, neither from "official" sources. First up is a trailer for Life On Mars clearly taken from an Entertainment Tonight broadcast. It was another clip that got a lot of reaction most of it extremely negative. Of course, to be fair, a lot of those comments were coming either from people in Britain or from Americans who are fans of the original BBC series. The other clip is from the new Ashton Kutcher game/reality show Opportunity Knocks. Based on this, it looks awesomely awful and I would hope that it dies a quick and well deserved death.


Finally we have some clips from the new FOX shows, starting with Fringe. You can certainly pick up the X-Files vibe in this clip. Next we have the new comedy Do Not Disturb, which I fear is going to fall right into the trap of being a workplace comedy rather than something like the British Hotel Babylon. It looks pretty bad. Next we have two clips from Secret Millionaire, including the start and the reveal of one episode. I'm afraid it looks worse than I originally expected, but I still have no doubt that it will find an audience. Then there are a couple of clips from the two animated series, The Cleveland Show and Sit Down, Shut Up. I can't tell much about The Cleveland Show from this, but the clip from Sit Down, Shut Up features that very interesting cast of voice actors. Finally there's a clip from Dollhouse (which oddly enough is subtitled in Spanish) which gives a better sense of what the series is about than the other – non-subtitled – clip I've been able to find on YouTube.


Based on these clips I have a suspicion that I'm going to be watching a lot of shows on CBS with FOX coming in a close second. Mentalist and Eleventh Hour look very intriguing to me, as do Fringe and Dollhouse. Since I haven't seen the BBC original I don't know whether the criticisms of the American Life On Mars are justified but I'm not sure it will work. Surviving The Filthy Rich might work in a Gilmore Girls sort of way but it's probably not for me. The reality and game show clips are singularly unappealing to me – I'll stick to Survivor, Dancing With The Stars, and The Amazing Race thank you very much. As for the sitcoms, the two on CBS might work but the one on FOX looks far worse than the show it's replacing (Back To You). The bottom line on the new shows is this: they look to be adequate but hardly earth shaking or groundbreaking. And maybe that's the way that broadcast TV has to be. Sadly.

Thursday, May 15, 2008

The CW’s Fall 2008

I'm late with the CW's Upfront announcement primarily because I thought they were announcing on Wednesday afternoon rather than Tuesday afternoon, and then I had another commitment on Wednesday morning. The biggest announcement from The CW is that the network won't be programming Sunday night after their frankly disastrous efforts last season. Instead they are partnering with a company called Media Rights Capital a leading independent producer which will provide all the programs for Sunday night. MRC has not announced what shows they will be presenting yet.


Cancelled: Aliens in America, Life Is Wild, Girlfriends. Crowned, Pussycat Dolls Presents: The Search for the Next Doll, Beauty and the Geek (although there is a suggestion that in the case of Beauty and the Geek the network is giving it time to rest).

Renewed: America's Next Top Model, Smallville, Supernatural.

Moved: Gossip Girl, One Tree Hill, Everybody Hates Chris, The Game.

New: 90210, Surviving the Filthy Rich, Stylista

Also, Reaper will return for thirteen episodes during the midseason, currently scheduled to replace Smallville.

Complete Schedule (all times Eastern):

Monday
8:00-9:00 p.m. Gossip Girl
9:00-10:00 p.m. One Tree Hill

Tuesday
8:00-9:00 p.m. 90210
9:00-10:00 p.m. SURVIVING THE FILTHY RICH

Wednesday
8:00-9:00 p.m. America's Next Top Model
9:00-10:00 p.m. STYLISTA

Thursday
8:00-9:00 p.m. Smallville
9:00-10:00 p.m. Supernatural

Friday
8:00-8:30 p.m. Everybody Hates Chris
8:30-9:00 p.m. The Game
9:00-10:00 p.m. America's Next Top Model (encore presentation)

90210 is sort of a "next generation" version of the legendary FOX series Beverly Hills 90210 right down to a number of the cast members. When Annie Mills (Shenae Grimes, Degrassi: The Next Generation) and her adopted brother Dixon (Tristan Wilds, The Wire) move with their family to Beverly Hills they find adjusting to their new situation. Things are complicated by the fact that the new principal at West Beverly Hills High is their father, who moved the family back to Beverly Hills to care for his mother, a former TV star who is described as "a charter member of the Betty Ford Clinic" (Jessica Walter, Arrested Development). Of course most of the conflict will come with dealing with the students and staff at their new school, one of whom is Kelly Taylor (Jennie Garth reprising her original role from Beverly Hills 90210).

In Surviving The Filthy Rich, JoAnna Garcia (Reba and more recently Welcome To The Captain) plays Yale educated Megan Smith who, after losing her job at a tabloid suddenly finds herself hired as the private tutor for the two daughters of cosmetics mogul Lucy Limoges. The daughters, Rose (Lucy Kate Hale, Bionic Woman) and Sage (Ashley Newbrough) aren't exactly thrilled to have a tutor, but Megan is determined to carry on and not just because her new lifestyle includes a private suite, gorgeous convertible, and live in chef. Of course, there is also a romantic tangle to deal with. Megan catches the eye Will, who lives on the estate next door, and just happens to be dating Megan's estranged sister Lilly, while Megan's best friend Charlie (Michael Cassidy, Smallville, The O.C.) is secretly in love with her. Based on the book How To Teach Filthy Rich Girls by Zoey Dean, and produced by Rina Mimoun (Gilmore Girls, Everwood), Bob Levy (Gossip Girl) and Leslie Morgenstein (Gossip Girl).

Stylista is a reality show in which eleven contestants vie for an editorial job at Elle magazine by working as assistants to the magazine's demanding but well respected Fashion News Director, Anne Slowey. Each week the contestants will carry out assistant tasks and a fashion editorial assignment before Slowey and Elle's Creative Director, Joe Zee, decide on who will be fired that week.

Comments:
Of course the biggest news in this Upfront is that they've made the Media Rights Capital announcement, which had been discussed a bit beforehand official. It does make for a very interesting partnership, although the big question is what we'll see coming out of the partnership. The based on their IMDB page the company seems to have limited experience both working in TV and in producing their own material. It will be interesting to see what they'll come up with (they haven't announced any of their shows yet). I'd say they couldn't do worse than last season's CW Sunday line-up but that might just be seen as a challenge to the TV gods.

The other big news story is that MRC chose not to include Moonlight as part of their package of shows for The CW. And yet there are still persistent rumours that the show might still show up on the CW at the mid-season. There are a lot of reasons why this might make sense – the show is produced by Warner Brothers, one of the partners in the CW (and from some things I've seen reported an increasingly unhappy partner), and the show's audience when it was on CBS would dwarf that of even the most popular CW series. In fact if even half the Moonlight audience from CBS came over to the CW to watch it, it would still be one of the most popular CW shows.

Turning to the CW's actual line-up it looks solid – for them – if rather safe. The decision to move their two remaining sitcoms to Friday night is a reasonable one when you consider that The WB had considerable success with their Friday night comedy line-up, anchored by Reba (I know people say they hated that show but the fact remains that it was the highest rated comedy and the second highest rated show on The WB during the period when it aired). I am less than happy with what I consider to be a wrongheaded in airing a repeat – sorry "an encore presentation" – of America's Next Top Model rather than doing one or two more comedies (one if they had decided to save Aliens In America). I think a full Friday comedy block might have been a lucrative choice opposite reality shows on ABC, and game shows on NBC and FOX. Then again, what do I know.

As to the new shows, the less said about Stylista the better. It's The Apprentice in the fashion industry with a second rate Donald Trump. The only person who has had the personality to carry off a show like that successfully has been Gordon Ramsay with Hell's Kitchen and let's face it, we watch that show as much to see Ramsay explode at the wannabes as for the format. 90210 seems to me to be a fairly safe and pedestrian effort at reviving a classic series. Hardly original but done right it should be a solid performer by CW standards. Actually, the show that vaguely intrigues me is Surviving The Filthy Rich. This is mainly because of the presence of Joanna Garcia who was about the third funniest person on Reba (behind Steve Howey and Melissa Peterman) and the only reason I could come up with to watch Welcome To The Captain. I can certainly see this working more as a light hearted "dramedy" along the lines of a show like The Gilmore Girls. I'm just wondering how well it matches with 90210 – I mean besides the wealthy teenage angst thing.

Friday, May 09, 2008

Who Does The PTC Hate This Week – May 9, 2008

Wow! If I had known that I wasn't going to be posting for this long I'd have put up the Campbell's Soup Can (the universal sign of a blogger who was going to be away for a while). But of course I didn't know this was going to happen. Basically I just couldn't summon up the fire and desire to write anything. I was feeling Blogger's Block which combined with the time of the year – nearly the end of the regular season, no new "spackle shows" available courtesy of the strike, and the summer reality blitz not yet ready to roll. In short hardly anything to write about (or at least nothing that I really have been enthusiastic enough to write about) except the PTC, and to be honest I haven't been feeling that hot about writing about them. But they just keep getting outraged, and as we'll see when we get to the "Misrated" part of this post, it's sometime over the most absurd things.

Before we begin dissecting the outrage of the PTC at this week's supposed despicable acts carried out by the networks against the parents of America – which of course means the PTC itself since they have determined that they know what TV shows everyone in the United States, regardless of age, should be permitted watch hence their near constant outrage – let us spend a moment to snicker in their general direction. Why are we snickering at the PTC? Well, you might remember the PTC's outrage at the decision by CBS to repurpose the Showtime series Dexter to broadcast TV as a result of the Writers Strike. Apparently, regardless of the time slot the show was seen in, this action would expose America's children (or maybe the child-like American population regardless of age) to a show where a serial killer was the "hero." That was what they objected to but they were rallying the troops even before the show aired (and aired with considerable editing to eliminate things such as nudity and obscene language) to protest to the FCC over such a worthless program that would turn America's children (or America's child-like adult population) into seething serial killers, and they deployed a mass of "experts" ranging from an actual expert – quoted somewhat out of context – to a retired army officer who has created his own field of study ("killology") to prove that the show was going to turn America's children into slavering monsters. On April 2nd, the University of Georgia announced that Dexter had won a George Foster Peabody Award, which "recognize distinguished achievement and meritorious public service by TV and radio stations, networks, producing organizations, individuals and the World Wide Web." Not a word commenting on the award has come from the PTC. They are still trumpeting the commitment by NBC to the Family Hour – even while they're complaining about an NBC series airing in the Family Hour (but more on that later). All together now – >snicker snicker snicker<.

