Showing posts with label The CW. Show all posts
Showing posts with label The CW. Show all posts

Tuesday, November 04, 2008

Short Takes – November 4, 2008

As a lot of you might know, in the past I used to do a regular series of posts called Short Takes in which I wrote about TV related news and gave my opinion on stuff. I sort of gave up on it, primarily because I got behind in grabbing stuff for the column and it got to be a bit of a hassle, and mostly because, by the time I had the column written it was usually old news. I can't say that I really miss writing those pieces but there is a bit of a hole, so I've decided to try to revive the idea. Well sort of. This is an experiment undertaken largely because I want to write about someone that I don't know much about who is in a situation that I don't know much about, but what I know about him, mostly his writing, I basically like and what has happened to him I basically don't like.

Another TV Critic Fired: Eric Kohanik, one time president of the TV Critics Association has been fired as editor and TV critic for the TV Times booklet that appears in most of the CanWest newspapers, including my local rag, the Saskatoon StarPhoenix. According to Bill Brioux, former TV columnist for the Toronto Sun who currently does a weekly column for the Canadian Press (a column that is not seen locally) and produces the blog TV Feeds My Family the fault isn't with Kohanik's work but the general malaise that has infected newspapers in general: "TVTimes, one of the more handsome weekend TV supplements, has been deemed dispensable in this age of high newsprint costs, declining ad revenues and on-screen TV listings. At one time it appeared in 33 newspapers across the country as part of the Southam and later CanWest chains. Like the print edition of TV Guide in Canada, it is being phased out of circulation, reduced to mere listings without editorial content."

Making this about me for a moment, this leaves me without a TV critic that I can read in the local paper, as the local rag basically depends on the syndicate for most of its entertainment content. Now admittedly, even when the StarPhoenix was part of a two paper family owned chain as often as not they farmed out TV criticism to outside sources. For a long time in the 1960s they had a local critic – a man named Ned Powers, whose brother-in-law I bowl with, and who sometimes bowled with my mother – but he usually wrote about once or twice a week and I don't remember much of what he wrote. After all it was nearly 40 years ago. In the 1970s and early 1980s the paper had a column written by Gary Deeb of one of the Chicago newspapers. I think it was the Tribune but I'm not sure. Deeb used to infuriate me when he criticised shows I liked but that's part of being a TV critic. Deeb's column vanished rather suddenly as I recall, and I don't really recall anything replacing him. Eventually, along came Kohanik but I confess I wasn't really aware of when he started being a big part of the TV Times experience for me.

The death by inches of the TV Times and paper TV listings in general is something else that bothers me considerably. To be sure I have issues with the TV Times. For one thing it doesn't carry listings of the full spectrum of cable channels available to me while carrying listings for other channels that I have no way of getting, but I truly like having a full week listing even if it is a listing of majority of the channels rather than everything. Sure, my digital cable has a guide function, and there's a listings channel on the analog part of the cable, but the analog listings channel only covers the next hour or so, and the digital guide at most lets me see a day or two into the future. Beyond that I have to schlep off to the computer to check Zap2It. Sure it doesn't sound that arduous – and it isn't really – but so much easier just to have it in a magazine beside my watching position.

Of course, more important to me than the listings is to have someone who can give me their opinion of a shows, and just to write about them, and that's going, moving to the Internet. Maybe that's a good thing. If you read Ed Bark's blog you'll eventually discover that he has more independence now than when he was working for the Dallas Morning News which was owned by Belo Corporation, which also owned one of the Dallas stations. Bark wasn't allowed to critique local TV news stations even as the newspaper was moving its national TV coverage to wire service copy. I'm not going to speculate that Eric Kohanik had to deal with similar problems while working for the newspapers owned by Canada's third network (newspapers which conspicuously don't take ads from either CTV or CBC, and probably not from Rogers in areas where Rogers' CITY-TV stations are operating). He's always seemed pretty fair and balanced to me, calling crap crap regardless of the station on which it aired. What I am more than willing to say though is that having this sort of thing in my local newspaper is useful to me. And my local newspaper is giving me short shrift when it comes to TV coverage. The daily primetime listings were discontinued to give readers a full page of comics (up from the previous half page – the local rag doesn't like comics – takes away from ad revenue). TV get short wire service news squibs in the Entertainment pages...sometimes. On the Saturday there are a couple of columns that tells us the highlights of TV on Saturday and Sunday (no Sunday papers in the CanWest chain). But TV criticism? They spend more column inches on a snarky gossip columnist, and he doesn't get that much space in a week. Sure, TV criticism on the Internet is fine and may even be where it all ends up, but for me, I like being able to immerse myself in it in a way that I can't while sitting in front of a computer screen and can while reading my newspaper. I guess I'm going to have to buy the Globe & Mail more often.

Network Cancellations: Five so far this year. Do Not Disturb went first, in September. Next, ABC dumped the Ashton Kutcher created game show Opportunity Knocks on October 16th after three episodes. Then CBS dropped The Ex-List on October 27th after four episodes. Finally Media Rights Capital, which was programming Sunday nights from The CW has dropped two of their series, Valentine and Easy Money, although they will apparently burn off the remaining episodes produced of both series. The cancellation of The Ex-List comes as sweet vindication for those of us who came to love Moonlight. On the other hand I am one of those who is still mystified by the CBS decision to cancel the relatively successful Close To Home to create a hole for Moonlight.

I did review Do Not Disturb – found it dreadful – but missed the other four. Actually I had no earthly intention of writing anything about Opportunity Knocks which sounded like one of the worst ideas ever. I had no real desire to write or even view either Valentine or The Ex-List, so the decisions by their respective networks saved me the trouble

Network Renewals: NBC has given back nines to Knight Rider and Kath & Kim. They`re both mysteries to me but Kath & Kim is probably the bigger one – I just don`t get it. CBS's The Mentalist also received a full season order, not surprisingly given that it seems to be the only true success so far this season. They've also increased the order – although not yet to a full back nine – of their Thursday night drama The Eleventh Hour. The CW has given a back nine to their highly publicized 90210 although not to the show that follows it, Privileged. I mention Privileged because while the show loses audience out of 90210 its audience seems to consistently increase by 20-30% when the DVR "Live +7" audience is factored in.

Network Movements: NBC has announced that they will be bringing the original Law & Order back on Wednesday nights in the third hour. The show was originally intended to air on Sunday nights once Football ends but will instead replace the underperforming Lipstick Jungle. That show in turn will move to the third hour of Friday night, unseating the sophomore cop show Life which moves to the second hour of Wednesday night, reducing Deal Or No Deal to one episode a week. With the first hour of Wednesday being Knight Rider, the result is a new Wednesday block of shows labelled "Crime Night" by NBC.

