Wednesday, September 26, 2007

Raising Cane

A lot depends on the series, but judging a lot of TV shows by their pilot episodes can be a dangerous thing. For a series like Cane, judging the entire series by the pilot is like judging a novel based on the first page. The show is – or will be if given the time to develop and mature – a family saga and those need time to introduce us to the family.

Pancho Duque and his family came to America from Cuba after the revolution that put Castro in power, and in America they built an empire, first in sugar then in rum. Alejandro Vega came to America as a child, airlifted from Cuba with other children, most of whom were reunited with their families – Alejandro or Alex was not. He was adopted and raised by Pancho and his wife Amalia, and married Pancho's daughter Isabel. Throughout their rise the Duque family which includes two more sons, Francisco (Frank) and Enrique (Henry) have contended with their neighbours the Samuels family, led by patriarch Joe Samuels and his two children, daughter Ellis and son Lamont (though apparently Lamont won't be a regular character in the show).

In the pilot, the Duque family is at a crossroads. Although he hasn't told his family yet, Pancho has been told by his doctor that he has at most a year to live. At the same time the Samuels Family has made a major offer to the Duques to buy the family's extensive sugar cane fields with a promise that the family's rum distillery will be able to buy the molasses needed to make the rum at a bargain price. They even offer to put this down on paper. Frank is all for the deal. His focus – when he's not out chasing women and running his boat full out and whatever other diversions may attract him – is on the rum business and the big companies like Bacardi don't grow their sugar. Alex, on the other hand is vehemently opposed to the deal. He sees things in the longer term and for him the production of ethanol from sugar is the future of the company. It's a future that he is working hard to ensure, lobbying a Senator to build Congressional support for shifting the production of ethanol from Iowa corn to ethanol from sugar. If this comes about sugar becomes the new oil, and not coincidentally trade reopens with Cuba. As for Henry, his greatest concern is finding the money to expand his club and music business. His involvement in rum is restricted to promotion in his nightclub. After a raucous family meeting, Pancho takes Frank aside; he intends to put Alex in charge of the company, though he doesn't say why he's stepping down. Frank doesn't take the decision gracefully and makes numerous complaints about Alex not being a "real" Duque. He takes solace in the arms of his current lover, Ellis Samuels.

Alex and Isabel have three children. The eldest is Jaime, who is supposed to go to MIT but is in love with Rebecca and has plans of his own, plans which reflect his father's own actions at that age. Their 17 year-old daughter Katie is a budding party girl who gets little air time in this episode, while their youngest child is Artie. At a tryout for a Little League All-Star team where Artie is contending for a spot, Alex sees and old man, standing apart from the crowd. He thinks he recognises the man and it brings back a flood of memories about an incident in his childhood when the youngest Duque child – three year-old Lucia – was kidnapped and killed. Through his friend on the police force (because what fabulously wealthy family would be without friends on the police force) Alex discovered that at the time of his sister's death the man had been working for Joe Samuels family. To raise the money to pay for his daughter's ransom, Pancho sold his cane fields to Samuels (it's not clear to me at least if the sale was completed after Pancho found his daughter dead). Later, Alex discovers a man – a recent refugee from Cuba with criminal ties back there – pilfering from the company. Instead of calling the cops or company security, Alex offers him and a couple of his friends a possible job at five times what they're earning.

Things come to a head in several different areas at the Duque family's Fourth of July party. At a family meeting Pancho announces his retirement from the company and splits his control of the business; each of his three natural children will get 30% of his shares while Alex will receive 10%. Because Alex is married to Isabel it means that Alex will control 40% of the shares. Pancho names Alex as his successor but things are set up so that Frank can get control if he can persuade Henry to vote with him. At the party itself, Alex notices that Artie has disappeared searching for the boy he finds him with the man from the ballpark, the one he recognised as one of the murderers of his baby sister. First he goes to confront Joe Samuels to let him know that he knows that Samuels was behind Lucia's kidnapping. Samuels is also told how Alex knew about the man; Alex shot and killed one of the men behinds his sister's kidnapping but only managed to wound the other. If Samuels sends anyone else to harm any member of the Duque family again, Alex will be back. Finally Alex has the criminal that he hired find and kill the man who killed his sister. He heard the shot over his cell phone.

There are some truly impressive performers attached to this project. Jimmy Smits plays Alex while Nestor Carbonell plays Frank. I know Carbonell primarily from his supporting role in Suddenly Susan so his dramatic turn in this show is a bit of a surprise for me, though I know he has done dramatic roles in the past. Playing Pancho an Amalia are Hector Elizondo and Rita Moreno. Moreno is notable as one of only two people to win an Oscar, an Emmy, a Tony and a Grammy. Polly Walker, who played Atia of the Julii in HBO's Rome, appears as Ellis Samuels.