Given that it is shareholders meeting season it should come as no surprise that the PTC is making the effort to reach out to advertisers to request/demand that the advertisers adhere to the PTC's vision of good advertising conduct by not putting their commercials into show that the PTC hates. But what about the commercials themselves? Recently a PTC representative appeared at the Pfizer Pharmaceuticals shareholders meeting to complain about the company's ad for a certain little blue pill (Viagra). PTC Director of Corporate Relations Glen Erickson expressed the organization's views: "I'm sure you'll agree that parents need to monitor and control what their children are watching but your commercial advertising offers no indication as to where these spots will suddenly appear. Moreover, because of the sheer volume of advertising weight that Pfizer supports this particular brand with, it is virtually impossible for a parent to identify what shows will have kid safe commercials. Recently, your ads have appeared in NCAA basketball, ABC's World News and during shows on family-targeted networks such as TV Land and Discovery Channel. We understand that you are targeting men with your message but please appreciate that children are watching these programs as well. We receive e-mails, letters and phone calls on nearly a daily basis asking the PTC to address their concerns with you. Parents are feeling powerless and find themselves addressing personal parenting issues at a time and place that seem to be dictated by these ED ads. Your spots when viewed by children are at least confusing, if not upsetting and embarrassing, to all family members trying to watch TV together."

One thing that I noticed about this statement is just how different it is from the usual plea that comes from the PTC which usually takes the form of the PTC begging the company to abstain from advertising on those harmful programs and to tread the paths of righteousness – with the help and advice of the PTC of course. This statement isn't like that. It's almost deferential to the company. And apparently it worked because Pfizer officials agreed to meet with representatives of the PTC this month.

The problem of course is that "all" the PTC wants Pfizer to do is to stop advertising to its key markets. Think of it for a minute; who buys Viagra? Answer: men, and in particular older men (also adult film actors, but the PTC hates anyone and anything even tangentially linked to porn – for example any woman who ever stripped off for Playboy). The peak market for sports is men, and there is a major component of TV news viewership tends to be male, and – as poster on the Internet keep pointing out – older. How many pre-teens or teens watch Katie Couric. I can't comment on advertising on TVLand and The Discovery Channel, because we get different versions of those channels here in Canada (and Shaw Cable doesn't carry the Canadian version of TVLand anyway) but I can't help but note that the PTC has chosen not to mention when the "offensive" ads on those channels aired. Does this mean that I support Pfizer over the PTC? Well I wouldn't necessarily go that far – I find the ads for Viagra, and competitor Cialis, to generally be tastefully done – but I can see that they might lead to potentially embarrassing questions. And maybe that's what the PTC objects to most, embarrassing questions from curious kids.

Another "snicker" moment coming up for the PTC. You may recall that the Council embraced Ben Silverman's announcement about keeping the first hour of prime time more "family friendly" as a victory for the illusory "Family Hour" (illusory because it simply doesn't exist). You will also remember the feeling of surprise that they actually bought into it expressed not just be me but by others including Tom Jicha of the South Florida Sun-Sentinel who wrote that, "NBC Entertainment President Ben Silverman isn't a snake-oil salesman. He's someone a snake-oil salesman would be wary of. Silverman, as is his job, is trying to get any positive publicity he can for his struggling network." He specifically pointed at My Name Is Earl and 30 Rock as examples of shows that the PTC would find and has found not very "family friendly." Sure enough, less than two weeks after the press release praising Silverman and NBC, the PTC has released a new press release, condemning NBC for "its abrupt about-face, as evidenced by a number of recent graphic scenes during Family Hour broadcasts." The specific content they objected to came from My Name Is Earl and 30 Rock; in the case of the content from My Name Is Earl it came from an episode that aired the day before the initial press release. In the case of 30 Rock it was the April 10th episode which featured mentions (and probably some footage – I don't watch the show) from a fictional reality series called MILF Island. Here's what the PTC press release states, "According to PTC research, the episode of "30 Rock" showed mothers on "MILF" Island competing for the attention of 8th grade boys. (The term "MILF" is an acronym for 'Mothers I'd Like to F***.') When the mothers are eliminated from the competition, they must remove their bikini tops and throw them in a fire. The young boys are shown watching the women dance provocatively." Presumably PTC research means that someone from the organization turned on the TV and watched the episode, which also featured Tina Fey's character Liz Lemon roundly condemning the fictional show. In a letter to Silverman Tim Winter, president of the PTC wrote: "We were the first to praise NBC for returning to the Family Hour, but we must now be the first to condemn their apparent abandonment of the previous week's so-called commitment. We repeat our request to NBC: please make the Family Hour truly family-friendly. Responsible television programming is good business. NBC could easily return to its roots with successful shows that appeal to the whole family, such as The Cosby Show. Committing to families must be more than empty talk. We expect NBC to make good on its pledge to keep the Family Hour intact and fill it with programming that even children can watch."

In his letter to Silverman, Winter also wrote the following: "I understand that 'family' is a broad category and it includes families with small children, families with older children, and even families without children. But all too often material is called 'Family Programming' when in fact it is nothing of the sort. Ugly Betty comes to mind. The PTC has also recorded scenes from that program which implied oral sex, reference to genital size, pornography, strippers, anal sex, threesomes, kinky and fetishistic behavior, statutory rape, S&M and partial nudity. Foul language in Ugly Betty frequently includes words like 'suck', 'bitch', 'ass,' 'screw' and 'damn'. This is hardly 'family' quality material." I mention this because one of the executive producers of Ugly Betty was none other than Ben Silverman, before he became head of entertainment programming at NBC. Knowing the shows that were already airing in the "Family Hour" (that doesn't exist) and the track record as a producer of the man who made the supposed pledge to promote family friendly programming, what exactly did they really expect would happen? Was Silverman supposed to pull already produced episodes of two shows – one of which aired before he made "the announcement" because he made this pledge? For that matter why did the PTC believe that the man who was the Executive Producer of Ugly Betty – a show that the PTC loathes as much as it loathes My Name Is Earl – would share the same concept of what "Family Friendly" means that they do? For that at the very least we can surely muster a bit of a snicker at the naiveté of the PTC.

Remember when I said that the PTC gets outraged at the most absurd things as shown in the "Misrated" section of this post? Well, see what you think of this: they are objecting to the TV-PG rating for the April 7th episode of Dancing With The Stars! They think it isn't restrictive enough! So what happened? You may remember that Adam Corolla was a contestant this season. My brother, who loathes Dancing With The Stars thought he was the best one but that had a lot to do with him making a "farce" out of it. The PTC agrees with my brother, well except for that "best one" part. They write of Corolla, "Actor/comedian Adam Corolla, who has distinguished himself in the competition by making sleazy remarks at every opportunity, commented that he had been made to look more like a porn star than Zorro." In speaking with Tom Bergeron, following what turned out to be his last performance on the show (or possibly in the "confessional" sequence on the results show – the PTC doesn't offer access to this clip or maybe someone at ABC was smart and made them take it down) Corrola (according to the PTC) "thanked the wardrobe department for "dressing me like a silent porn star" to which his partner Julianne responded 'Oh (bleeped sh*t!)'" There; that's it; all of it. Adam Corrola said he thought he looked like a "silent porn star" and sweet little (Mormon) Julianne Hough said "shit" which the ABC standards and practices people were able to keep from being broadcast with a well placed "bleep." And if was a live sequence on the show that was even more impressive of them Well except for the PTC's explanation of the reasons why this show was misrated (though they don't actually say what it should be): "Such content is highly inappropriate for a program airing during the Family Hour, and which is one of the few programs left on prime time that parents could watch with their children. ABC's failure to rate this program appropriately stands as yet more evidence that the TV ratings system needs to be standardized – and taken seriously by the networks. Saying "porn star" which, no matter what the PTC thinks, are not bad words, and having a teenager (Julianne is 19) supposedly saying a word that was bleeped by the censors. And after all, TV-PG means Parental Guidance. I think the PTC is reaching way too far on this one people.

Finally, because this week's "Worst Of The Week" is yet another diatribe about Family Guy, which is getting to be incredibly boring to me – the diatribes not the show (which I don't watch) – we turn to the most recent TV Trends which confronts the evils of the demon Mari-ju-wana (that pronunciation seems appropriate, but for the life of me I can't remember who said it that way). More accurately, what the PTC sees as the "glorifying" of marijuana use in the media. Of course they don't blame TV entirely – they blame Harold And Kumar Go To White Castle: "With the exception of the Cheech & Chong movie series, prior to the mid-1990s, "stoner films" glorifying the use of marijuana were rare; but popular culture since that time has seen an explosion of pot-themed movies. This trend shows no signs of abating; indeed, the new movie Harold & Kumar Escape from Guantanamo Bay is set for release on Friday, April 25th. This film, a sequel to the 2004 picture Harold & Kumar Go to White Castle, will again enlist teen viewers' enthusiasm for the dope-smoking duo – an enthusiasm hyperbolically proclaimed on certain Internet sites." They actually go so far as to quote (severely edited of course) a comment posted on IMDB about the movie Harold & Kumar Escape from Gauntanamo Bay as proof (click the link to see the full quote, in context): "One Internet Movie Database commentator says that the movie's 'multicultural slackers' are 'American every-men that we can all relate to…incredible human characters who are struggling with real challenges around parents, romance, friendship, the law, and race.'" They then add their own commentary: "One wonders whether today's teens and young adults universally agree that two moronic potheads are the finest representatives of their generation; but regardless, this movie will join many others in displaying a casual attitude toward marijuana consumption, if not actually glorifying it." Setting aside for a moment the fact that nowhere in the original quote – or even the quote as edited by the PTC writer – does the commenter describe the characters as "the finest representatives of their generation," one can scarcely believe that "today's teens and young adults" would universally agree about anything. I mean there are still some who support George W. Bush!