Olbermania: Okay, I confess that since I've been able to get MSNBC for "free" (thanks to Shaw Cable which made it part of the Digital Basic package – though personally I'd rather they'd done that with BBC World instead) I've become a huge fan of Keith Olberman, who for better or for worse has been a huge part of this election cycle. Oh I don't really watch Olberman for his political views, though I largely agree with them, but because the guy is hugely entertaining. The guy's an okay interviewer but I don't watch him for that. I watch for his opinions – and he is opinionated – for his "Worst Person in the World!!!" bits and for those times when he goes on one of those famous rants of his. I mean if I want calm rationality I'll watch Rachel Maddow (I'm in love with Rachel, albeit a mostly platonic love that acknowledges her Lesbianism). I watch Olberman for the crazy. And as the election campaign has gone on the crazy has been infinitely entertaining. Thus it was probably inevitable that Saturday Night Live would turn its satirical light on Olberman. All that was needed was someone who could "do" justice to Olberman. Enter Ben Affleck...

Tuesday, October 21, 2008

Who Does The PTC Hate This Month – October 2008

It's been a while since I've done one of these pieces. Part of the problem – or my lack of motivation, I'm not sure which – was that there wasn't much that I considered new and exciting. The PTC files an Amicus Brief on a case even as they criticize others for filing an Amicus Brief that they disagree with? Yawn. The PTC takes credit for something that they had little – no I take that back, nothing – to do with. Same old same old. The PTC gives out one of its awards to a company that it likes and announces the selection of a new board member. Okay, whatever. The PTC tries to use its supposed one million members "who hold a variety of political positions" (and wasn't that written poorly; that suggests that all 1.3 million hold some sort of political office rather than holding political opinions – and I still think the vast majority are Republicans) calling for a focus on TV decency and cable choice. Ho-hum, BORING!

No, for me the big thing has been the absence of really new stuff. The shows that they have been taking a rip over the past couple of months, for the most part, have been reruns. Sometimes in fact they are shows that were previously ripped by the PTC for pretty much the same thing that they're being ripped for this time around. Probably the most blatant example is part of the PTC's vendetta against Seth MacFarlane's Family Guy. Last week the PTC did one of their Worst Shows on TV pieces on the Star Wars satire episode of Family Guy. The interesting thing here was that the PTC stated in their article, "When Fox originally aired the Family Guy's parody episode of Star Wars entitled, "Blue Harvest," it managed to avoid being named Worst TV Show of the Week only by topping our Misrated column. The September 21st rerun at 9:00 p.m. ET, however, did not escape the PTC's scrutiny and has been named Worst TV Show of the Week for being just as raunchy the second time around." They go further than this; from what I can recall of the original Misrated piece (and as usual with the PTC there are no links unless it's something they want to link to) a considerable amount the new review wsa cut and pasted from the original PTC piece. Summer is an off time everyone, including I presume, the PTC.

I've got a couple of good stories on the PTC's efforts to get the FCC to fine networks for perceived violations of decency regulations. I was going to start with the more recent incident first and deal with the event that I am going to talk about now only parenthetically but there are a couple of rather interesting developments on this front that I really want to delve into. According to an article from Ars Technica, "On September 11, host Matt Lauer asked daredevil Hans Lange what his reaction was to crash-parachuting into a mountain wall from thousands of feet in the air. 'I was pretty angry with myself,' Lange replied. 'I was like... wahhhh! Holy shit!'" The offending word was removed from tape delayed versions of the episode that aired outside the Eastern Time Zone. Despite this fact the PTC was predictably incensed. In a press release dated the same day as the incident, PTC president Tim Winter slammed NBC for "its arrogance in choosing not to bleep this profanity, and for its arrogance in choosing not to apologize to its viewers, many of whom included children. NBC continues to show a clear pattern of contempt for the broadcast decency law by airing yet another unbleeped profanity on its morning show. The PTC is filing an indecency complaint and is urging its members to speak out about NBC's utter disregard for decency over the public airwaves." They further said, "NBC could have prevented the 's-word' from being aired by using a 5-second delay, but it clearly didn't want to. NBC obviously thought that the 's-word' was inappropriate to air since it scrubbed the word from broadcasts to the Central, Mountain and Pacific Time zones. So why then does NBC believe they can sweep this under the rug for those families in the Eastern Time zone?" They concluded by saying, "The public is entitled to the expectation that television is not going to assault their families during certain times of day and NBC violated that expectation again. We hope viewers speak out about this and we hope the network is held accountable." There was then the usual link to an email form letter for people in the Eastern Time Zone to use to protest the obscenity – without actually requiring the people who were "offended" to have been watching the offensive incident. It was standard PTC stuff right down to rousing the masses to arms regardless of whether or not they had a right to feel offended because they didn't see the actual event, although it was enough for Ars Technica to email "a representative of the PTC asking whether it was appropriate to encourage people who may not have viewed the program to file complaints about it. We also asked how this Today Show episode harms TV watchers, especially those who did not see the interview." Needless to say they received no reply.

The Ars Technica article did include some interesting tidbits which to my mind casts a pall on the whole decision-making process at the FCC. And no, it was not the New York Times editorial board coming out in favour of the Second Circuit Court decision that is under review by the Supreme Court, saying that the FCC policy, "...seriously infringes on free speech." No, the most interesting aspect is a statement for Michael Powell who was one of the commission members who voted for the new policy! Powell, the son of General Colin Powell, and currently John McCain's top technology adviser was an and FCC Commissioner from November 1997 until January 2001 and Chairman of the FCC from January, 2001 until January, 2005. According to a second Ars Technica story, in a wide ranging criticism of the FCC at the National Press Club event that was part of George Mason University's Information Economy Project on September 16th, Powell stated that the decision on the event that provoked the current wave of indecency prosecutions – Bono's appearance at the Golden Globes – was "a terrible mistake and I voted for it." Going beyond that Powell, who generally holds libertarian views with regards to censorship, stated that the FCC's regulation of broadcast decency has "gone way too far—we are dancing with the limits of the Constitution." According to the Ars Technica article, "If Bono's exclamation was 'indecent,' Powell opined, then the agency had in effect adopted a strict-liability rule, leaving 'no rational principle' for distinguishing 'indecent' from innocent expletives, with the result that enforcement 'becomes terribly political.'" Part of the problem lies with the lack of court opinions on the matter of broadcast decency since the Pacifica Case, despite significant changes in technogy. For Powell however the major point was theso-called "pervasive" nature of broadcast TV. According to Powell, "My kids have no idea what a 'broadcast channel' is. The idea that the First Amendment changes as you go up the dial is silly." He further stated that "the outrage and pressure the FCC faced in the Bono case, and later in the wake of Janet Jackson's Super Bowl 'wardrobe malfunction,' proved that parents themselves were more than capable of penalizing broadcasters who aired inappropriate content during family programming."

Also present at the event was Powell's immediate predecessor as FCC Chairman William Kennard, who served from 1997 to 2001. Although he didn't speak directly to the question of the case before the Supreme Court, he did offer some sense as to at least some of the reasons behind it. According to Kennard a great deal of the problems the FCC faces today stem from the politicization of appointments to the agency dating from a deal that President Clinton made with Senator Trent Lott to allow Republicans to make appointments to boards. According to Kennard, the result is that the agency is becoming demoralized, with political appointees treating the agency's career staff as, "'cannon fodder'—servants to be worked to the bone at best, and at worst, potential troublemakers with their own agendas." It was the professional staff of the FCC who pushed to maintain the status quo (no action on isolated use of profanities – the so-called "fleeting expletive"), and the appointed board members who caved in to pressure who created the current situation, previously described by former FCC heads Newton Minnow and Mark Fowler as "a rallying cry for a revival of Nineteenth Century Comstockery." Ars Technica summed up Kennard's position on the current direction of the FCC by noting that, "Decision-making has become more predictable...as the views of commissioners now tend to reflect those of their patrons on Capitol Hill. As a result, policy-making had also become more contentious and partisan."