I find it difficult to evaluate the writing on this show, primarily because this is the pilot and as such it serves primarily as a platform to introduce us to the characters, and to provide some depth to the major characters – Pancho, Alex, and Frank. We know for example that family patriarch Pancho is dying, that he not only considers Alex to be part of the family but in some ways favours him and prefers his level headedness to Frank's impetuosity. In some ways Alex – the son he "chose" – is preferred to the sons his wife gave him. It may very well be because of that night when Lucia was killed and Alex showed his strength by shooting the killers. Frank on the other hand is hot-headed and impulsive. Not only is he literally in bed with the enemy (Ellis) but he seems unable or unwilling to see the big picture the way that Alex does. Alex is the planner while Frank is the one who rushes in without thought of the consequences. And because Frank realises that Alex is Pancho's favourite he never misses an opportunity to attack Alex directly or indirectly. It is Frank who insinuates that Alex joined the Army to please Pancho and married Isabel to secure his position in the family, an idea that both Alex and his wife dismiss with disdain.

Of course it is Alex that we get the most understanding of. He is devoted family man both to his wife and their three children (soon to be four since Isabel announced that she was pregnant) and to the family which raised him. The biggest thing that we learned is that the man is ruthless in dealing with his enemies. It gives his threat to Samuels an extra menace knowing that as a teenager he killed someone and that he had plans in place for the man who he perceive as threatening his youngest son. His foresight and intelligence in realizing the importance of ethanol in a society where alternative fuels are being sought is indicative of his intelligence. (Incidentally ethanol from sugar is already in use as an alternative fuel in Brazil where 50% of cars use ethanol exclusively. Sugar cane has a higher sucrose content than corn, is easier to extract and in Brazil the waste product is used as a fuel in power generation.) An intelligent, ruthless man is an extremely dangerous man and while it is clear that Alex is not a criminal by nature it is also clear that he is not above breaking the law for what he perceives to be the greater good of his family.

As I've said, this is one of those cases where I'm not really happy reviewing the pilot of this show. Interestingly I've seen the pilot described in some sources as strong and in others as dull. There were parts of it that I felt were weak and that could be accentuated. While I'm convinced that the central relationships in this show will continue to center on the Alex (and Isabel)-Pancho-Frank triangle I would have liked to have seen more development of other characters. Rita Moreno seemed to be almost relegated to the status of set decoration in this episode and at that she was luckier than Katie who was barely noticeable. Much the same can be said about Frank and Alex's brother Henry who at this stage at least seems firmly aligned with Alex. The trouble is that this is about all we really know about him. The thing is that this show is a family saga and one that will develop shades and nuances as episodes pass, even if the plots of the individual episodes are pretty much self-contained. The pilot is lacking that undefinable "something" that will make it a superior show. The potential for significant drama exists – for one thing will Pancho's intentions succeed or will things end up for the Duques the way they did for the family of poor old King Lear. The trouble is that like the first page of a novel the pilot of a show like this is no real indicator of what is to follow. If I were using the Ebert-Siskel thumbs system of rating shows (which of course I'm not because that would mean paying money to the copyright holders or stealing intellectual properties) my thumb would be quivering in an indecisive sideways position, neither up more down. This one, more so than last week's K-Ville will definitely require further study before I can really make any decision about it. For now anyway I am firmly – and uncomfortably – on the fence about Cane.

Tuesday, September 25, 2007

Bow Before Your Kinda Dorky Nerd King

You know how Mondays are for me, TV time is precious thanks to my one major physical activity of the week (Bowling) so I haven't watched Monday's premieres yet and I may not review anything until next week.

Still I did find this test and well I think I did okay on it. Presented for your elucidation and for you to envy a bit. I may not have reached Nerd God status...yet, but this is okay.


NerdTests.com says I'm a Kinda Dorky Nerd King.  What are you?  Click here!


Monday, September 24, 2007

Poll Results? And The Week’s New Shows

Okay, well that was a bit of a disappointment! Just to review, I asked you which of last week's new shows would be the first to be cancelled. By which I meant which of the six shows that debuted last week would be cancelled before the other five, or would all six complete their runs. Two votes received, one said CW Now the other said None!

So here are the Series Debuts and Season Premieres for this week. As for the poll, well I'll try it again but there's a problem – not enough spaces in Bravenet's polling software for all eleven debuting series. Based on pre-season hype, I'll arbitrarily take NBC's Chuck off the list.