But of course it is not the movies that the PTC objects to, it is TV. As they put it, "And where movies and other pop cultural phenomena tread, TV follows." The first example of rampant pot use they describe is That '70s Show about which they say, "That '70s Show, given its time-period setting and its obsession with the raciest and most counter-cultural elements of the era, made endless references to the use of marijuana." And of course that show is now widely syndicated. But That '70s Show isn't the target of the PTC's real anger – that would be Gossip Girl on The CW and My Name Is Earl on NBC. The PTC points out numerous – well one or two – examples of a casual attitude to marijuana use in the show: "However, the program has also multiple instances of teen drug use without any stigma attached to such behavior. On the September 19th episode, Chuck asks Nate if he wants to go get some "fresh air" and mimics smoking a marijuana joint. Blair pulls Nate away, causing him to tell Chuck he will smoke pot with him later. And in a later episode in the series, several teens are shown passing a joint around." They note a number of occasions where the show has specifically made reference and condemned the use of harder drugs by adults and states, "Such scenes demonstrate that drug use is a bad thing, and portrays teens as noble and virtuous for opposing the use of drugs by their parents," but later they note, "Gossip Girl rightly condemns parental use of drugs like cocaine, pointing out the tremendous harm drug use can cause – but then assumes that underage teens drinking and smoking marijuana is harmless and normal."

As for My Name Is Earl, they first stick in their normal bit of vendetta against the show for not being Touched By An Angel or Highway To Heaven – in other words for not focussing entirely on Earl doing good: "The latest example of the casual attitude towards marijuana use on television occurred on the April 17th episode of the formerly family-friendly but now louche NBC comedy My Name Is Earl. This program has gone to pot in more ways than one in recent seasons – but never more literally than in this episode..." Now setting aside the fact that I'm a "tell it to Sweeney" kind of guy who finds the use of the word "louche" to be pretentious beyond words, I find the PTC's "logic" in this strained beyond the bounds of sensibility. In the episode, which is a flashback, Earl's father burns a duffel bag full of marijuana that has been stashed in Earl's truck by a dealer (he thinks the truck is an abandoned wreck). Earl, Randy and their father have to try to replace the marijuana when the dealer comes looking for it. In the end, Earl's father feels happy about the experience because he's had the opportunity to protect his family. But here's what the PTC has to say about all of this: "But while throughout lip service is paid to the fact that marijuana is illegal, nevertheless it is shown to be a positive influence. At the end of the episode, Earl Sr. reveals that the dope-filled incident made him happy, because buying from the drug dealer gave him a chance to become a hero – with the result that, indirectly, marijuana was a beneficial presence in his life." Even the date on which the episode aired (and the second Harold & Kumar movie debuted) came under fire from the writer: "In addition to the many moments portraying marijuana use as comedic and not harmful, this episode offered an additional wink to the pro-marijuana crowd. Like the upcoming Harold & Kumar movie, the Earl episode was released as nearly as possible to the date April 20th – the number '420' being drug subculture code for marijuana use."

I'm not even going to dignify the My Name Is Earl stuff with a response since it is so patently absurd and moronic in its efforts to make connections. However something does need to be said about the other two shows mentioned. First of all, as someone who was in high school and university during the real 1970s (and didn't use marijuana, or even beer for that matter – on marijuana I'm on the side of "legalizing, regulating and taxing") I will still insist that any portrayal of teens in that period has to at least acknowledge the use of pot by teens. I knew guys who came to class stoned – although it should be said that when I was in high school here in Saskatoon booze was the drug of choice for my classmates who indulged. Pot was more common when I went to university. As for Gossip Girl, that is an even more obvious case of trying to depict a particular circumstance with at least a slight bit of reality. How can you present even a fictionalized version of modern high school life anywhere, let alone an upper class private school in New York, without depicting at least some of them using marijuana? The PTC statement says that the show "assumes that underage teens drinking and smoking marijuana is harmless and normal." I don't know about harmless, and I'm not even prepared to claim normal but what I will say is that it is more common than the PTC is willing to accept, and it isn't because TV or the movies have "glorified" it.

Wednesday, April 09, 2008

Who Does The PTC Hate THIS Week?

Well, I've enjoyed my nice (and need I mention that I feel it was well deserved) break from going after the PTC, but it's probably time that I got back on the topic and pointed out the usual hypocrisy and mistakes that these people have been making. I won't go too far back; I did leave quite a backlog, and strange as it may seem sometimes I do try to keep this column down to a reasonable size.

Oh, and by the way, only one person has voted in my new NBC shows poll yet. Did I make a mistake by not putting "These shows all represent a big steaming heap of dog crap" as a possible response?

Speaking of the NBC lineup and steaming piles, the PTC is fulsome in their praise of the network for their commitment to "The Family Hour." This is one of the biggest piles of steaming you-know-what you are ever likely to come across. Sayeth PTC President Tim Winter, "We thank NBC for committing to air family-friendly programming during the Family Hour. Our recent research showed that this programming block has been flooded with adult content – on every broadcast network. Families do not want to be barraged with graphic sexual content, violence or profanity and want a time during the evening that is considered safe for the whole family to watch television. Responsible television programming is good business. We are heartened that NBC appears to be listening to the calls of so many parents and families, and we hope that other broadcast networks follow NBC's lead."

Well here's where the "big steaming pile" comes in. NBC may say that they're committed to the Family Hour (which as we all know doesn't exist) but an examination of the NBC lineup shows very little for the group to be praising if their own "Worst of the Week" is considered as a guideline. Here are the NBC shows for the first hour of primetime in the fall and I'll also include the winter lineup – new shows are in capitals:

M Chuck
TThe Biggest Loser
WKNIGHT RIDER
TMy Name Is Earl and 30 Rock
F CRUSOE / Deal or No Deal (W)
SFootball/ Dateline NBC (or MERLIN, depending on what you count as "The Family Hour" on Sunday nights).

Now here's the thing; setting aside Crusoe and Merlin for the moment because we don't know what the content of those shows will be, we are left with two shows that the PTC has criticized in the not so distant past. Although I can't find the specific reference at the moment, I seem to recall that the PTC was less than pleased with the scene in the Knight Rider where Mike Traceur is in bed with two women. And of course My Name Is Earl has been a frequent presence in the Misrated and Worst of the Week section of the PTC's site because of "sexual content", and because Jaime Pressly was in Playboy once upon a time which means she can't possibly be on the show except to titillate, and mostly I suppose because it isn't the "life affirming show" that the PTC wants it to be.

The PTC is using the statement by NBC Entertainment co-Chairiman Ben Silverman to highlight their Family Hour Study which "proves" that the "Family Hour" is rife with evil. Here are the statistics that the organization offers up:

  • In 180 hours of original programming, there were 2,246 instances of objectionable violent, profane and sexual content, or 12.48 instances per television hour. Since the average hour of primetime broadcast television contains about 43 minutes of non-commercial programming, this indicates that content inappropriate for children occurs about once for every 3.5 minutes of non-commercial airtime.
  • Scripted television was by far the most offensive overall with 16.68 incidents of overall foul content per hour, compared to 0.31 per hour for game shows and 5.82 per hour for unscripted programs.
  • Foul language was found in 76.4% of episodes that aired during the study period. Whether scripted or uttered on a reality program, foul language is found on almost every series airing during the Family Hour.
  • Throughout the study period, 677 sexual scenes or spoken sexual references were recorded, or 3.76 per hour.
  • The PTC recorded 754 violent acts and images during the study period, or 4.19 per hour.

Of course all of this has to be taken with a grain of salt when you consider what the PTC considers to be violence, sex, and foul language – they have a far more rigid concept in each of those areas than most people (for example, the body of a murder victim who has been killed off screen and is being examined – as on CSI – is considered an act of violence).

Still, to have a high official at a network, particularly one of the Big Four, come out and say something that sounds like a commitment to family friendly programming must seem like manna from heaven. So much so that they seem to ignore the fact that when he was the head of his own production company, Ben Silverman was the man behind Ugly Betty, another show which features prominently on the PTC hit list as well as reality fare like Parental Control and Date My Mom which hardly seem likely to meet with PTC approval. Tom Jicha of the South Florida Sun-Sentinel writes of Silverman, "NBC Entertainment President Ben Silverman isn't a snake-oil salesman. He's someone a snake-oil salesman would be wary of. Silverman, as is his job, is trying to get any positive publicity he can for his struggling network. All you need to know is NBC's 'Family Hour' will include My Name Is Earl and 30 Rock. These are terrific series. However, the storylines are often not very family friendly, especially according to the blue-nosed standards of the PTC and its also misleadingly titled runningmate, The American Family Association." Jicha finishes his column (which is devoted to this very press release by the PTC) by saying, "The PTC prefers to jump on Silverman's "Family Hour" categorization to make it look like they're actually getting things done. The pitch for donations will follow."

Turning now to the area of FCC fines, we find the PTC incensed about the refusal of the FOX network to pay an FCC levied fine of $91,000 related to a five year old reality show called Married By America. There's some interesting background on both the fine and one of the reasons why the network won't pay, but first let's see PTC president Tim Winter in full ire:

It is simply outrageous that Fox has chosen to fight its fine for clearly violating the indecency law. The $91,000 FCC fine is already paltry for a rich network that profits for free from the publicly-owned airwaves. Fox is intent on claiming the so-called 'right' to barrage families with sexually graphic content and appears willing to do everything it can to dodge its public responsibility by refraining from airing indecent material before 10:00 p.m.

Fox simply does not have the public's interest at heart. If it did, it would admit wrongdoing, pay the fine, and promise never again to air this kind of sexually graphic material before 10:00 p.m. The public airwaves are no place for the type of content that could be found on pay-per-view or premium cable channels. Fox must comply with the law if it is to continue using the public airwaves for free.