I suppose we should turn now to the absurd. On September 30th, the PTC released a press release demanding that their 1.3 million members inundate the FCC with complaints about nudity on the CBS series Survivor. In typically hysterical PTC rhetoric the organization claimed that it was all part of a nefarious plot on the part of CBS: "Unsatisfied with the growing volume of indecent material on live broadcasts, CBS has once again decided to violate the public trust, this time by including an unedited shot of a penis on Survivor. Although this instance was brief, it was nonetheless shocking and purposeful. Unfortunately, with the number of people inside the network reviewing every frame of video, CBS knew full well of this nudity and elected to include it anyway." The event occurred on the show's second episode which was broadcast as part of the two hour Survivor premiere event on September 25th. The first reports of the reports of the appearance of the portion of the portion of the male anatomy in question surfaced a day or two after the episode, around September 27th. It wasn't much of an appearance in either sense of the word – we aren't talking Ron Jeremy or Milton Berle here kiddies – since the penis popped in and out of the boxer shorts of contestant Marcus Lehman for less time than Janet Jackson's nipple was exposed, and it wasn't as immediately obvious that it was the head of a penis as it was that we were seeing Janet Jackson's nipple.

Now here's the sort of interesting (but not very) part. I didn't see it. I watched the show and I didn't see it. Jackie Schnoop, who recaps Survivor for TVSquad as well as her own blog watched the show a lot closer than I did and didn't see it. Hal Boedeker, TV critic of the Orlando Sun watched the episode pretty closely and he didn't see it. More to the point, if we are to believe a CBS statement that is included in Boedeker's article, the editors at CBS and Mark Burnett's production company didn't see it either. Here's the CBS statement: "This was a completely unintentional, inadvertent and fleeting incident that was virtually undetectable when viewed in real time. In the first 24 hours after the broadcast, before freeze-frame images were widely posted online, we received one viewer comment from the 13 million who watched the telecast."

And you know what? I don't think that anyone at the PTC saw it either! Yeah, that's right I think that they missed it too. Look at the time line. The episode aired on September 25th. If the image of Lehman's wee-wee was so offensive and blatant you would expected them to launch an immediate demand for CBS's license the way they did over the Hans Lange incident, but it was all quiet on the PTC front. After Googling "Survivor + penis" the first reference (NSFW) I was able to find was dated September 27th. That reference included both still photos and a slow motion (in other words not real time) video clip of the incident (and as I said, NSFW) in a continuous loop. So in other words it took the PTC five days to get outraged by this incident which was supposedly irreparably scarring to every young person who saw the show. Nevertheless the PTC feels empowered to demand an apology from CBS and "as outlined in the FCC consent decree, to take immediate steps to identify who edited the scene into the broadcast and hold that person or those people accountable." Ah well, at least this penis – uh – flap delivered a memorable quote: "CBS's decision to hide behind excuses that the incident was 'fleeting' and didn't generate an immediate flood of complaints is the epitome of irresponsibly [sic]. The number of 'fleeting' penises we expect to see on broadcast television is zero."

Turning from the ridiculous to the merely moronic, it's time to look at the PTC's Worst Show of The Week. The current one is the FOX series Bones. According to the PTC, the October 1st episode of the show is the worst of the week because of "excessive gore and implied violence." The scene (one scene!) that earned the show this accolade was described in detail more graphic than you'd actually see on the episode by the PTC as follows: "The October 1st episode began with office workers riding an elevator up a metropolitan high rise. As the elevator car rattles violently, a dismembered, decomposed leg wearing fashionable black pumps falls from overhead. Later, forensic anthropologist, Dr. Temperance 'Bones' Brennan, and her colleague, Dr. Camille Saroyan, inspect the elevator shaft. The camera lingers on hunks of tissue plastered on the wall. 'I'm gonna need a spatula to scrape off all the flesh and the organs,' Dr. Saroyan announces dryly. Dr. Brennan replies, 'The bones are in hundreds of pieces. I want them bagged.' Putrid blood and liquid fester around a severed hand resting on top of the car. The doctors turn their flashlights upward and illuminate the dead woman's remains smeared along the length of the elevator shaft." Having watched the episode (I confess that I'm a confirmed fan of Bones – and many of the other forensic series, but like NCIS, Bones has a personality and a sense of humour that the CSI franchise shows lack – at least intentionally), I have to tell you that that is written in a way that makes it sound a lot worse than it was. And even the PTC admits, "Admittedly, the rest of the show is relatively tame, but it should be noted that the series' goriest material consistently airs at the beginning of the (nonexistent – BM) Family Hour." In other words the PTC objects to the discovery of the bodies. And as the PTC points out, "Unfortunately, parents have little recourse if they wish their children to avoid such scenes while channel surfing." Well except for, you know, changing the channel, turning the TV off, knowing enough not to turn to FOX if the object to the program, setting up the V-Chip to block shows like that. Yeah, parents have virtually no recourse at all in this situation.

But of course the PTC uses this to promote the "bigger issue" – violence on TV. According to the PTC, "Over the years, crime procedurals have contributed to the nearly 100,000 acts of violence that children watch before the age of 18. The consensus within the scientific community affirms that there is a relationship between children who watch violent programming and their aggressive behavior in later life. There is also evidence that watching such programming leads to desensitization towards violence and fear of becoming a victim among child viewers. This past spring, the FCC urged lawmakers to consider regulations that would restrict violent programs to late-evening hours, when fewer children watch television." Of course they don't bother to tell us over how many years the phrase "over the years" means, or whether all of those "100,000 acts of violence that children watch before the age of 18" occurred during the times when children are most likely to be watching TV – the first two hours of prime time. Unsurprisingly (since it is the favoured bastion of the Social Conservative) they echo the current leadership of the FCC in demanding more restrict when violent acts can be seen and the power to levy fines – and of course what constitutes a finable "event" will be left up to the FCC to define. Because that has worked so well with language and nudity.

The PTC doesn't offer a way to check previous Worst Show on Cable in the same way that they do with the worst show on Broadcast TV. Currently the worst show on Cable is an episode of South Park although the current link on the PTC website says that the show is It's Always Sunny In Philadelphia. Neither of these is a surprise of course but a couple of weeks ago the show was the BBC America series Skins which originally appeared on the British network Channel 4. The description on the IMDB page for the shows says, "The story of a group of British teens who are trying to grow up and find love and happiness despite questionable parenting and teachers who more want to be friends (and lovers) rather than authority figures." And that of course is exactly what the PTC objected too. I'm not going to go into their points item by item – mainly because I can't find them. Rather I bring this up because it illustrates the "throw out the baby with the bathwater" problem that is central to the PTC's demands for "cable choice." The PTC would have their members demand that they "not be forced to subsidize" shows that they object to and be able to cancel their subscription to channels that show them. But here is a show that is on a channel which the PTC doesn't ordinarily object to and by most objective standards airs a lot more good material than objectionable. More to the point they air a great many shows that are of high quality by any measure. Are cable subscribers supposed to forego the good programming On BBC America and other networks because they object to the (PTC defined) "bad shows?" Or perhaps the PTC would like to extend cable choice to its ultimate end point where viewers can pick and choose which individual programs they will "subsidize." And here I thought that this is hwy we have advertisers and ratings.