September 24th

  • Dancing With the Stars (ABC)
  • How I Met Your Mother (CBS)
  • THE BIG BANG THEORY (CBS)
  • CHUCK (NBC)
  • Two and a Half Men (CBS)
  • Heroes (NBC)
  • The Bachelor (ABC)
  • Rules of Engagement (CBS)
  • CSI:Miami (CBS)
  • JOURNEYMAN (NBC)

September 25th

  • NCIS (CBS)
  • The Unit (CBS)
  • House (FOX)
  • REAPER (CW)
  • Boston Legal (ABC)
  • CANE (CBS)
  • Law & Order: SVU (NBC)

September 26th

  • PRIVATE PRACTICE (ABC)
  • Criminal Minds (CBS)
  • BIONIC WOMAN (NBC)
  • DIRTY SEXY MONEY (ABC)
  • CSI:NY (CBS)
  • LIFE (NBC)

September 27th

  • Ugly Betty (ABC)
  • Smallville (CW)
  • My Name is Earl (NBC)
  • Grey's Anatomy (ABC)
  • CSI (CBS)
  • The Office (NBC)
  • Without a Trace (CBS)
  • BIG SHOTS (ABC)
  • ER (NBC)

September 28th

  • Ghost Whisperer (CBS)
  • MOONLIGHT (CBS)
  • Las Vegas (NBC)
  • Numb3rs (CBS)

September 29th

  • 48 Hours Mysteries (CBS)

September 30th

  • American Dad (FOX)
  • Extreme Makeover: Home Edition (ABC)
  • Desperate Housewives (ABC)
  • Brothers & Sisters (ABC)


(Very) Short Takes – September 23, 2007

I haven't got much to write about today outside of taking my regularly scheduled run at the PTC – if I can't make fun of them editorially I am in real trouble. Part of the problem is that we're in a sort of doldrums when all the shows about to pop out are shiny and new and have finally have had their casts and scripts tweaked, and each and every one of them is going to draw a 40 share. It's sort of like Spring Training in baseball, the last time anyone seriously thinks the Washington Nationals have a shot at winning the World Series (I would have said the Cubs but this year they're contenders – it's only been a century since their last Series win, they don't want to be greedy). Harsh reality will assert itself within the next couple of weeks with a couple of shows falling by the wayside at the hands of the evil network weasels and I'll have something to write about.

As it is right now I seem to be suffering from a bit of writers block, or as I'm inclined to call it, literary constipation (because nothing's coming out; of course it could be called literary diarrhea – the only thing coming out is crap – but literary constipation just feels like the right metaphor). That's one reason why the other blog – The Good Old Days Weren't So Bad – is so stagnant. I come up with what seems like a good idea, start writing and after a few paragraphs decide "well that's a big steaming pile of crap" and delete it from my hard drive.

I mean here's an example. One of the things that really bothers me is people writing critical commentary about shows they admit they haven't seen. I mean take this example: "To be honest, I have never really heard much about The Unit. The most that I knew about it was that a guy that I recognized as a character on 24 (and also from those Allstate Insurance commercials) was on it. I had no idea who else was in it or what it was about. After reading up on the show, I can't really say that it sounds like something I'd like to watch, although I'm sure that there's an audience out there for this show somewhere." It's a Cinema Blend Fall Preview of The Unit. Or this one from the same source, about NCIS: "NCIS is one of those shows that I always see getting decent ratings despite the fact that I don't know a single person who watches it. I expect the series appeals mostly to people with military backgrounds or if not, people who have an interest in military shows. I'm all for supporting the troops but my enjoyment of anything even remotely military related is limited to movies like Platoon and Saving Private Ryan and Nelson DeMille books. I have no interested in crime related procedural dramas and even less interest in a series that shows the genre in a military light. That said, the show has gotten good ratings over the last few years so there must be something to it." The writer has never watched NCIS, has no interest in the subject matter but takes a shot at it anyway. These two weren't the only ones either. At times it seemed like Cinema Blend was deliberately assigning people to comment on previewing shows they had never seen and explaining that the show wasn't worth watching. And in righteous indignation I was prepared to take a run at them. And then a little voice (which sounds almost exactly like Tweety Bird) pops up and says "Ooo, what a hypotwite!" Because of course I do that all the time when I write my "TV On DVD" commentaries; I haven't seen all of those shows or even most of the shows but here I am telling my readers what they should spend their money on, sometimes quite vehemently. And since I'm not planning on stopping anytime soon, Delete!

Who does the PTC hate this week?: Well, they don't hate the US Congress, that's for sure. In fact the PTC is ecstatic that Representative Charles Pickering (R – Mississippi) introduced House Resolution HR 3559, a bill similar to that proposed by Senator Jay Rockefeller (D – West Virginia) "that affirms the FCC's ability to restrict the use of profanity and indecent images during times of day when children are most likely to be in the viewing audience." The bill was co-sponsored by Representatives Joseph Pitts (R-Pennsylvania.), Jim Matheson (D-Utah) and Mike McIntyre (D-North Carolina). As usual the PTC is railing against the decision of the Second Circuit on the "fleeting obscenity case." This time though Tim Winter is taking a new tack in his condemnation of the decision. First there's the usual assertion that the networks are plotting to fill their programming with S-words and F-words when children are watching: "No matter what the industry claims, if it had no intention of broadcasting the 'F-word' or 'S-word' during hours when children are watching, then it would not have sued – likely spending much more in legal fees than it would have faced in FCC fines – for the right to air these words and other indecent content." Well setting aside the fact that the PTC is yet again denying the networks the rights that even the most hardened criminal has, that is to say the right to appeal, they're getting their numbers wrong. I doubt that the networks collectively have spent $32.5 million on this suit, which is the fine that could currently be levied by the FCC for an obscenity aired on 100 stations, at the current maximum fine the Commission can levy - $325,000 per station. It's no wonder that some PBS stations have requested a censored version of Ken Burns's new documentary The War. However, as I have said, the PTC is taking a new approach on this issue – that all such language and images are fleeting. Tim Winter states in his press release, "I want to be clear: vulgar, profane language is, by its very nature, 'fleeting.' 'Unscripted' images that are highly sexual in nature may still meet the Supreme Court established criteria for broadcast indecency and are certainly highly inappropriate content for children. The so-called 'fleeting' nature of this type of programming does not absolve broadcasters of their responsibility to protect children from indecent content during the times when kids are most likely to be in the audience." If I'm understanding this correctly, any use of "vulgar and profane" language is fleeting therefore the court decision allows it all and legislation must be brought forward to prevent a person on live TV saying a "rude word" in the heat of the moment because it will allow scriptwriters to fill the screen with the vilest filth. Obviously you Americans are far more pure than we vile and obscene Canadians.