So what sort of content are we talking about here? Basically it was pixellated nudity. Ars Technica describes the scene in question: "The FCC first proposed a fine against the now-defunct Married in 2004 after it received complaints about a 2003 scene in which several engaged couples party at a strip club. According to the FCC's analysis, couples kiss, and lick whip cream off on-stage performers, whose naughty bits are pixelated." The problem is that, according to the FCC analysts, the pixelization wasn't enough. In denying FOX's appeal, the FCC wrote, "The fact that isolated body parts were 'pixelated' did not obscure the overall graphic character of the depiction. The mere pixelation of sexual organs is not necessarily determinative under our analysis because the material must be assessed in its full context. Here, despite the obscured nature of the nudity, it is unmistakable that the party goers are participating in sexual activities and that sexual organs are being exposed." FOX then submitted a response to the rejection of their appeal, which was rejected, unread, by the FCC. Why? Because it had too many pages and the network hadn't submitted a form ten days in advance telling the FCC that they would be submitting an appeal that was longer than 25 pages. FOX argued that since they were appealing on behalf of seven companies, each of which was permitted to send in a 25 page appeal, their 39 page appeal should have been acceptable. The whole thing smacks of Emperor Joseph II telling Mozart that his composition isn't any good because it had too many notes.

And then there's the size of the fines. Originally the fine was $1.18 million levied against 169 FOX stations, however, in going over the complaints filled with the Commission, it was discovered that there were only thirteen stations where the complaint had actually been filed from within that market. An examination of the companies involved points out an interesting thing. Among the stations fined were three FOX owned and operated stations, and stations from the Meredith Broadcasting Group, Journal Communications, Sunbeam Television, Sinclair Broadcasting and Mountain Licenses LLP. A check of those entities (except for Mountain Licenses) in Wikipedia indicates that most of their FOX stations are not located in small communities but in medium to large cities. Sunbeam for instance has only one FOX station and that's in Miami. Meredith's stations are in Portland Oregon, Las Vegas Nevada, and Greenville South Carolina. FOX's owned and operated stations are in the top 51 markets, with the single exception of a station in Ocala-Gainesville Florida. Does this mean that the show was considered obscene in New York but not in Louisville (just as an example) because there were no complaints from that market?

The PTC is of course taking their standard "the FCC is always right (unless they disagree with us) so don't you dare try to exercise your right to appeal you immoral swine" line on this matter. The problem is that the FCC is continuing its policy of changing what it defines as indecency as it goes along. Having defined an exposed female nipple as being indecent, they then moved on to the bare female buttocks in the NYPD Blue case. With that fined at the last minute they have now moved on to defining obscured nudity as indecent. The rejected FOX appeal (reported in the Ars Technica post) pointed out that a considerable amount of what the FCC cited as reasons for levying the fine was primarily in the mind of the analysts that the FCC used to form their decision. Take this for example: "At one point the FCC's analysis of the show claims that one performer places himself close to a woman in a miniskirt, 'apparently to lick off the whipped cream' from her body. But nobody actually licked whip cream off anyone's body in the program, Fox protests." Or this one: "The agency's summary charges that at another moment two performers wear tops 'but their buttocks are pixelated, presumably to obscure portions of their buttocks as well as the g-strings that cover their genitals.' But, as Fox attorneys note, the episode 'never showed the women without clothes or without pixelation, so there is no way for the Commission to know what undergarments they were wearing.'" FOX also pointed out that the FCC analysts used the word apparently a lot, so much so that the title of the Ars Technica piece is "Fox to FCC: your analysts' sexual fantasies not our problem." To quote again from the article, "the word 'apparently' constantly appears in the agency's analysis, one participant 'apparently about to kiss' a stripper; two strippers 'apparently kissing one another...' But none of these actions actually take place. 'The Commission repeatedly relies upon these assumptions about what it presumes is occurring off-camera to justify its description of the program as "sexually oriented",' Fox argues. 'In no event does [indecency] regulation extend to an imaginative viewer's or regulator's assumptions about what may be occurring between characters off-screen.' And finally, Fox asks, how can it be 'unmistakable that the party goers are participating in sexual activities and that sexual organs are being exposed' if all the performers' 'sexual' body parts are obscured by pixelation?" How indeed? It is the sort of thing that the PTC does all the time of course but one would tend to expect more from a government agency with the power to levy fines, or in the extreme pull a TV station's license. (Just as a side note, when the online version of the Washington Post reported on the FOX network's refusal to pay the fine, many of the posters were eager to see FOX punished, in part because it was FOX and in part – a big part – because they mistook the FOX Network for FOX News. They tended to ignore the fine points of the issue of freedom of speech and the definition of indecency.)

Of course for the PTC there doesn't have to be a sexual context – real, implied, or imagined – for the PTC to complain to the FCC and to rally their one million members to "The Cause." All it takes is any hint of nudity. The PTC has urged its members to lodge a complaint against the CW network for airing a nude photo shoot on their show America's Next Top Model, even though the nudity was blurred or pixelated. According to the PTC press release, issued on April 8th, "The episode showed a model posing fully nude for photographs while lying on a bed. The nudity was partially blurred. The episode aired on March 26, 2008, during the so-called 'Family Hour' at 8 pm ET/7 pm CT." Said PTC president Tim Winter, "It is irresponsible for the CW Network to air full frontal nudity on the public airwaves at 8:00 pm, and based upon our analysis of the broadcast in question we believe this has crossed the legal threshold for broadcast indecency. This episode portrays a photo-shoot where the model is entirely naked; and the nudity includes the model's pubic region in full view, albeit slightly blurred. This is not simply a matter of artistic freedom, as some might claim. Rather, this is about a television network intentionally pushing the envelope to establish a new acceptable nudity standard for the broadcast medium. The entire photo shoot scene, which lasted for more than a minute, is wholly gratuitous and undoubtedly intended to titillate. Sadly, it appears that CW believed this was appropriate content for children given that the show aired during the Family Hour. Even more children were exposed to this graphic content because of the time it aired."

For reference purposes I've managed to find an example of the "offensive" material which you can see above. I found it in the TVSquad recap of the episode in question. In case you aren't aware, TVSquad is owned by AOL, so I doubt that they'd post anything that any sane person would regard as indecent. The image in this case does appear to be more than "slightly blurred" to the point where – in this photo at least – it seems difficult to me to tell if she's fully nude or wearing large panties or indeed a body stocking. Now I understand that since a screen cap from a TV show only captures an instant in series of moving images there may have been scenes where her nudity was more obvious, but one can scarcely imagine based on this image that the photo session was intended to titillate. As for being gratuitous, the nude session, shot by a top photographer was a reward for an event in the show, and as any model worth her salt will tell you, nude photos are an important part of a model's portfolio. So I would hardly call this part of the show gratuitous. Nor do I believe that it is an effort to "establish a new acceptable nudity standard for the broadcast medium," given that we've seen nudity of equal measure in a show like Survivor. Indeed if anyone in this case is trying to "establish a new acceptable nudity standard for the broadcast medium," I would argue that it is the PTC in their effort to push back the established norms in this area. They did it with actual nudity in the NYPD Blue case, they did it in the Married By America case detailed above as related to obscured nudity with a (supposed) sexual contest, and now they're trying this. And if they succeed in this matter, what comes – or rather goes – in terms of what is acceptable next?

Friday, March 14, 2008

Bubble Bubble, Shows In Trouble

I just came upon an interesting listing of shows that are "on the bubble" according to The Hollywood Reporter. They have a separate blog based on the pilot season complete with charts – lists actually – of the shows in development for each of the broadcast networks as well as a listing of the shows that are, as they put it, "renewed, pending or bubble." My big question I suppose is what the difference is between pending and bubble? Is a pending show more likely to have renewal or cancellation being announced sooner rather than later? Or are bubble just shows that no one knows the status of – or at least no one who is willing to talk. And of course as is usual with these things there are mistakes, or what seem to be mistakes but which may not be mistakes. Anyway, without much further ado (because I'll be commenting on so of the stuff as we go along) I present the listing of pending and bubble shows for each network.

ABC
Pending: Oprah's Big Give, Here Come the Newlyweds, Scrubs
Bubble: Men in Trees, Women's Murder Club, Boston Legal, Carpoolers, October Road, Just For Laughs, According to Jim

Comment: The interesting item here is Scrubs which is currently an NBC show. However it is produced by ABC Studios (which used to be Touchstone Studios) for NBC, and NBC doesn't seem that interested in keeping the show on the air, to the point where they decided not to give the show any post-strike episodes in what was supposed to be its final season. Then you have series star John C. McGinley saying that they had started shooting 18 new episodes for ABC next season. Meanwhile ABC Studios claimed that this was just routine reshoots...for a series that NBC hasn't ordered new episode for.

Three other items of some interest. The first is the presence of Carpoolers on the list – I thought it had been cancelled already. Next, just for the record, even if Just For Laughs is cancelled that doesn't mean it will stop being produced. The show is actually made for CBC in Canada (as Just For Laughs Gags) and repackaged for the American audience. Finally – and to me this was extremely surprising – most of the comments on the blog post were from people demanding that ABC renew October Road. And let me just say this about the prospect of According to Jim coming back yet again – AAARRRGH!!!!

CBS
Pending:
Moonlight, Rules of Engagement, Price Is Right Million Dollar Spectacular, Big Brother, Power of 10, How I Met Your Mother
Bubble:Dexter (season 2 for CBS summer?), Jericho, Cane, Shark, The New Adventures of Old Christine, The Unit, Welcome to the Captain

Comment: The Hollywood Reporter article suggested that How I Met Your Mother is likely to come back, even if it is the weak ratings link on the CBS Monday comedy line-up. The suggestion is that if it were cancelled other networks might consider grabbing it, on the grounds that a weak ABC comedyis better than most of the comedies that they have. The article also suggested that renewal is likely for Moonlight although that will likely depend on how strong the show's audience is when it returns. The show's fans are a passionate lot (and I admit that the show has grown on me) and it's a nice fit with Ghost Whisperer and Numb3rs. On the other hand prospects aren't as bright for Jericho. While the show gets a strong gain in viewership thanks to DVRs, the ratings for the past couple of week have been weak. Then again when was the last time that CBS had a show last longer than one season in the third hour slot on Tuesday? Think back to Judging Amy for the answer. That would also seem to answer the Cane question.