Okay, a quick visit to PTC's Misrated column, even though it's been left unchanged for a few weeks. The show – predictably enough – is Gossip Girl and the PTC article contains a couple of absurd bits of supposition and one outright fabrication in its demand that the show, which was rated TV-14 DL, have an "S" descriptor attached. Here's what the PTC objects to (with my snarky comments in parentheses). "The show opened with Serena and Dan waking up on the beach, apparently having "hooked up" the previous night, with Serena clad only in a bra. (Prove it. Short of seeing Serena bottomless – which would provoke other demands from the PTC – they can't.) Later, on a bus back from the Hamptons to Manhattan, Serena pulls Dan into the bus bathroom, kissing him passionately and presumably proceeding to other sexual activities. (Again, prove it. Oh wait, they said "presumably" which means that they aren't dealing with fact – or even what passes for it among the PTC and their acolytes – but with innuendo and smutty minds.)" But here's the real clanger: "The end of the episode, however, brings the truly appalling scene: Blair looks for her new boyfriend's stepmother Catherine. Blair finds Catherine and teenager Nate on the floor, among discarded items of clothing. Catherine's legs are wrapped around Nate's body and they move against one anther [sic] as they kiss. As Catherine is about 40 years old and Nate is about to begin his senior year of high school, the (mostly teen) audience is exposed to a scene of statutory rape." Uh no. The last time I checked, most high school seniors have passed their 17th birthday. The show is set in New York City and – I checked this myself – the age of consent in New York states is 17. In Canada and much of the United States the age of consent is 16. So by any definition of statutory rape, Nate and Catherine are not guilty. As far as the scene itself, it's on the PTC's website. I watched it and if that's the worst the PTC can come up with all I can say is that they've obviously come up with a new way to define sex. We see a lot of Catherine's legs (at least I presume they're Catherine's) but everyone seems to have all the necessary clothing – Nate's pants are on and he's still wearing his T-shirt (though admittedly it's pulled up to his shoulders), and Catherine's breasts seem to be covered enough. In short they ain't doing it yet. Maybe this scene qualifies as "moderate sexual activity" which is the standard for the "S" descriptor in a TV-14 show but it seems pretty mild compared with some of the shows that are also rated TV-14 and also don't have the descriptor.

Finally, let's turn to a fellow traveller on this pseudo-crusade of mine against the PTC and their fellow travellers. I first found the link to this article by TVWeek's Joe Adalian thanks to the Creative Voices in Media blog and let's just say that it says all of the things that I've said and feel about the PTC. Adalian's basic point is that while the PTC claims that it does what it does as an organization "Because our children are watching," (the motto on the masthead of their website) the fact is, according to Adalian, "the PTC's actions and words too often have indicated that its real mission includes pushing for government-sanctioned censorship of the media and the elimination of any and all programming that conflicts with its far-right social and political philosophies. What's more, rather than working with networks to figure out ways to increase family-friendly programming and offer true protection to children, the PTC is obsessed with denouncing shows clearly aimed at adult audiences. The PTC doesn't want to make TV safe for kids. It wants to make it safe only for those shows that fit into its narrowly constructed worldview of what constitutes acceptable TV." Adalian cites a number of examples of the PTC condemning shows that may or may not be intended for audiences that include children. Most notable of these was the PTC demands that local CBS affiliates pre-empt the series Swingtown because it "undermines the institutions of marriage and family." Says Adalian: "It doesn't matter that "Swingtown" contained no obscene language or nudity. The fact that CBS aired the show at 10 p.m. in most of the country is irrelevant. Adult viewers simply shouldn't be able to watch this show, period, according to the cultural crusaders of the PTC." He notes that Fringe was named worst show of the week once for "because of an opening scene involving some flesh-melting" (deemed violent by the PTC, "icky" by Adalian, and derivative by those of us who saw Raiders of the Lost Ark during its theatrical first run). Another show named worst of the week was a tribute to American troops called America United, condemned because it "contained some randy humor, an appearance by a scantily clad Pamela Anderson and a performance by Snoop Dogg." (Just how "scantily clad" Pam Anderson was is a matter for debate; every frontal shot of her was covered by a superimposed phone number to call – we don't know if she was showing something she shouldn't, if someone at ABC decided not to take the chance that she might be showing something she shouldn't, or if ABC just didn't want to run the risk that someone at the PTC would protest because the thought she was showing something she shouldn't.)

But for Adalian, as for me, it is the hypocrisy of the PTC's aims that are difficult to deal with: "What's most irksome -- and dangerous -- about the PTC is the way it uses children as human shields to hide its real agenda. There's nothing wrong with any person or group declaring their disgust with what's on the small screen. It's part of what I do for a living, after all. But the PTC is being morally and intellectually dishonest by pretending that it's simply trying to protect kids. How are children helped when the PTC spends so much of its time railing against shows that clearly aren't intended for their eyes? How are America's families strengthened by an organization that wastes its time ginning up bogus outrage over a half-second shot of a penis on "Survivor" that could only be seen by viewers watching in HD and using the freeze-frame function of their DVRs? If the PTC really cared about kids, they'd spend as much time coaching parents on how new technologies can help them monitor their kids' viewing as they do trying to censor networks. Instead, the PTC regularly twists the technicalities of decades-old obscenity regulations to force networks to spend millions defending programming that is very clearly not obscene." But of course coaching parents on how "new technologies can help them monitor their kids' viewing" is exactly the opposite of what the PTC wants to do. We seen in every one of those "Misrated" columns that I've sited over the years that the PTC is in the business of convincing parents advertisers and probably the FCC itself that those new technologies don't work – don't protect kids from smut and violence and "icky" things – because the networks habitually and deliberately underrate their shows for reasons which I confess I don't understand at all. Could it be ....Satan?!