They are also applauding a class action suit launched against the practice of cable bundling. In their press release the PTC states that "The overwhelming majority of Americans support the notion of Cable Choice, so it is somewhat surprising that it has taken this long for a class action grievance to emerge against cable television's bundling practices. There is no question that a remedy is very much in order to put an end to the wantonly anti-competitive, anti-consumer and anti-family practices of the cable industry – a remedy rendered nearly impossible because of the industry's Washington power brokering. A victory in this court case will be a victory for parents and families – and indeed it will be a victory for all consumers. For decades now the cable industry has successfully dodged the free market by hiding behind a litany of falsehoods and PR spin. They have spent tens of millions of dollars on political campaign donations, on lobbying, and on contributions to a myriad of groups and individuals that have helped them to perfect and perpetuate a system that reliably produces price increases that are several times the rate of inflation." It's a great statement but it doesn't mention any of the details of the suit. For that you have to go elsewhere. The suit was launched by "veteran antitrust attorney Max Blecher" on behalf of fourteen cable and satellite subscribers in various cities. It "asked the court to enjoin the companies from "unlawfully bundling expanded basic-cable channels and ordering defendant cable providers and direct-broadcast satellite providers to notify their subscribers that they each can purchase 'a la carte' (separately) except for 'basic cable,'" basic cable being defined as the stations that the systems must carry per government mandate. The suit claims that the plaintiffs have been "deprived of choice, have been required to purchase product they do not want and have paid inflated prices for cable-television programming." Treble damages are sought, claiming "contracts between the programmer defendants and the cable and direct-broadcast satellite providers constitute a combination among and between the named defendants to monopolize trade and commerce in the relevant product market." In the past, the cable industry has argued that "government-mandated per-channel pricing will reduce programming diversity and could actually raise rates as channels forced to fend for themselves die off or have to charge more to make the numbers work." It is interesting to note that about half of the companies named in the suit - NBC Universal, Viacom, Disney, Fox, Time Warner, Comcast, Cox Communications, DirecTV, EchoStar Communications, Charter Communications and Cablevision Systems – are either content providers or companies which provide content and service (Time Warner, Comcast).

I have stated in the past that I support a la carte or "pick 'n' pay" pricing for cable channels although not for the same reason that the PTC does. I would rather not pay for channels that I don't watch. I am also cognizant however of the fact that bundling is almost essential for analog systems or systems that have not required subscribers to buy a digital box. In digital systems the digital cable box can be programmed to exclude individual stations however for people receiving analog services and using their TV's "cable ready" tuner a la carte service would require manpower intense changes to each customer's connection. The industry is almost certainly correct in their assertion that bundling subsidizes less viewed channels. What I do know from my own experience is that even if Blecher and his fourteen plaintiffs – representing, they say, all cable and satellite subscribers "except the defendents [sic] or their subsidiaries and employees" – are successful it will not mean the end of bundling. My experience in Canada, both with Shaw Cable and with every other Canadian cable and satellite system, including SaskTel which is owned by the government of Saskatchewan as a Crown Corporation and operates in competition with Shaw, is that while they offer "pick 'n' pay" as an option the price per channel is such that buying bundles are actually cheaper than buying individual channels even if you only want half of the channels in the bundle.