A couple of other thoughts from me. I am assuming that the listing for Big Brother relates to it as a winter series, since they're apparently already casting for the next summer version. I also have a sneaking suspicion that the fate of Power of 10 is directly linked to the possibility of doing a once a week night time Price Is Right. They've done it as specials while Bob Barker was with the show but would they be willing to try it on a regular basis?

The CW
Pending:
The Game, Beauty and the Geek
Bubble: Reaper, Aliens in America, Pussycat Dolls

Comments: Hollywood Reporter suggests that Reaper needed a strong (for The CW) performance against Lost to earn renewal. According to them the show "lost its way." They also claim that Aliens In America will be likely be cancelled. The show has been acclaimed critically but never really done well in the ratings despite being partnered with Everybody Hates Chris. I wonder how much of this assessment has to do with the decision by the network to close its Comedy Department. Finally (from me) I doubt that there's any real danger that Beauty and the Geek, which is just starting its fifth cycle, will be cancelled.

FOX
Pending:
American Idol, America's Most Wanted, House, Don't Forget the Lyrics, Bones, Back to You, COPS, 5th Grader, Moment of Truth, Terminator: The Sarah Connor Chronicles, Til Death
Bubble: Unhitched, Prison Break, New Amsterdam, Canterbury's Law

Comments: Let's be absolutely clear about this – virtually none of the shows on the Pending list is in any danger of cancellation. The exceptions are Back to You, Til Death, and Terminator: The Sarah Connor Chronicles and I think it is realistic to suggest that they're safe too. In the case of the two comedies, they don't do that well, but they seem to work and do you really consider dropping them if you don't have anything to replace them with? The case around Terminator: The Sarah Connor Chronicles is a bit different. According to the Hollywood Reporter article, "Fox executives like the creative product and thought the finale's performance last week was solid. The network also spent a considerable amount marketing the show, giving Season 2 some cost benefit. Also: The fourth Terminator movie comes out in 2009, and as The Simpsons Movie proved, there are promotional advantages to film-TV synergy." Prison Break is also likely to come back if a pitch for the fourth season is accepted. The big question is the new shows – Unhitched, New Amsterdam, and Canterbury's Law not to mention The Return of Jezebel James. Certainly the network didn't show much enthusiasm for New Amsterdam originally, first pulling it from the fall line-up just before they were about to debut and then cutting the episode order. Still, the show seems to be doing adequately in the ratings though obviously not as strong as 24 was in the same time slot last year. Then again, can you really compare a rookie series with little promotion to a major hit that was in its sixth season.

NBC
Pending:
Deal or No Deal, The Office, My Name Is Earl, Knight Rider(?!), Friday Night Lights (w/ DirecTV), ER, 30 Rock

Bubble: Law & Order, Law & Order: Criminal Intent (via USA), Medium, 1 vs. 100, Amnesia, Lipstick Jungle

Comments: Another case were virtually all of the shows in the Pending list are going to be back. NBC is working out a deal with DirecTV to share the costs of doing Friday Night Lights in return for the satellite company being able to air the show first. The bubble shows seem fairly safe as well, with the possible exceptions of Amnesia (which I hate) and Lipstick Jungle which I like more than I'm probably meant to. Law & Order has already cast Anthony Anderson from this year's FOX series K-Ville to replace Jesse L. Martin, and Criminal Intent (which is still my favourite of the franchise – I'd love it even more if they'd keep Alicia Witt) has the neat side deal with the USA network that makes it a perfect replacement series.

Friday, December 21, 2007

Who Does The PTC Hate This Week?

I wasn't supposed to be writing this right now. I was going to be out at the casino Thursday afternoon, so I headed off to catch the shuttle bus. I got there in plenty of time...I thought. There were about 15 people standing about waiting for the bus when I got there but by the time the bus arrived that number had almost doubled, but I was there before them so I should be able to get on the bus. Nope. The driver (who had to pick up people at another stop) quite sensibly limited the number of people who could get on to something like 18 or 20 and somehow, but people who arrived after me were among the 20 and one or two who had come before me weren't on the bus. But the truly galling part for me was this one guy who arrived after me kept shouting "Get in line. Those people there aren't in line." Of course this was after he was safely ahead of me.

Naturally this put me in a perfect frame of mind to write about the Parents Television Council. So who do they hate this week?

First off we have an issue which I actually agree with the PTC on, media cross-ownership. The PTC is opposed to a recent FCC ruling which will allow newspaper companies to also own TV stations (and presumably vice versa) in the ten largest US markets (I would assume that there is some variance in the existing ruling that allow the Tribune Corporation to own WGN and the Chicago Tribune, WPIX and Newsday in New York, and KTLA and the Los Angeles Times in LA). Naturally the PTC and I don't agree on the reasoning behind our mutual dislike for this ruling. In its press release the PTC states, "Broadcasters are required to use the public airwaves to serve the public interest, and at the same time they are able to reap immense financial benefit. This creates an inherent potential for a conflict of interest, especially when billions of dollars are at stake. It is therefore incumbent upon other media outlets to provide a check and balance by reporting objectively about how the public airwaves are being exploited. Experience has shown us that newspapers do not take TV or radio stations to task when they are jointly owned by the same media conglomerate." My concern has little to do with that. It does have to do with creating an atmosphere in which the number of independent media voices in a city or country is reduced. I'm thinking in particular of the presentation of the news. As a Canadian I know of what I speak.

The battle of media consolidation has already been lost in Canada. Both of the two major, private, English language televisions networks are paired up with major newspapers. CTV is owned by CTVglobemedia which also owns the Globe & Mail newspaper, the more popular of Canada's two newspapers. Torstar, which owns the Toronto Star newspaper also owns a 20% share of CTVglobemedia. Quebecor Media owns newspapers in both English Canada and Quebec as well as the TVA television network in Quebec.Global TV is owned Canwest Global, which also owns the Southam chain of newspapers which includes newspapers in every major English Canadian city outside of Atlantic Canada except Toronto. It owns both newspapers in Vancouver, the single dailies in Victoria, Saskatoon and Regina, and the only English language newspaper in Montreal. They also own the National Post, Canada's second national newspaper. The effect, particularly in the case of Canwest Global has been caustic. As a rather silly example, you will not see a single ad for a show on either CBC or CTV in a Southam paper but you often see full page ads for the latest program that Global has bought. It is in news that things are really bad. Canwest Global uses the reporting staff of their newspapers to "supplement" the newsgathering efforts of their TV stations. That sounds benign but the net result is that the reporting in both the TV and newspaper side seem to parrot a similar line. In the recent provincial election in Saskatchewan for example, both the Saskatoon StarPhoenix and the local Global TV station both exhibited a noticeable bias in the tone of their reporting towards the Saskatchewan Party and against the incumbent NDP government. To what degree that effected the election, which was won by the Saskatchewan Party is unclear but it undoubtedly had an influence. It's not a good road to travel, and one can only imagine the effects of such consolidation in the United States.

Of course the PTC can't stay mad at the FCC for long; who would their righteous, mass mailed form letter complaints about obscene content go to otherwise. This time around the PTC is claiming that the November 30th episode of Las Vegas was obscene and they're using same tactic that they used when they attacked the "teen orgy scene" from Without A Trace. They are claiming that the content in the Las Vegas episode was obscene in the Central and Mountain time zones because in those regions shows that air in the third hour of prime time start at 9 p.m. and end at 10 p.m. Don't laugh, that old wheeze got CBS a $3.25 million fine for the Without A Trace episode, and the maximum fines have gone up by a factor of ten since then. What I do find alternately laughable and scary is what the PTC is calling obscene in the Las Vegas episode: "The Parents Television Council™ is calling on its members to file complaints with the Federal Communications Commission (FCC) about an indecent episode of NBC's Las Vegas that aired on November 30 at 9:00 p.m. in the Central and Mountain Time zones and at 10:00p.m. in the Eastern and Pacific Time zones. The episode that was viewed by hundreds of thousands of children included a side camera shot of a stripper exposing her breasts. As if that were not offensive enough, the men watching her wagered money about the color of her nipples." That's it, that's what the PTC considers obscene: a shot from the side of a stripper exposing her breasts...in a strip club, and men wagering about whether the woman's nipples are pink or brown. Let's ignore the absurd notion that "hundreds of thousands of children" were watching Las Vegas, because it is an absurd assertion. What they fail to mention is the duration of the "exposure" in that side angle shot. It is less than five seconds. This isn't the "teen orgy scene" in Without A Trace, (which I personally still don't think qualifies as obscene) let alone the episodes of NYPD Blue where you saw extensive shots of strippers who looked like they were in a real strip club. And the only thing scarier than the image of some self appointed PTC censor hunched over his VCR remote advancing footage of the episode frame by frame to find the naughty bits is the idea that the FCC might actually rule that this absurd complaint constitutes real obscenity.

Sticking with that episode of Las Vegas for a bit, the PTC has also named it this week's Misrated show, and it's for pretty much the same reasons. The show was rated TV-14 LVD (Language, Violence, Dialog) and the PTC contends that the S descriptor should also be added. Here's the description of the scene that they provide: "Sam is trying to come to terms with her new situation when her friend Nick[?] from the Montecito comes to visit her one night. Sam is watching a terrible imitation of an '80s hair band perform a ballad called 'Stripper Girl': 'Your lips were red, your skin was pale…You were the one I wanted to nail…I asked you for a table dance, you came over, put your hand down my pants…' croons the singer as he pushes his hand down his own pants. Meanwhile, strippers dance in cages all over the club. Nick looks over at two men yelling "50 Gs on Pink!" "50 Gs on Brown!" Nick asks them what they are betting on. "Her nipples!" they answer gleefully. The stripper then whips off her top and provides America with a side view of her breasts as she continues to dance." Setting aside the fact that they got the name of the character from the Monetcito who visits Sam (it's Mike, played by James Lesure – I don't know who "Nick" is) I suppose one might think that maybe the lyrics to Stripper Girl is the reason for the PTC's demand for the S descriptor or the bet on the shade of the stripper's nipples. But wait, those would be covered under the D descriptor for "highly suggestive dialogue." So obviously it's the breasts, and in fact the PTC admits as much: "Las Vegas is by no means a family-friendly show -- though NBC apparently thinks it is appropriate for 14-year-olds. But refusing to use an S-descriptor in a program focusing on strippers and bare breasts demonstrates that the networks are either incompetent or willfully negligent when it comes to rating their own programs."