For Joe Adalian, and for myself, it is far easier to see sinister intent in the action of the PTC than it is in the broadcasters. Adalian points this out when he examines the PTC current obsession with cable TV and their demands for 'cable choice:' "In recent years, the organization has even started challenging cable, doing all it can to defame shows with even an ounce of edge. PTC founder L. Brent Bozell last month launched a verbal broadside against FX and its president, John Landgraf, because Mr. Bozell thought the network's Sons of Anarchy represented the 'gruesome unfolding of a pervert's mind onto a national television screen.' He denounced FX for being more concerned about artistic vision than the 'prospect of a 10-year-old boy finding a terrifying castration scene as he's flipping channels in his home.' Personally, I'd be more troubled by the irresponsibility of the parents of any 10-year-old who would allow their son to be channel surfing, unattended, at 10 o'clock at night. There's a reason Mr. Bozell and the folks at the PTC have broadened their attacks beyond broadcasters. They want Congress to require cable operators to offer channels on an a la carte basis. Their argument: Consumers shouldn't have to subsidize "filth" on channels they don't like. The problem, of course, is that a la carte would mean the death of numerous cable channels, and a severe restriction in programming budgets for those that survived. There would be far less choice for consumers, and far fewer outlets producing cutting-edge fare such as Sons of Anarchy." Of course by describing Sons of Anarchy as being cutting edge or having any artistic merit at all, the PTC would accuse Joe Adalian of being a typical elitist TV critic (or rather non-critic) who are, as a PTC writer put it, "heaping praise on the most extreme examples of graphic and gratuitous gore, sex and profanity.... [who] rather than responding to the obvious wishes and desires of their readers, persist in celebrating only the most disturbing programs on TV. And despite the fact that such critics work for outlets across the country, they share a nearly identical mind-set…one which rarely agrees with that of the viewers and readers in their local area."

In his summation Joe Adalian reiterates the point "It's not cable choice the PTC and its allies want. It's not even to shield kids from smut. It's control of what you get to watch." Or, as I've put it occasionally, if the PTC is indeed intent on "protecting the children" they must regard all Americans as children to be protecte, from what the PTC as parents considers "bad."

Monday, September 29, 2008

Series Premieres And Season Debuts– Week of September 29 – October 5, 2008

I'm working on that Amazing Race recap I wanted to do, but a couple of other things got into my way – okay, distracted me. Priority has to go to the update of Premieres and Debuts though. Fortunately we're mostly over heavy push of that from the networks. There's stuff that will dribble (I nearly typed "drivel" which in some cases isn't far from the truth) in over the next couple of weeks but we're pretty close to done with that right now. We've had our first show given the bum's rush, and I quite honestly can't imagine anyone outside of the cast and crew of Do Not Disturb who thinks that it should have gotten more time to establish an audience. Finally, as a shout out to my friend and blogging buddy Bill Crider, who is down to four over the air channels "thanks" to Hurricane Ike and the fine "Comcastic" folks at Comcast who 17 days after the storm still haven't restored his damned cable (and have Bill thinking of going over to AT&T). I don't know which is the biggest disaster.

Monday

NBC has the season debut of Chuck, the tongue in cheek spy dramedy. My brother loves this show so much that he had a marathon on Sunday evening of his DVD set. Volume set high and the only thing drowning it out was his laughter. Annoying as hell when you're trying to watch Mad Men or even Desperate Housewives.

NBC also has the season debut of Life, the Damian Lewis series about a cop who was wrongly convicted of a murder and after he was exonerated went back to the LAPD with a huge settlement check, a desire to find the people who set him up, and a Zen attitude which got him through twelve years in prison. Oh yeah and a near fetish-like appreciation for fresh fruit. The show moves to its permanent Friday time slot later this week. This was the best NBC show last season and beats just about everything that the network is promising for this season. Bill, if you're not watching this one already, check it out.

Wednesday

ABC has the season debut of Pushing Daisies, the extremely quirky series about a guy who can bring people back to life by touching them but if he touches them again they're dead and it's permanent. Naturally the love of his life is someone he touched.

ABC also has the season debut of Private Practice, the Shonda Rimes spin-off of Grey's Anatomy, featuring the beautiful Kate Walsh.

Finally ABC has the season debut of Dirty Sexy Money. The incredibly wealthy Darling family is back with new ways to make their lawyer crazy. A great cast headed by Donald Sutherland, Jill Clayburgh, and Billy (the relatively sane one) Baldwin.

Thursday

All of the networks – well except The CW have that new reality show The Vice Presidential Debate. I hear it might be cancelled after the first episode though.

Friday

CBS rolls out Ghost Whisperer with Jennifer Love Hewitt and her breasts. Truly an amazing network that can broadcast this and
The Mentalist even if it isn't on the same night. By the way Bill, if you haven't checked out The Mentalist (on Tuesday night) you might like it too.

CBS has the series premiere of The Ex-List which I gather is supposed to be some sort of romantic comedy-drama. Looks and sounds (from the concept only) absolutely dreadful.

Finally CBS has the season debut of Numb3rs. When last we left the Eppes Family and their assorted associates, Charlie had been stripped of his security clearance for emailing information on a project that the Department of Homeland Security initially considered to be helpful to terrorists but later decided wasn't. Net result – for the first episode at least – is that Charlie can't help Don anymore. The only thing on CBS I watch on Fridays.

ABC is returning with the season premiere of Wife Swap. Something else for me not to watch.

ABC also starts the new season of Supernanny. See above.

The CW has the season debut of their hit sitcom ("hit" being a relative term with The CW) Everybody Hates Chris.

The CW also has the season debut of their football comedy The Game. I really have nothing to say about these two shows.

Sunday

FOX has the season debut of Seth MacFarlane's Family Guy, the show the PTC loves to hate from the man the PTC loves to hate.

FOX has the season debut of Seth MacFarlane's American Dad. The PTC hates this show only slightly less than they hate Family Guy.

FOX has the season debut of The Simpsons and King Of The Hill as well. I think I may have led you to believe that these started last week. I was, like Rick in Casablanca, misinformed.

The CW starts off their night with two episodes of the reality show 4Real. This series was actually created for MTV Canada and then sold to The CW for reasons that aren't at all clear to me. The show takes celebrities to different parts of the world and has them helping with aid projects. The first two episodes feature Cameron Diaz in the Peruvian Andes, and K'naan connecting with a local hero in the slums of Kibera, Kenya.

The CW rolls out their Media Rights Capital series. First we have two episodes of the Reality series In Harm's Way from the creator of Dirtiest Jobs. These episodes deal with Bull Riders and Coast Guard rescue swimmers looks almost interesting.

The CW next has the series debut of Valentine about a family of Olympian gods sent to Earth to help people find true love. No, really, that's what it's about.

Finally The CW gives us Easy Money, about a lovable if dysfunctional family of loan sharks.

Sunday, September 14, 2008

Series Premieres And Season Debuts – Week of September 15-21, 2008

It's going to be a pretty light week coming up as far as season debuts is concerned. There are no series premiers this week – a definite lull before the storm – but there are a few series getting ready to show up. That will probably give me a chance to take a run at the PTC – it's getting to be their busy season as well and they're being their usual outraged selves – and hopefully get my reviews for Privileged and hopefully 90210 done (I still haven't watched last week's episodes of either series yet). But, all in all a light week.

Tuesday

FOX has the start of the new season of House MD. House tries to patch up his relationship with Wilson in the aftermath of the death of Amber (aka Cut-Throat Bitch). Oh, yeah, and there's a patient who is dying for Foreman and House's "Cottages" (Traub, Kutner and "13") to try to interest the boss in.

NBC is debuting the latest season of Biggest Loser. This time it's the Family Edition. And we all know just how well that worked out for The Amazing Race.