It's time for the PTC's Broadcast Worst of the Week. This time around it's a rerun of Criminal Minds, about which the PTC said "simply flipping channels past CBS could have potentially been traumatic for any viewer." The episode was the one in which a serial killer uses an abandoned slaughter house that he owns to torture and eventually kill street people. A significant portion of the episode focuses on a young woman who is taken off the streets anesthetised. She awakes in the slaughter house and is challenged by the killer to escape, a sadistic game on the part of the killer – he's rigged things so no one can escape. The PTC describes her efforts to escape: "In a frenzy she tries to escape, but mistakenly crashes into a room covered in broken glass. The girl falls to the ground where she gains multiple wounds, including several on her face. She cries as she pulls the shards of glass from her cheek. A voice is heard telling her that if she can find her way out of the building she will be set free. Throughout the entire episode the girl is shown running for her life, but only finding rooms with the words 'dead end' written on the walls in blood. A Doberman pinscher is released and chases her into the 'Kill Room,' where body parts hang from the ceiling. The head of the old man from the first scene is shown on a table. The viewer learns that he was killed and cut into pieces with a circular saw. The girl is ultimately put on a gurney and prepped for death, when just in the nick of time FBI agents rush in and save her." While I found her efforts to escape heroic even as the FBI team tried to find the killer (and dealt with the sceptical police captain who didn't think there was a crime) the PTC felt that, "The plot was practically nonexistent. The entire point of the episode was frightening and sickening viewers with graphic scenes of blood and dismemberment." They also said that had it been a movie the episode would "certainly be considered for an 'R' rating due to violence." Hardly. An "R" rated film would have been far more graphic in terms of seeing victims (more than one) being dismembered, with abundant blood spattering in the scenes.

The Cable Worst of the Week (which the PTC still refuses to set up as an archived resource) is It's Always Sunny In Philadelphia on FX, for the episode with the Dumpster Baby. Here's how the PTC describes the show: "Charting the heinously decadent misadventures of Mac, Dennis and Charlie, the owners of a Philadelphia pub, It's Always Sunny premiered its third season on September 13th. Filling out the degenerate gang are Dennis' sister Dee and their father Frank (played by Danny DeVito). And this season promises to pack an even more offensively crude punch to viewers – a punch subsidized by every cable subscriber, whether or not they feel the warmth of Sunny." As usual the PTC is sticking with their assertion that cable subscribers are subsidizing shows. It's not true and anyone with a hint of intellectual honesty will acknowledge this; the shows are sponsored and if they don't draw ratings that the advertisers are happy with (both in terms of total numbers and the specific demographic) those shows will be cancelled, as we saw with The Simple Life. The details that the PTC describes for the show aren't ones that would usually qualify for worst of the week (I think the PTC is desperate). One is the scene in which Mac and Dee try to get a tanning salon employee to let them put the baby they found in a tanning bed to give it a more "ethnic" look so it can be in commercials. The other scene they quote is the one in which Frank's mother tells him that he had survived her attempt to abort him. On the whole pretty tame stuff. In their conclusion the PTC writes "While this macabre humor may appeal to some (2.3 million viewers last week), what about the over 50 million cable subscribers who didn't watch, yet still subsidized this programming? Shouldn't those viewers get to choose whether or not they pay for It's Always Sunny's acerbic and polarizing humor?" By that standard we should probably be asking the companies who sponsor shows like According To Jim (just as an example – I could just as easily attack one of the PTC's favourite reality shows) why those people who don't watch the show but buy their products should be subsidizing that show's polarizing humour.

Finally we come to the PTC's Misrated section. They actually give us two this time around one of which they've mentioned several times in the past. The main one was the Emmy Technical Awards. As you may (not) be aware, these aired on the E! cable channel. The PTC believes that the show should have had a language descriptor. Here's why: "This award show was not live like other awards shows; it had been pre-taped and edited for time — yet the producers still chose to leave in many bleeped words like "f-word," "s-word," "b*lls," "d*ck" and "p*ssy." There were also un-bleeped words like "hell," "damn," and "bastard." In other words the PTC are complaining because "bad" words were bleeped and other words, which can be heard on many over the air shows were spoken on a cable channel. They note host Carlos Mencia's comment about sound editors: "…and a sound editor. He could cut all the bull [bleeped 'shit'] out of his own speeches. I apologize. I was going to say BS. I was back there and I asked Elaine Stritch. I said, 'Hey should I say BS or should I say the word?' And she grabbed me by the [bleeped 'balls'] and told me to 'be a man you [bleeped "fucking"] [bleeped "pussy"]'." And then they add this: "Just to be clear, the words were only bleeped, not blurred, so the viewer could see what words Mencia was actually using." So it's not just children that the PTC is concerned about but lip readers as well. And of course they were upset that clips of the nominated song Dick In A Box were shown: "The producers of the Creative Emmys decided to show clips of the song, during which Timberlake sings, 'One: cut a hole in the box. Two: put your junk in the box. Three: make her open the box…' and later Timberlake sings, 'It's my [muted "dick"] in a box, my [muted "dick"] in a box, girl. It's my [bleeped "dick"] in a box, my [bleeped "dick"] in a box, babe.'" Again, I remind you that if you read either of these quotes out loud you heard more obscenities than anyone who watched the show did. And then they added "Not only are there bleeped words, but there is clear sexual dialogue which would warrant the "D" descriptor." Not in that clip, at least in my interpretation.