So let's get down to points. First, the focus of the episode was not on "strippers and bare breasts." In fact there were only three or four scenes of Sam in the strip club one of which didn't even show the strippers. None of those scenes ran for more than five minutes. The focus of the episode was a robbery at the casino and Danny's suspicion that his uncle may have been part of it. The storyline around Sam losing her job at the Montecito and trying to get it back was a secondary plot and hardly the main focus of the episode. Second, as I mentioned in critiquing the PTC's campaign to have the FCC declare the episode obscene, the actual amount of time in which the side view of the woman's breasts was seen can literally be counted on the fingers of both hands and I'm being conservative in this estimate. Moreover, the woman isn't seen in a close-up or clearly lit as other shows have done with similar material (like NYPD Blue did on numerous occasions). I scarcely think that any rational person would find that this met the standard of "moderate sexual situations" that is required to earn an S descriptor on a TV-14 show. Then again this is the PTC we're talking about.

Now, let's turn to the PTC's Broadcast Worst of the Week. And it's an old PTC "favourite" making a triumphant return to the top of this category, American Dad but to do so they have to resort to reviewing a rerun of an episode that ran during the second season of the show, "Lincoln Lover." According to the PTC the episode "included highly offensive comments about sexual orientation and perverse sexual innuendo which carried the show from joke after repulsive joke." And yes, that's exactly the way that sentence appears on the website. The episode starts with Stan talking about how it is "cool to alienate gays" and includes the line "gays are the new blacks." What some might see as a borderline clever play on the claim that some colour "...is the new black" the PTC adds, "as if to suggest that it was once "cool" to alienate African-Americans." Either the PTC doesn't get the reference – possible I suppose – or they feel the need to be outraged on behalf of Blacks and Gays (the organization has been accused of homophobia on more than one occasion). Subsequently Stan becomes involved with a group of "Log Cabin Republicans" (gay members of the Republican Party). According to the PTC interpretation of the episode, "When he realizes they are gay he not only changes his ideas about homosexuals, but now desires to be one. He tells his wife that he plans to have sex with a man to prove to his new friends that he is gay." Now there's quite a bit of detail and nuance that is missed in this description of the episode, which a look at the TV.com recap would show. But of course detail and nuance are hardly the PTC's stock in trade unless they "prove" the organization's point. They are far more concerned with the use of the term "power top" which they then need to explain to their readers ("which means he is willing to be the man with the role of penetrating the other") so that they'll know exactly why "This is not a term that children watching TV should be made privy to." The PTC's article ends by stating, "The needless sexual innuendo and offensive sexual scenarios make this show completely inappropriate for broadcast television and far more suited for extended cable." Now, I'm not a Family Guy or American Dad viewer (the PTC tends to lump the shows together in the same circle of Hell) for a number of reasons, none of which have to do with "needless sexual innuendo and offensive sexual scenarios." The PTC's review taken on its own would seem to support their position, the problem is that the PTC is engaged in that old pastime of essayists, picking and choosing the data they present so that it supports their cause, in this case to make the show seem far more outrageous and unfocussed than it was. A comparison of the TV.com recap with the PTC article would indicate that the show was far more than a collection of, "highly offensive comments about sexual orientation and perverse sexual innuendo." There was in fact a plot and a reason for the events described.

The Cable Worst of the Week is, yet again, Nip/Tuck. In the four weeks since I spun this recurring post off from my Short Takes posts, Nip/Tuck has been the Cable Worst of the Week twice (and I have a strong suspicion that they've changed the episode being described so it may in fact be the third time and I just missed reporting one). This certainly indicates an obsession with this particular show on the part of the PTC. Their outrage this time is with the sexual relationship between Eden and Sean. Eden is 18 and Sean is 42, something which the PTC makes a big deal about. I won't go into details, although the PTC does. I will simply refer you to the organization's final comment on the episode, which aired on December 11th: "In an era when the sexual abuse of minors has become a major concern, and the entertainment industry increasingly portrays and urges women and even young girls to think of themselves as sex objects, it is outrageous that Nip/Tuck's creator Ryan Murphy shows such insensitivity to these issues, and that his program is lauded by critics as 'deep' and 'insightful.' No doubt potential pedophiles take comfort in seeing their depraved desires lauded by Murphy's warped drama." There is an obvious problem in this assessment – Eden isn't a minor. Every state in the United States considers an 18 year-old to be above the age of consent for sexual activity (in fact the age of consent in the majority of states is 16 – in South Carolina it is 14). An 18 year-old can drive, vote, buy cigarettes, and join the army without getting a letter of permission from a parent. Society considers an 18 year-old an adult except when it comes to drinking. Even the PTC considers an 18 year-old to be an adult. Or at least they do unless it suits them not to as it does in this case. In other words, the relationship depicted in the episode is hardly sexual abuse of a minor, particularly since it seems clear from previous episodes of this season that Eden is at least as much the aggressor in this relationship as Sean is, and indeed it has been made abundantly clear that not only is Eden not a virgin (even with hymen reconstruction performed by Sean) she has been quite aggressive sexually. Far from portraying the "sexual abuse of minors" and showing potential pedophiles "depraved desires lauded by Murphy's warped drama," the show is depicting a relationship which is, if a little strange and even creepy, entirely legal. Put it a different way, would the PTC be up in arms about this if Eden were described as 20 and Sean were 44? I doubt it.

The PTC's TV Trends column this week is titled Decent Sitcom Content: An Alien Concept? The article focuses on the CW comedy Aliens In America. Proving that the PTC is not unable recognise a paraphrased quote when it suits them (see the American Dad piece for an example of a time when it doesn't suit them) the first paragraph of the article is: "To paraphrase a famous Shakespearean quote, some shows are born filthy, and others have filthiness thrust upon them. While many primetime shows occupy the former category, the CW's Aliens in America typifies the latter. A series that could be focused on cultural understanding and the true meaning of friendship is undercut
by tawdry and crude sexual humor." And then they go on to "prove" it, the proof consisting of three examples of dialogue from the show and one scene description. Each is followed by a PTC approved interpretation of the scene. The PTC is clearly stating that the show is awash with raunchy dialogue and situations. They state: "It is easy to forget the more positive elements of Aliens in America when these pointless scenes are embedded into the story. Do the producers hope to appeal to audiences desiring edgy fare? Do they feel that needless filth is somehow going to salvage the series in the eyes of the viewing public? What makes this truly appalling is the fact that Aliens in America on the whole is not a trashy show. Outrageous sexual humor is injected into stories that otherwise have the potential to be positive. The theme of deep friendship is undercut by homosexual innuendo. An attractive girl's company cannot be enjoyed without sex as an ulterior motive. These instances, and more, are sadly commonplace on the new series." Ah, but that's not the worst of it. The writer of the piece uses ratings to "prove" that the general public doesn't want to watch this sort of "raunchy" programming, particularly in the mythical "Family Hour." As the writer puts it, "Perhaps audiences sense that the tone of Aliens in America just isn't right. Despite being one of the CW's most heavily-promoted series, it is also one of the network's lowest-rated. Notably, Aliens in America consistently loses viewers from its lead-in, Everybody Hates Chris. Is it a coincidence that a teen/family sitcom with clean content and positive themes enjoys a higher viewership than a teen/family sitcom that sabotages its positive themes with coarse humor?"

Okay, since the PTC has declared that ratings are the benchmark by which we are to measure the success or failure of a "clean show" versus a "raunchy show," let's look at some ratings numbers. These numbers are taken from Mark Berman's Programming Insider Forum page and there are a couple of nights when the numbers aren't in a form I can use. The numbers are total viewers only (in millions):

  • October 1(the night Aliens In America debuted): Everybody Hates Chris – 2.58 million; Aliens In America – 2.33: -250,000
  • October 8: Everybody Hates Chris – 2.63 million (up 50,000 over previous week); Aliens In America – 2.11 (down 220,000 from previous week): -530,000
  • October 15: Everybody Hates Chris – 2.57 million (down 60,000 from previous week); Aliens In America – 2.23 (up 120,000 over previous week): -340,000
  • October 22: Everybody Hates Chris – 2.53 million (down 40,000 from previous week); Aliens In America – 2.35: (up 120,000 over previous week): -180,000
  • October 29: Everybody Hates Chris – 2.50 million (down 30,000 from previous week); Aliens In America – 2.11: (down 240,000 from previous week): -390,000
  • November 12: Everybody Hates Chris – 2.72 million (up 220,000 from 2 weeks before); Aliens In America – 2.24: (up 130,000 over 2 weeks before): -480,000
  • November 26: Everybody Hates Chris – 2.28 million (down 440,000 from 2 weeks before); Aliens In America – 1.89: (down 350,000 from 2 weeks before): -390,000
  • December 3: Everybody Hates Chris – 1.89 million (down 390,000 from previous week); Aliens In America (repeat) – 1.59: (down 300,000 from previous week): -300,000
  • December 10: Everybody Hates Chris – 2.09 million (up 200,000 over previous week); Aliens In America – 1.84: (up 250,000 over previous week): -250,000
  • December 17: Everybody Hates Chris (repeat) – 1.87 million (down 220,000 from previous week); Aliens In America (repeat) – 1.42: (down 420,000 from previous week): -450,000

There is a lot that we can conclude from this. The first of course is that neither of these two shows is drawing an audience that would merit running this long on any network other than the CW. Secondly, while Aliens In America has never passed Everybody Hates Chris in total viewership it is worth noting that there were two weeks when Aliens increased its audience over previous weeks while Chris lost audience, and several weeks when either the increase in the Aliens audience over previous weeks was greater than the increase in the Chris audience or the decrease in the Aliens audience was less than the decrease in the Chris audience. Finally, it is worth noting that The CW has also aired an "encore" performance of Aliens In America on Sunday nights since October 28th. In that time slot it pulls about 850,000 viewers. Are they people who watched the show on Monday and decided to see it again on Sunday or are they totally new viewers? Who knows? If even half of them are people who didn't see the show on Monday nights, then in most weeks more people watch Aliens In America than watch Everybody Hates Chris – raunchiness and all. What does it all mean? Well bearing in mind that the ratings for these shows are dwarfed by even the weakest shows on the four major networks, the answer is not much at all. The statistical difference is scarcely sufficient to "prove" the PTC's assertion that it's not coincidental that "teen/family sitcom with clean content and positive themes enjoys a higher viewership than a teen/family sitcom that sabotages its positive themes with coarse humor." As is frequently the case when the PTC tries to prove that people want clean programming their methodology is at best suspect and at worst as case of smoke and mirrors, heavy on the smoke.