Thursday

The CW is starting the eighth (and possibly last) season of Smallville. Michael Rosenbaum has regrown his hair because Lex Luthor will apparently only be doing an occasional guest appearance. Kristin Kreuk is gone too, but will be back for five episodes. That leaves us with Clark, Chloe and Lana as the major characters, with Cassidy Freeman coming in as the new head of LuthorCorp, personally selected by Lex.

The CW also has the fourth season debut of Supernatural. It will feature the return of Dean Winchester after four months in the grave or Hell... or both.

CBS originally planned to debut Survivor: Gabon on September 18th but has decided to push it back to September 25th and do a two-hour season premiere.

Monday, September 08, 2008

Series Premieres And Season Debuts– Week of September 8-15, 2008

Here we go with week two of the new season. Or is it pre season week two? I don't really care. What I do know is that there are new shows debuting and other shows starting off for the season. All of these are on FOX and The CW of course – the other networks are still winding up their summer schedule. All in all a relatively light week .

Monday

FOX has the season debut of Terminator: The Sarah Connor Chronicles and the aftermath of the explosion. John has to face the reality of his future alone.

Tuesday

FOX has the debut of the highly anticipated science fiction series Fringe. The episode will be 95 minutes long and have limited commercial interruptions. The arrival of a flight from Germany at Logan International with no one alive on board sets in motion a deeper mystery. I`m really looking forward to this one, particularly since people whose opinion I respect and who have actually seen the episode are raving about it.

Overlooked in all of the hype about 90210 is the CW`s other new major show, Privileged. The series stars Joanna Garcia, formerly of Reba, as a journalist who takes on the job of tutor for a pair of spoiled rich teens who I suspect could be modelled on the Hilton sisters. I've always liked Garcia, and from the sounds of things this could be a fun "dramedy" with the emphasis on the "-medy."

Wednesday

FOX has the third season debut of the Brad Garrett-Joely Fisher series 'Til Death. Mostly harmless.

FOX also has the series premiere of Do Not Disturb starring Jerry O'Connell and Niecy Nash. Based on nothing more than the previews that FOX has provided, this workplace comedy featuring people yelling at each other, is high on my list of shows that should be cancelled quickly. Then again, it is a sitcom on FOX, the network that kept The War At Home on the air for two excruciating seasons.

Friday

FOX has the season debut of Wayne Brady and Don't Forget The Lyrics. Why? I don't know (third base!).

Monday, September 01, 2008

Series Premieres And Season Debuts– Week of September 1-7, 2008

And so it begins.

While people in the business like Media Week's Marc Berman will tell you that the new TV Season doesn't officially start for another three or four weeks, the truth is that at least two of the networks are getting a jump on the game by running their shows out early. This week we'll see the return of three (or is it four) series on FOX with two hour season openers, the return of three series, and the highly anticipated series premier of 90210 on The CW. Here's what the week looks like in terms of shows starting up for the year:

Monday

FOX has the two hour season debut of Prison Break, which is back for its fourth season, with Lincoln and Michael out to avenge the death of Sarah Tancredi. Boy Is he in for a widely reported spoiler.

The CW has the one hour season premiere of Gossip Girl. With the high end students back from summer vacation there's the usual teen angst and rebellion design to aggravate the crap out of the PTC. This time around it includes Nate having an affair with a married older woman (played by Madchen Ammick who did much the same thing in Twin Peaks about 20 years ago), while Serena is mourning her relationship with Dan and Dan is wondering where his relationship with Serena stands after the break-up. And I bet you can tell that I don't watch this show.

Also on The CW is the one hour season premiere of One Tree Hill another show that I don't watch. Lucas's dream girl shows up at the airport; Nathan's comeback is halted by potentially career-changing news and Brooke and Victoria's struggle over "Clothes Not Bros" comes to a head. Whatever the hell that all means.

Tuesday

The CW has the highly anticipated debut of 90210 – not highly anticipated by me mind you but that's beside the point – in a two hour season opener. Harry Mills returns to Beverly Hills to take care of his mother, former TV star and Betty Ford Clinic graduate Tabitha Mills. He's the new principal at West Beverly Hills High, where his daughter Annie and adopted son Dixon will be navigating their new clique-heavy surroundings. The CW is hoping that their target youth demographic will tune in for the teen angst elements, and that fans of the original TV show will tune in to see what's new at West Beverly High and maybe reconnect with Kelly Taylor and Brenda Walsh (and maybe, just maybe, Donna Martin if Tori Spelling can get a deal equal to what Jennie Garth and Shannen Doherty got) from the original series. Reportedly The CW has a lot riding on this show – like its very existence. If it means anything, the Parents Television Council has already notified advertisers that they shouldn't even consider buying time on the series because the network has refused to allow advertisers to prescreen the series. According to the PTC, "CW's Gossip Girl has recently solidified the network's reputation for turning out reprehensible content targeted directly at teen and pre-teen viewers. Advertisers must bear in mind CW's track record when considering whether they trust the network enough to blindly sponsor another program targeted at teens. If Gossip Girl is any indication of what 90210 will look like, advertisers have plenty of reason to steer clear of the show. 'Gossip Girl' storylines have glamorized drug and alcohol use along with casual teen sex, including threesomes. Apparently, CW believes this type of content is appropriate to include in the most-watched show among girls ages 12-17, and advertisers shouldn't expect any restraint with 90210." Well if thumbing our noses at the PTC isn't a good enough reason to watch I don't know what is.

Wednesday

FOX has the two hour season premiere of Bones, which has Booth and Brennan in London. Brennan is lecturing at Oxford and Booth is consulting at Scotland Yard. Naturally enough they get drawn into the murder of a young heiress.

The CW has the debut of the new rotation of America's Next Top Model. Thirty young women seeking to become models are reduced down to the "Notorious Fierce Fourteen" (that's the episode title) but one of them has a secret. Isis is a trans-gendered individual.

Thursday

FOX has the two hour season opener of Kitchen Nightmares with Gordon Ramsay. Actually this episode looks at six of the twelve restaurants that Ramsay helped – or tried to help – in the first season. Actually two of the restaurants from the first season have closed since the episodes they were on aired while a third was sold.

Friday

FOX has the two hour season premiere of Are You Smarter Than A Fifth Grader? The episode features special guest contestants model Kathy Ireland and the State Superintendent of Georgia (I assume this is the State Superintendent of Schools) as well as the introduction of the new class of Fifth Graders

Thursday, July 17, 2008

Poll Results - Which Of The New CW Shows Sounds Most Promising?

Apologies for not posting more often but it's the summer and there's not much to post about... or not much that I can motivate myself to post about. I haven't seen the first episode of Flashpoint yet so I may well wait until the second episode to write about this show. From the little I've seen it looks very good. Also, in a fit of insanity I've signed up for a Twitter account. I'm BrentMcKee – highly original I know. I don't know how much you'll get out of this; past experience has proven I'm no Leo Laporte when it comes to stuff like this. I also have a Facebook page that I haven't done much with.

Turning to the subject at hand, the new CW shows. There were seven voters. In a tie for last with no votes are 90210, Privilege, Stylista, Surviving Suburbia, Valentine Inc., and Easy Money with no votes. In second place with one vote (14%) is In Harm's Way, but the big winner, with six votes (86%) is "They all sound like a big steaming pile of poo."