The bonus material The PTC crowed in triumph about the airing of the season finale of NCIS which, they claim, includes a scene of "of a drug addict snorting heroin out of the intestines of a corpse." Actually the scene shows nothing of the sort; it simply implies it. In the scene, we see the back of the woman bent over the body of her brother (the corpse in question) and it is indicated primarily by the prior reaction of Tony and Dr. Benoit that she is snorting the heroin off of his body, but we don't see the intestines or indeed whether she is snorting the heroin. What the PTC seems happy about is two things. First, the episode initially ran with a TV-14 rating; in the rerun it ran with a TV-14 V rating. Secondly the episode initially ran in the first hour of primetime; the rerun ran in the third hour. To the PTC these two things indicated "that CBS recognized that the show was misrated, and that the network now took the necessary steps to warn parents of it's [sic] particularly offensive content." While the addition of the "V" descriptor might have indicated that, the show had been moved to the third hour of primetime following the debut of The Power Of Ten while the second hour was devoted to Big Brother which had its season finale on the night in question.

Friday, September 21, 2007

TV On DVD – September 18, 2007

I took last week off on this one simply because I had too much outside of my blogging life to get done and not enough time to do it all in. Something had to suffer and it wasn't going to be the other stuff. So what about this week? Well there are some new series premieres to review – or not but beyond that the decks are mostly clear for some serious writing. As always, while the comments are my own, the list comes from TVShowsonDVD.com without whose hard and diligent work I wouldn't be doing this piece. By the Way, my links come from Amazon.ca. In recent days the value of the Canadian dollar has reached par with the US dollar. Unfortunately Canadian prices on merchandise such as DVDs do not at present reflect this, including merchandise sold by Amazon.ca. In other words, they tend to be priced higher than they would be from Amazon.com.

Oh by the way, why is absolutely no one voting in the poll this week? Okay, Toby voted, but where are the rest of you?! I'm asking for predictions or at least wild assed guesses. Or maybe I'm just a little premature on when I'm running it? Is that it? At the very least give me a little feedback!

My Pick Of The Week
Johnny Cash TV Show 1969-1971:

I literally grew up listening to Johnny Cash. In fact the first record I ever owned myself was a 45 of Johnny Cash singing the theme from the TV series The Rebel and a "B" side featuring the Civil War ballad Lorena. (Actually it may have been some sort of bastardized version of an LP because I also remember him singing Remember The Alamo on that record. I'll have to see if I can find it.) The Johnny Cash I remember was the guy who put "Spanish" trumpets on Ring Of Fire (that was the description he used; he didn't know the terms but he knew what he wanted). And who sang "Because you're mine, I walk the line." And a few years later he was also the guy who sang Folsom Prison Blues, A Boy Named Sue, and Sunday Mornin' Comin' Down and with his new wife June Carter sang the line "We got married in a fever, hotter than a pepper sprout. We've been talkin' 'bout Jackson ever since the fire went out." That was the guy who hosted what I still consider to be one of the best music shows ever on American television.

I say "one of the best music shows" on American TV because it wasn't just country music nor was it a variety show. The list of people on this DVD crosses genres. There's Johnny's old Sun Records buddy Roy Orbison, but also Bob Dylan and Louis Armstrong (in a duet with Johnny!). There's the Statler Brothers and Waylon Jennings, but there's also Creedence Clearwater Revival, Stevie Wonder, Linda Ronstadt and Joni Mitchell. There's Neil Diamond and Neil Young. Johnny and Chet Atkins even perform a little classical music, "Recuerdos de la Alhambra" by the 19th Century Spanish guitar composer Francisco Tàrega as well as sitting down with Derek and the Dominoes featuring a guy named Clapton who you might have heard of For me, a definite, absolute must have.

And now the rest of the week's DVDs.

Ballykissangel: Complete Series Six
Ballykissangel: The Complete Collection

If I admit that I've never seen Ballykissangel does that make me a bad person? Because I haven't. Series, or Season 6 was the show's last. I can't say much more about it except that it is described by TV.com as "one of the best British primetime shows ever seen on British television." Even with the redundancy in the quote, it's a pretty strong endorsement.

Blade: House of Chthon (Pilot Episode)
This is the pilot episode for the abortive attempt to bring Marvel Comics' Blade to TV. The story had successfully made the transition from comics to film in the form of three movies with Wesley Snipes and Jessica Biel. And indeed Snipes and Biel were the first choices to recreate their film roles in the series which was originally intended for the Showtime network. For a variety of reasons the two actor pulled out which led to the series being cut back in terms of budget and distribution – instead of Showtime, a premium cable channel which frequently features more "adult" content, the show went to the basic cable Spike network – and starring a largely unknown cast. Even though this episode was #1 in cable audience on the night it debuted, the series didn't hold its audience and was cancelled at the end of its first, twelve episode, season. This show isn't my sort of thing and the descriptions of cast and the effects of the diminished budget would make me a bit wary if it were a genre I was interested in.