Tuesday, October 23, 2007

Short Takes – October 21, 2007

I promised myself that I'd get more written this week, so what happens? Well what happens is a lot less than I was expecting to happen in terms of getting actual work done. There are a lot of reasons. A big one is that I'm finding it harder and harder to find time to watch the shows that I don't normally watch. Another thing is that I sometimes get so freaking tired that I fall asleep while watching a show and don't really know it until I wake up (that's not unusual for me – I've been known to fall asleep while playing poker online). Or I get sicker than a dog, which happened on Wednesday. Still there were things I wanted to accomplish that didn't get done and I'm frankly disappointed with myself.

By the way, I'm getting a new digital camera (they didn't have it in stock and I've been waiting three weeks for it) and of course like just about all digital still cameras it's got video capability, and there a couple of vague ideas running around in my head for using video in the blog once I get used to using the blasted thing. After all, Vista comes with video editing software – not great editing software but good enough for my purposes. So not only will I be able to post an up to date picture of my ugly mug but I might give you a chance to hear me stutter and stumble my way through a script. Just don't expect Brigette from TVSquad Daily – I'm not that pretty, that composed, or that prolific.

The first leaf – er show – of Autumn falls: Even though FOX was the first network to put a show on indefinite hiatus – that would be the little watched Nashville – The CW has the "honour" of being the first network to cancel a new show. They cut loose (cancelled, canned, sent to the glue factory) their extremely low rated video show Online Nation, and this one ain't coming back folks no way, no how. Nor should it. The show was essentially a look at the most popular amateur videos from YouTube and other video sites, and that was the problem – if I'm looking at stuff on YouTube I choose what I watch. So do you and so does everyone else. Who needs a middle man to tell us what to watch? And middle man was exactly the role that The CW's show producers had assigned themselves. The show had a measly 0.2 rating and was averaging 540,000 viewers – 300,000 in the 18-49 demographic so a lot of people shared my opinion on this. (Oh wait, CBS just canceled Viva Laughlin, and not a moment too soon either.)

Full and partial orders: The first series of the new season to get a full order was also on The CW. That was Gossip Girl in a move which was actually announced on October 10. According to The Hollywood Reporter, the show pulls about 3 million viewers in its regular time slot but viewership goes up significantly (20% in adults 18-34 which is the audience that The CW wants) once data from DVRs was factored in as Nielsen is now doing. More to the point the show is drawing the "right" people. The show is averaging a rating of 1.9/5 in adults 18-34 but 2.8/7 in women 18-34 and a whopping (well relatively speaking) 4.7/15 in female teens. That's a 15% share of that age group. Two other new shows got full season orders last Thursday according to Michael Ausiello. They were ABC's Private Practice and CBS's comedy The Big Bang Theory. As well CBS is giving a full season order to The Unit. The Grey's Anatomy spin-off Private Practice is the top new show among adults 18-49, while The Big Bang Theory actually builds on its lead-in, Two And A Half Men. Finally E! Online's Watch With Kristin is reporting that NBC has given an order for more scripts for four shows while CBS has given an order for more scripts for one. The NBC shows – Chuck, Life, Bionic Woman, and Journeyman – have all received orders for three more episodes while the CBS series Cane got an order for four episodes. Finally, Kitchen Nightmares, featuring Gordon Ramsay, has been renewed for next season. Again, not surprising – they can't give him a traditional full order because Ramsay's availability in North America is necessarily limited.

Conspiracy theory: Okay, I should preface this by saying that this is my own opinion and it has nothing to do with anything beyond how my twisted little mind works. It may be absolutely not what the networks are doing but I have to admit, I kind of think it holds together.

As you probably know all too well, the Writers Guild of America will be in a position to strike as of November 1st with contracts with the Screen Actors Guild and the Directors Guild of America coming next year. The strike authorization vote saw 5,507 votes cast out of about 12,000 members (most WGA votes have about a 30% turnout, according to Mark Evanier from whom much of the hard information in this piece come), with 90.3% voting to authorize the strike. If nothing else this indicates a far more united front than Mark at least expected. The issues of the strike include – but aren't limited to – raising the rate of residuals paid for DVDs (the companies pay more to the manufacturer of the box and packaging (about 50 cents) than they pay in residuals to the writer, director and actors combined (about 20 cents)), setting up a residual system for material distributed by other means such as the Internet (iTunes for example – each studio or network has cited $500 million or more a year in online revenue but claim not to have a business model in this area), and expanding the definition and protection of the union membership to those who work on reality shows. In the case of reality shows the situation is summed up by Howard A. Rodman in the LA Times in an op-ed piece: "It seems that the companies are content to make large profits on these shows but don't want to compensate the writers at standard guild rates. Sometimes they even deny that there's any writing going on at all. (Hint: in a "reality" show, look in the credits under "story producer.") And when they do admit that their shows are actually written, they don't want to pay the pension, healthcare and wages that are the industry standard."

Now I know enough about strikes and union negotiations to be dangerous. It used to be that the postal unions in Canada were actually split between two unions, the Canadian Union of Postal Workers (CUPW) for inside workers and a different union for the letter carriers. CUPW was the more militant union, and went on strike with depressing regularity. The non-striking union was still willing to work but the letter carriers could only deliver sorted mail and wouldn't cross the CUPW picket lines to sort it; that had to be done by employees classed as managers. The situation is similar with the WGA except of course that there are no managers. With the writers on strike production grinds to a halt.

So what does television do when production grinds to a halt? Here's where my theory comes into play. You may have noticed (like in the first news piece on this page) that the networks haven't been cancelling a lot of shows and certainly none of the scripted dramas and comedies. The only show cancelled has been The CW's dismal Online Nation. In the 2006-07 season two scripted shows had already been cancelled by this point in the season and by the end of November nine series had left the air including on replacement series. At the same time ABC and FOX have both got backlogs of programming set up as midseason replacements (including the previously cancelled According To Jim from ABC)while NBC has announced plans to revive American Gladiators and a celebrity version of The Apprentice. I think that the networks that are prepared for the strike are willing to run their existing series longer than they would if there were no strike in the offing – in other words run low rated shows until they run out of scripts rather than cancelling them quickly as has been the pattern in recent years. At the same time they are having scripts prepared for their replacement series (like According To Jim). Is it not possible that the networks that have been taking this action weren't thinking of the replacement shows as replacements for cancelled shows but rather as replacements for shows that have run out of scripts, something that is expected to occur for most shows sometime in January or early February? At the same time NBC has two reality franchises that people are familiar with ready to go. CBS has a season of The Amazing Race that hasn't shot yet, and of course FOX has American Idol in addition to their backlog of scripted shows set to debut in January. What if the networks aren't going to cancel the poorly performing shows this season unless the absolutely have to? What if instead they're behaving like a bear preparing for winter hibernation by building up a stockpile of fat – shows – to carry them through until the end of the season or the end of the strike, whichever comes first? Am I crazy; does this actually make any sense?

Oh wait, maybe I am crazy, because CBS has cancelled Viva Laughlin – the series with the singing casino owner – after two episodes. It will be replaced by The Amazing Race as of November 4th.

Who does the PTC hate this week?: I'm going to break tradition here a little this time around and first say who they don't hate. They don't hate The CW's Life Is Wild for which I heartily congratulate them for an all too rare bit of good taste. You may recall that a couple of weeks ago I reviewed Life Is Wild and actually found it to be rather good. And I'm not the only one; Mark Berman, the Programming Insider at Media Week wrote this about the show when discussing last week's ratings: "It's a pity more viewers are not finding Life is Wild, which takes the traditional family drama and adds a new dimension by the on-location filming in South Africa. Before you close the door on it (and I had to label it a loser with ratings this low), keep in mind that it grew out of Online Nation by 447,000 viewers and 50 percent in the demo." It's exactly the sort of programming that people from the PTC on down to families who disdain everything that the PTC stands for except some quality programming that you can watch as a family say that they want, and it's light years different from the mawkish sentimentality of Extreme Makeover: Home Edition with which it shares a time slot (and which I have come to loathe).

Now as to hatred, the PTC sent its North Jersey Chapter Director, Crystal Madison, to shame News Corp. Chairman Rupert Murdoch at his company's annual shareholders' meeting. The targets of Madison's ire were some of the usual PTC targets – Dirt on FX, and Family Guy, American Dad, and Bones of the FOX broadcast network. Surprisingly there was no mention of either Prison Break or Rescue Me in her little diatribe. Her conclusion actually quotes PTC Chairman Leon J. Weil: "The PTC chairman Ambassador Leon Weil [he was ambassador to Nepal for 3 years under Ronald Reagan – make of that what you will] summed it up best while speaking here last year with his common sense solution; (quote) '…if you are going to air mature content on your broadcast network, air it after 10 pm when children are unlikely to see it. And if you are intent on putting degrading programs like Nip/Tuck on the air, programs that violate your own corporate speech policies, put them on premium, not basic cable, where tens of millions of families who don't want it, and are in fact offended by it, aren't forced to pay for it.' (End quote)" Airing network programming after 10 p.m. is hardly an option for FOX which like The CW only offers two hours of prime time. But the funniest part of Madison's little speech actually came before her detailing of the wrongs of specific FOX and FX shows when she said this: "Fox Broadcasting and the FX network have repeatedly embarrassed you, the board and the shareholders with such programs as Family Guy, American Dad, Bones and Dirt." This is Rupert Murdoch and the board of News Corp. she's speaking to. They own both the News Of The World and The Sun in Britain and see nothing wrong with putting topless pictures on Page Three. Reportedly Murdoch was prepared to launch the Page Three Girl in the United States until his then wife threatened to divorce him if he did. The very fact that he owns the New York Post and made it what it is today should be ample evidence that nothing that makes money embarrasses this man. If someone were to ask Murdoch, "Have you no shame sir?" his answer would be "No." So what if FOX and FX incite the ire of people like Crystal Madison or Leon Weil. Murdoch is perfectly happy to laugh all the way to the bank.