Of course this isn't a scientifically valid survey. Only the people who are motivated to vote do vote, and there hasn't been a lot to draw people here of late. Still, I think that the seven of you who voted pretty much got it right. Most of these shows do sound like a big steaming pile of poo. I might take a look at Privilege because I've been a fan of Joanna Garcia since she was on Reba, but I never watched the original Beverly Hills 90210 so why should I watch "the next generation." I will confess that the Sunday night offering In Harm's Way seems interesting but I'm not sure it will pry me away from just about anything else on Sunday nights.

In all honesty I don't know what to do with The CW as a network. It's not that they don't have good shows – Reaper, Supernatural, Everybody Hates Chris – but I don't think that The CW as an entity has never really gotten traction. In this at least the whole is less than the sum of its parts, those parts being the old WB network and (to a lesser extent) UPN, and I for one don't know how to turn it around.

I'll post general thoughts on the Emmy nominations later today and then work out a schedule for my Emmy polls which will likely start tomorrow.

Friday, July 04, 2008

New Poll - Which Of The New CW Shows Sounds Most Promising?

This is the same basic set-up as always, complicated slightly by the addition of the four MRC shows that will be seen on the CW on Sunday nights, and for which I have to provide a brief summary (well, actually Futon Critic will be providing the summary with a little help from me) . Also, note that Surviving The Filthy Rich has been retitled Privileged.

In Harm's Way: A reality show that looks at lives of people doing dangerous jobs for the benefit of society, such as avalanche hunters, subway tunnel diggers, and hurricane chasers. From Craig Piligian, Executive Producer of Dirty Jobs, Survivor and some episodes of American Chopper (and many others).No relation to the 1965 John Wayne movie produced by Otto Preminger.

Surviving Suburbia: A half hour comedy from Kevin Abbott (writer on Roseanne, Grace Under Fire, and Reba, and "consulting producer" on My Name is Earl) about a family and their new neighbours. Reportedly the husband is the main character, a grumpy working class guy vaguely resembling Roseanne as a character. I also recall reading that this concept has been bouncing around for about ten years.

Valentine, Inc.: Originally developed as a feature film this series features Aphrodite and Eros living among us as the owners of a matchmaking agency that finds lost loves, true loves and mends broken hearts. Or maybe not, since this is somewhat at odds with the description provided in a CITY-TV press release.

Easy Money: Described by Futon Critic as being about "a family that runs a high-interest loan business." That's a euphemism for loan sharking. The family is led by the mother (Laurie Metcalfe) and while her middle son is great at this line of work he's not so sure he wants to stay in the family business. The same CITY-TV press release adds this rather cryptic statement: "Morgan must deal with his dysfunctional family in this hilarious unique world of Easy Money" From Andy Schneider and Diane Frolov whose production credits also include Alien Nation, Northern Exposure, The Chris Isaac Show and sixteen episodes of something called The Sopranos.

This isn't a lot to go on, and in fact we know none of the critical details of these shows beyond what I've put down here. Even most of the casting seems to be secret.

The usual rules apply. Please provide comments particularly if you opt for the "steaming pile of poo" option. This poll will run until the Emmy nominations are announced – not that anything to do with the Emmys really interests The CW.



Monday, May 19, 2008

The New Season – Night By Night

To wind up our examination of the Upfronts, I thought I'd look at the final Fall Schedule on a night by night basis, giving my own thoughts on what's going to work and what's not. Bear in mind that these are only my personal opinions. (Times are Eastern)

Sunday


ABC

CBS

FOX

NBC

The CW

7:00-8:00

America`s Funniest Home Videos

60 Minutes

The OT (NFL Post-Game)

Football Night in America

TBD

8:00-8:30

Extreme Makeover: Home Edition

Amazing Race

The Simpsons

Sunday Night Football

TBD

8:30-9:00

Extreme Makeover: Home Edition

Amazing Race

King Of The Hill

Sunday Night Football

TBD

9:00-9:30

Desperate Housewives

Cold Case

Family Guy

Sunday Night Football

TBD

9:30-10:00

Desperate Housewives

Cold Case

American Dad

Sunday Night Football

TBD

10:00-11:00

Brothers & Sisters

The Unit


Sunday Night Football

TBD


It's pretty much the status quo here before the end of the Football season. The only real changes are that CBS has moved The Unit into the Sunday 10-11 slot, and of course the as yet undisclosed plans of The CW's partner on Sundays MRC. Things will change a lot after the end of the Football season when NBC reveals its Sunday line-up. If last year's ratings for Shark are any indication I do not expect smooth sailing for The Unit. I would expect the male demographic to move towards Football. ABC should remain dominant on the night once Football ends and most of their shows will be in second place during the season. (Worth noting is that The Amazing Race tends on the whole to perform extremely well in terms of ratings when CBS has a late Football game that runs long; not sure why this is the case, but it certainly doesn't extend beyond The Amazing Race to CBS shows later in the night.)

Monday


ABC

CBS

FOX

NBC

The CW

8:00-8:30

Dancing With The Stars

How I Met Your Mother

Terminator: The Sarah Connor...

Chuck

Gossip Girl

8:30-9:00

Dancing With The Stars

The Big Bang Theory

Terminator: The Sarah Connor...

Chuck

Gossip Girl

9:00-9:30

Dancing With The Stars

Two And A Half Men

Prison Break

Heroes

One Tree Hill

9:30-10:00

Samantha Who?

THE WORST WEEK

Prison Break

Heroes

One Tree Hill

10:00-11:00

Boston
Legal

CSI Miami


MY OWN WORST ENEMY



The big changes on the night comes in the third hour, with ABC and NBC yet again trying to challenge the CBS hold on the hour – or at the very least score a viable second place. I'll give an edge in that area to ABC and Boston Legal which is a show with an existing cult following. That makes it different from October Road or What About Brian? NBC has to hope that the fans of Heroes will stick around for My Own Worst Enemy in numbers that look better to NBC; it could be a big – and quick – loser. Looking earlier in the night, the monster in the room is Dancing With The Stars which why it is more than a little surprising that ABC is planning only one series of the show in the 2008-09 season and being replaced with an untested Ashton Kutcher/Tyra Banks property. The CBS comedy block is a powerful one that is most likely to take second place against "Dancing" and beating the Kutcher property. CBS has the enviable luxury of "hammocking" a freshman comedy between the highest rated sitcom on TV (Two And A Half Men) and "the most popular show in the world" (CSI: Miami). The final big question is whether Chuck and Heroes will be competitive after the long, strike induced, hiatus. If there's some rejection of that FOX might be competitive for third place. The CW is doomed to fifth, but fifth with a very nice niche market for the night.