Boston Legal: Season 3
I'm not a Boston Legal fan. In fact I can count in the thumb of one hand the number of episodes of the show that I have watched, but that episode, Son of the Defender is on this set and it is good, making effective use of a 1957 episode of Studio One featuring series star William Shatner and the great Ralph Bellamy. I can't effectively judge the show based on that but that episode at least was worth the time it took me to watch it.

Brothers and Sisters: The Complete First Season
Last season ABC seemed to be all about the relationships. Their new schedule featured shows like 6 Degrees, The Nine, and Men In Trees with nary a police procedural in sight. A lot of these shows died a quick and relatively unnoticed death. Men In Trees survived but was ill treated by the network. The big success from this list of relationship shows was Brothers And Sisters. It deserved to survive. Billed as Calista Flockhart's return to network TV what it actually had was a superb ensemble cast that included two time Oscar winner Sally Field and Oscar and Emmy nominee Rachel Griffiths. Unsurprisingly, both Griffiths and Field were nominated for Emmys while Flockhart was not. The show is concerned with the dynamics of a very complex family but one which rises above their various problems. Worth seeing just to watch Field who as usual is great (as long as she's not making an acceptance speech ;-) ).

The Spooktacular New Adventures of Casper, Vol. 1
When Casper the Friendly Ghost debuted as a cartoon character for Paramount back in the late 1940s he rapidly became one of the most boring and repetitive characters to come out of that boring and repetitive studio (although the studio wasn't anywhere near as boring and repetitive as Terrytoon). I really doubt that the character has changed much over the decades.

Corner Gas: Season 4 (3DVD)
Thanks to Superstation WGN, Americans are getting to see what Canadians have known for a while – you can do a very funny comedy based out of a small town southwest of Regina. Brent Butt and his little gang of actors are a talented ensemble who have done a show that is equal parts Seinfeld (its a show about nothing) and Northern Exposure (Gabrielle Miller as Lacy Burrows is very much an urban fish out of water in a town that prefers gas station cookies to fresh biscotti). The show is a 'Rider lovin' comic gem and deserves all of the success that it can get. (That last sentence means a lot in Saskatchewan, trust me.) The season finale features a cameo from Prime Minister Stephen Harper

Everybody Loves Raymond: The Complete Ninth Season
Well strictly speaking no, not everybody loved Raymond. I for example couldn't stand it though I will confess to finding Brad Garrett's character Robert funny and probably the best thing in the whole show. Otherwise I could never muster up much enthusiasm for the series and wouldn't want anyone to buy me this set. That said, I know that I am almost certainly in the minority in holding this view given the ratings that it pulled when it was on and how it does in syndication. I can't recommend it but I am scarcely in a position to tell you not to buy it either.

Family Guy, Vol. 5
Another show that I can't whole heartedly recommend because I don't watch it and the subject matter doesn't really appeal to me. On the other hand the PTC loathes the show which is on the plus side for me. On the other, other hand I do wonder sometimes if the show's producers use the fact that the show is animated to go a bit farther than they might otherwise – the PTC's Misrated section this week brings up a couple of points about violent content in the show not being treated (or at least rated) the same as it would be in a live action show that might actually be valid. On the other other other hand this is the PTC we're talking about, I haven't seen the sequence in question and they do tend to overreact more than a bit. And if I grow any more hands I'll officially qualify for godhood in India.

Playboy: Foursome Season 1, Part 2
It comes from Playboy and the cover describes it as "The TV dating show that shows everything." Offhand I'm guessing this isn't a show you're going to want to watch with the kids on a snowy Saturday night.

Gene Simmons: Family Jewels Seasons 1&2
Okay, I think I've mentioned this more than a few times in this blog and elsewhere: Shannon Tweed, who is Gene Simmons's lady friend and the mother of his two children, and I went to Mount Royal Collegiate in Saskatoon back in the early to mid-'70s. She was a year behind me, I never met her and for the most part we didn't travel in the same circles, although I did know one guy who knew her back then. And that extremely tenuous connection is not why I like this show. Amazingly the woman who I always thought did her best acting when she whipped her top off in all those awful erotic thrillers has at age 50 revealed a real talent for doing comedy or at least being funny – sort of like Pamela Anderson but with brains. Gene Simmons can be funny too. I'm treating this show like a comedy when of course it's a celebrity reality show, but the fact is that this is a funny show about two people who have a reputation for being outrageous but in fact seem very well grounded. I guess you could say I'm something of a fan which surprises and sort of shocks me because I didn't expect it.

The Ghost Whisperer: Season 2
I watched an episode of this show when it first appeared. I didn't like it. I was unimpressed by the acting abilities of Jennifer Love Hewitt and I found the whole "helping dead people to the other side" business to be both boring and opposed to the rational side of my being. It amazes me but I actually liked Medium better than this show if only because that show had both dramatic tension and significant characterization both of which I found lacking in this series. Now things may have changed since I watched that first episode, but it would take wild horses (or the promise of a night of exceptional passion afterwards) to get me to watch this so that I could find out.