The Broadcast Worst of the Week is a traditional PTC target, American Dad. It's not a show that I watch (because I don't like it) but the PTC hates it and Family Guy with the sort of burning passion that is usually associated with hating Hillary Clinton or George W. Bush. Here's a quote (well several actually, linked with ellipses) from the first paragraph of the PTC's commentary on the episode in question, which amazingly doesn't actually mention anything about the episode. In fact the first paragraph takes up more space than the rest of the commentary combined.

There is no shortage of people with perverted minds in our world, and most parents go to great lengths to make sure their children are not exposed to these people. In general we live in a society that frowns heavily on topics like incest and teen promiscuity and all those who promote or participate in such behaviour. It would be nice to say that all people frown on such behavior, but the people at the Fox network simply don't....Fox's Sunday night lineup has demonstrated season after season that if you can draw it they can air it, and the more perverted the better. With a complete disregard for decency, morality, and the general will of the average American family, Fox delivers smut-filled content week after week under the untouchable umbrella of satire and animation. However, the time has come for shows like Family Guy and American Dad to be called out for what they really are....it must be acknowledged that Family Guy and American Dad are not on the path of animated satire that popular shows like The Simpson paved nearly two decades ago, but rather that they are promoting the concepts and perverted fantasies of truly sick minds that are far more suited for the adult entertainment industry.

Tough stuff, right, but what brought this on? Well the episode of American Dad in question "featured, in a disturbingly normal fashion, an inadvertent sexual attraction between two teenage siblings." Well that's debatable. In the plot Haley, the 18 year-old daughter of the house, poses nude for an art class. In the art class is the family alien, Roger. Roger paints Haley's body but doesn't paint her head or face. He then brings the painting home. Later, 14 year-old Steve "is shown coming out of a candle lit bathroom carrying a box of tissue and the painting." According to the PTC, it "is clear that he was masturbating to the sight of his sister's nude body." Later when viewing the painting with a group of house guests, "Steve is shown rubbing his nipple in a perverse sexual manner. But of course he wasn't masturbating to the "sight of his sister's nude body" because Roger didn't paint her head. He has absolutely no way of knowing to whom the body in the painting belongs to. That of course is where the comedy can or should come from – wanting to be with owner of that body only to discover that she is in fact your sister. But of course the PTC sees vile and evil smut everywhere.

The Cable Worst of the Week is VH-1's I Love New York. Now I know that this show has been spun off from the Flavor Flav series Flavor Of Love I've never watched either show and have no desire to (I kind of think that Flavor Flav is either one of the ugliest people in the world or someone who is deliberately cultivating a ridiculous image for whatever reason). I'm not going to go into the reasons for why the PTC hates the show except that it involves sexual innuendo and a reference to the size of one man's (bleeped dick). It all degenerates into the usual PTC cry for cable choice as a means to remove "smut" from TV: "VH1 has shown its scorn for family audiences and quality entertainment for years. And that might be fine for three million people who watched the premiere. But what about the 75 million + subscribers who chose not to tune in, and in fact will never tune into I Love New York: 2? They're stuck with the bill." Well except of course that there is no show that gets 100% viewership, and indeed the advent of basic cable has meant that the television audience is increasingly subdivided by interests. Which I always thought, in my depressing naiveté was the whole point behind having cable in the first place, so that – as much as is possible – there is something for everyone.

This week's Misrated looks at Boston Legal. The episode in question, which aired on October 2nd was rated TV-PG DSV. According to the PTC, "A TV-PG rating suggests that the episode contains some material that parents may find unsuitable for younger children; that parents may want to watch the episode with the child; and that the theme of the program may call for parental guidance." The PTC then argued that because the episode dealt with an incident of rape and the mention of the words "semen" and "vaginal bruising" as well as two large photos of a murder victim are sufficient to have the show rated TV-14: "According to the TV ratings guidelines, this is material that 'many parents may want to watch with their younger children.' A discussion about a brutal rape and murder; discussion of semen being found in the victim; vaginal bruising; discussion of how the defendant was having an affair with the victim; all this warrants a mere TV-PG DSV?" In a later paragraph they add, "Considering the rating that Boston Legal did receive, apparently the entertainment industry feels that the discussion of rape and murder is suitable for children of all ages—as long as a parent is present." Of course they fail to mention that Boston Legal is a show that airs in the third hour of prime time or that it is opposite Law & Order: Special Victims Unit, a show that the PTC complains about when it is rated TV-14 and is frequently far rawer in its depictions than this, or – most importantly – that the rating given to Boston Legal for this episode is entirely consistent with the rating given to other programs with similar themes and plotlines. But of course they're all wrong and the PTC is right.

Recently the PTC has added a new section called TV Trends to their weekly offerings. This time around they're focused on the first hour of prime time with the rather appropriately titled Family Hour Follies although as we shall see the "follies" come from the PTC. The article starts with a rather odd description of the creation of "The Family Hour": "In reaction, during the 1970s the TV networks showed a sense of restraint by voluntarily choosing to set aside that early hour for programs suitable for children. Ever since, the time between 8 and 9 p.m. Monday through Saturday, and between 7 and 9 p.m. on Sundays, in the Eastern time zone (7 to 8 p.m. Monday through Saturday, and 6 to 8 p.m. Sunday in the Central time zone) has been referred to as the Family Hour." Well actually no. The Family Hour was not voluntary but was imposed on the networks by the FCC from September 1975 until the policy was overturned by one of those pesky circuit court judges in 1976. So we've established that "The Family Hour" doesn't exist and that the networks are able to air just about anything they choose in the first hour of prime time. The PTC seems oblivious to this though and claims, "After the release of The Sour Family Hour: 8 to 9 Goes from Bad to Worse, the PTC's study of Family Hour programming in 2001, even Congress was shocked by our findings. As a result, a bipartisan coalition of senators and congressmen urged the broadcast television industry to restore the Family Hour. At first, the networks responded positively. ABC introduced a "Happy Hour" featuring family programming several nights a week. The WB network retained some of its older family-oriented shows in the 2001 fall season and began developing new programs suitable for children. Even program sponsors got into the act, with several advertisers agreeing to fund the development of family-friendly TV scripts. At least some of the broadcast networks seemed to be making a concerted effort to return programming during the Family Hour to a semblance of its previously family-friendly orientation. But it wasn't long before programming in the first hour of prime time slid into the gutter, with new programs featuring even more graphic violence and explicit sex than those aired in the 1990s. In the years since 2001, the broadcast networks have increasingly ignored the Family Hour." There are further descriptions of how TV has slid headlong into sleaze and evil but that's not really my point in looking at this. In this article, the PTC turns into a network programmer and shows conclusively that they don't understand the television business. Take these suggestions (my comments are in italics and parentheses):

  • On Tuesdays, ABC is showing its new programs Cavemen and Carpoolers, both of which contain anatomically explicit sexual dialogue, at 8:00 and 8:30 p.m. Yet it shows the family-friendly hit Dancing with the Stars at 9 p.m. Simply having these programs exchange places would put the child-appropriate dancing program on in the Family Hour, while reserving the more adult material for a later time. (This of course is like putting the kiss of death on Boston Legal since the two comedies – which I haven't seen – have done atrociously in the ratings and wouldn't provide a good lead-in for the third hour drama.)
  • On Mondays, Fox shows its violent drama Prison Break at 8 p.m. On Thursdays, the same network shows the delightful game show Don't Forget the Lyrics at 9 p.m. Why couldn't Lyrics be put on in the 8 o'clock hour on Mondays, with Prison Break after it? (Which effectively kills both shows. The "delightful" Don't Forget The Lyrics goes down before the "family friendly" Dancing With The Stars, Chuck and the CBS comedies How I Met Your Mother and The Big Bang Theory. Meanwhile Prison Break goes against Heroes, Two and a Half Men, and Rules of Engagement, which are already beating the FOX series K-Ville. And if K-Ville goes to Thursday night it gets to be destroyed by CSI, Grey's Anatomy, The Office, Scrubs, and most likely Supernatural.
  • Sunday nights on ABC begin with the clean and upbeat family shows America's Funniest Home Videos and Extreme Makeover: Home Edition at 7:00 and 8:00 ET respectively; and at 10 p.m. the network shows comparatively clean Brothers and Sisters. Why does ABC feel the need to intersperse the raunchy sex comedy Desperate Housewives in-between? If ABC had Housewives and Brothers and Sisters switch places, it could have a fairly clean programming block from 7 until 10 p.m. on Sundays. (Now wait, weren't we talking about the first hour of prime time, or even the first two hours on Sundays? So why are they moving the "comparatively clean" Brothers and Sisters. And I'm even ready to argue that assessment of that show – their own site about the show states "There is some sexual content and some homosexual content, with some brief heterosexual and homosexual sex scenes and sexual dialogue." This by them is "comparatively clean?")

In their diatribe about the "Family Hour", the PYC mentions "several advertisers agreeing to fund the development of family-friendly TV scripts." This probably refers to the Family Friendly Programming Forum of the Association of National Advertisers, an organization which I wholeheartedly support, in part because their attitude on family friendly programming is not that every show in every timeslot but rather "to provide optional programming to families every day of the week, with the best-case scenario within (primetime)." They accomplished that this year with shows whose script development they funded on each night except Saturday with the addition of Chuck, Bionic Woman, and Life Is Wild to a list that includes Ugly Betty, Friday Night Lights, Brothers And Sisters, and Everybody Hates Chris. Because let's face the fact that television is a business and the networks have to appeal to a wide audience. To the degree that Prison Break works in the time slot that it's in (which I don't really think is suitable either), it is because it is an alternative to dancing stars, geeks, a variant of Friends and a spy who is part of the "Nerd Herd." If you don't like the show, or even the very idea of the show, don't watch it, but in a free country, shouldn't the option at least be there?