Tuesday


ABC

CBS

FOX

NBC

The CW

8:00-8:30

OPPORTUNITY KNOCKS

NCIS

House

Biggest Loser

90210

8:30-9:00

OPPORTUNITY KNOCKS

NCIS

House

Biggest Loser

90210

9:00-9:30

Dancing With The Stars

THE MENTALIST

FRINGE

Biggest Loser

SURVIVING THE FILTHY RICH

9:30-10:00

Dancing With The Stars

THE MENTALIST

FRINGE

KATH & KIM

SURVIVING THE FILTHY RICH

10:00-11:00

Eli Stone

Without A Trace


Law & Order: SVU



A night of newbies. Six new shows, four of which are up against each other. I'm convinced that the big loser on the night, besides the winner Biggest Loser will be Opportunity Knocks. This show sounds awful and based on the clips shown that I've seen from YouTube it looks awful too. The other show that doesn't really fit is Kath & Kim. I really don't see the flow from Biggest Loser to Kath & Kim to Law & Order: SVU even if it is a good show. The battle for survival on the night will be between Fringe and The Mentalist. FOX seems very certain about Fringe to the point where they're reducing the number of minutes of network commercials in each episode and will be charging a premium to advertisers. The show looks good and initially at least it follows one of FOX's top shows. On the other hand there's a rather nice flow between NCIS, through The Mentalist, to Without A Trace. And speaking of Without A Trace, CBS may have finally gotten wise about how to deal with the 10-11 timeslot; an established show rather than a new series. That may give them an advantage over ABC Eli Stone.

Wednesday


ABC

CBS

FOX

NBC

The CW

8:00-8:30

Pushing Daisies

New Adventures of Old Christine

Bones

KNIGHT RIDER

America's Next Top Model

8:30-9:00

Pushing Daisies

PROJECT GARY

Bones

KNIGHT RIDER

America's Next Top Model

9:00-9:30

Private Practice

Criminal Minds

`Til Death

Deal Or No Deal

STYLISTA

9:30-10:00

Private Practice

Criminal Minds

DO NOT DISTURB

Deal Or No Deal

STYLISTA

10:00-11:00

Dirty Sexy Money

CSI New York


Lipstick Jungle



The big experiment here comes from CBS in trying to start a second comedy night...again. New Adventures Of Old Christine might be the right anchor for this, but Project Gary sounds like a poor property for the second half of the hour. Actually it looks like the weaker of the two new CBS comedies this season. But I have to confess that I hope it – or something – will take Knight Rider out to the wood shed and beat it. I wouldn't mind if they were bringing some new perspective to the concept but it's quite clear that "only the names have changed" and that just doesn't cut it with me. As for the other new shows on the night, the only thing that looks worse than Do Not Disturb, a concept that had the potential to be so much more, is the Apprentice clone Stylista. Hopefully both will die a swift and well deserved death, but that's just my opinion.

Thursday


ABC

CBS

FOX

NBC

The CW

8:00-8:30

Ugly Betty

Survivor

Moment Of Truth

My Name Is Earl

Smallville

8:30-9:00

Ugly Betty

Survivor

Moment Of Truth

30 Rock

Smallville

9:00-9:30

Grey`s Anatomy

CSI

Kitchen Nightmares

The Office

Supernatural

9:30-10:00

Grey`s Anatomy

CSI

Kitchen Nightmares

SNL THURSDAY NIGHT LIVE

Supernatural

10:00-11:00

LIFE ON MARS

ELEVENTH HOUR


ER



Thursday is the most competitive night of the week, with all five networks throwing up what they consider to be their big guns. At the same time it is also one of the most stable nights this year with the only major changes in the first two hours – besides the SNL Thursday Night Live show (which is actually a series of three pre-election comedy specials; the normal placeholder for this time will be Office repeats until the debut of the spinoff of The Office) is FOX's decision to move Moment Of Truth and Kitchen Nightmares to the night to replace Are You Smarter Than A Fifth Grader? and Don't Forget The Lyrics. Apparently a FOX executive has stated "Look, it's eroding. It's an older show. It's eventually going to give up and were trying to accelerate that." He may in fact be right in so far as Survivor isn't the ratings juggernaut that it once was. However it does still win the time slot rather handily, and I for one can't believe that the excremental (which means exactly what you think it means) Moment Of Truth will take ratings points from Survivor. In fact – and I'm going to be bold in this prediction – I don't think the show will perform as well as Are You Smarter Than A Fifth Grader. If any of these two show is going to drop in the ratings it will be Moment Of Truth. The big battle on Thursday night will be in the 10-11 slot. ER won't lose audience) although that is a show that really has eroded over the years) but it will be ending its run at the end of February. At that point it will be replaced by a new season of Celebrity Apprentice, and with due respect to Donald Trump (and in my opinion not much respect is due) his show is no ER. As a result the real battle in the time slot will begin when ER ends. I have no real idea who will win, but if I were to pick right now, based on the clips that I've seen and the way that the shows "flow" into each other, I'd have to give an edge to CBS's Eleventh Hour which matches with CSI in a way that Life On Mars really doesn't match with Grey's Anatomy. But I'm also going to make this prediction – barring an absolute ratings melt down, both shows are going to be around to take on Celebrity Apprentice.

Friday


ABC

CBS

FOX

NBC

The CW

8:00-8:30

Wife Swap

Ghost Whisperer

Are You Smarter Than a Fifth Grader?

CRUSOE

Everybody Hates Chris

8:30-9:00

Wife Swap

Ghost Whisperer

Are You Smarter Than a Fifth Grader?

CRUSOE

The Game

9:00-10:00

Supernanny

THE EX-LIST

Don't Forget The Lyrics

Deal Or No Deal

America's Next Top Model (Encore)

10:00-11:00

20/20

Numb3rs


Life



Friday night is now TV's new wasteland – Saturday having been pretty much abandoned by the networks – and it shows in the programs their offering. BAC has reality shows and a news magazine while FOX has two game shows. I actually like The CW's decision to move its comedies to Friday night – it recalls The WB's Friday night comedy line-up which was one of its stronger programming periods (even if the critics and supposedly sophisticated people hated the lynchpin of that line-up Reba – that show was still the highest rated CW comedy when it was cancelled). What I'm less than pleased with is that the network has given its second hour over to a repeat of America's Next Top Model. If you're going to build a night of comedy, build a night of comedy. The big news on the night has to be CBS's decision to replace Midnight with The Ex-List, a decision that apparently had more to do with business decisions on the part of CBS and a rivalry with Warner Brothers than it did with the actual show. Even on a night as weak as this I can't see this decision turning out well. The Ex-List clip that was released looks as bad as the concept sounds. As for the other new show on the night, Crusoe, no one knows much about it except that it's an adaptation of Robinson Crusoe. Whether it's a modernized version or done in period, I can't imagine anything like good ratings coming from this.

So there is the Fall 2008 schedule. There will be changes in the winter, particularly from FOX and NBC, and inevitably there will be changes happening a lot sooner than January. For the most part – as in just about every case – the new series fall into the "nothing at all" category – as in "if you can't say anything nice, say nothing at all." Can it really be two years ago that we had shows debuting like Studio 60, 30 Rock, Kidnapped, Vanished, Friday Night Lights, Brothers & Sisters, and Men In Trees. Even the failures from that list of shows were better, in my opinion, than most of what the networks will offering us as new shows in this coming season. This is not going to be one of TV's great seasons.