The Grim Adventures of Billy and Mandy: The Complete Season 1
A Cartoon Network show and as usual one that I have no exposure to. Apparently it's popular enough to spawn at least one movie, but I know so little about it that it's really not fair for me to write about it.

Josie and the Pussycats: The Complete Series
Now this one I do know a little about. An attempt to recreate the buzz that surrounded the cartoon adaptation of Archie and the musical group The Archies with another Archie Comics character Josie by making the series about a girl band Josie and the Pussycats. The show lasted two seasons, which in the Saturday animation climate of the early 1970s is a fairly good run. Interestingly it was the first Saturday morning cartoon series to feature an African American character as a regular (apparently it took a lot of persuading to get Hanna-Barbera to accept that, according to the Wikipedia article on the show).

Married... with Children: The Complete Seventh Season
You can't deny the success of Married...with Children. You can try – lord knows I have – but any show that rumbles on for eleven seasons has to have something. Season 7 had Seven who was five. Seven was a character on the show, a child added for no apparent reason and removed from the show after eighteen episodes because 80% of the viewers loathed him. Interestingly, the character was funnier after he left the show than he ever was when he was on it.

Masters of Horror: Sounds Like
Masters of Horror: The Washingtonians

Single episodes from the second season of the excellent Masters of Horror. Don't buy them. You may want them but unless one or both of these are the only episodes you want to see from the entire season, you are better off waiting to buy the complete season set which, if the Season One set is any indication, will undoubtedly be cheaper than buying episodes individually.

Babylon 5/La Femme Nikita: Season One Starter Pack
Gilmore Girls/Veronica Mars: Season One Starter Pack
Smallville/Supernatural: Season One Starter Pack

I have absolutely no idea of what these contain, and Amazon is no help. I assume they are complete first season sets of the series listed (interestingly paired don't you think) but beyond that I have absolutely no idea.

Power Rangers: Operation Overdrive, Vol. 1 - Brownbeard's Pearl
Power Rangers: Operation Overdrive, Vol. 2 - Toru Diamond

You really don't want to know just how much I loathe and despise the Power Rangers in any known version of the series. In my very humble opinion they are and have always been the worst of television aimed at kids and have forced out other better shows. This is apparently the most recent "story" but let's face it, it's probably interchangeable with every other "story" since this show was created.

Smallville: The Complete Sixth Season
Smallville: Season 6 [Blu-ray]
Smallville: Season 6 [HD DVD]

This was for the most part an enjoyable romp of a season though there are a lot of people who disagree. More super-powers than ever with the return of Bart Allen, Victor Stone and the introduction of Oliver Queen, and the creation of The Justice League aimed at bringing down Lex Luthor. There's romance between Ollie and Lois Lane, and Chloe Sullivan and Jimmy Olsen. And let's not even mention the marriage of Lex Luthor and Lana Lang – I mean please, let's not mention it. Lynda Carter, TV's original Wonder Woman, makes an appearance as Chloe's mother. There's a film noir style episode that's a lot of fun, and the season culminates with the apparent death of at least two of the show's major characters. Just remember, we're talking comics here – even if you see the corpse it doesn't mean they're really and truly dead.

Stargate Atlantis: Season 3
I've never been more than a casual follower of the two Stargate series. I've seen some episodes of Stargate: SG1 but far fewer of the second series Stargate: Atlantis which of course is now the only Stargate series. I can't say much about the series though beyond the expectation that if you liked Stargate: SG1, you'll probably like Stargate: Atlantis... eventually.

Superman: Doomsday
This really isn't part of the Superman animated series that ran between 1996 and 2000 though both were created by Bruce Timm. This is closer to a movie for DVD and details on of the most memorable Superman stories of the past twenty or so years, 1993's Death Of Superman. While I haven't seen the movie (but I want to get it) reaction from those who have seen it – many at the San Diego Comic Con – has generally been extremely positive. To quote from Wikipedia, "Many agreed that the first of DC's line of animated films was better than what Marvel did for theirs as the film uses whatever it takes to make a PG-13 rated movie feel like one with the blood, the battles, and it's matured themes and story."

Teenage Mutant Ninja Turtles: Season 1 - Part 2
This is the first season of the 2003 series which is closer in tone (dark) to the original comic book version of the characters than the version that ran during the late '80s and early '90s. I've never been interested in any variant of the Turtles ("heroes on a half-shell," which I think probably would better apply to oysters) but then I wasn't the target audience at any time.

Upright Citizens Brigade: Season 2
When I first heard the title of this I immediately thought it was a satire of the Parents Television Council. Obviously I was wrong. It's improvisational sketch comedy held together by a central theme running through the episode. Or something like that. As you can probably guess this is not something that would interest a guy who was brought up watching Wayne & Shuster.

Thursday, September 20, 2007

Much Ado About...?

I have to confess, of the four shows that debuted on Wednesday night, the one I was looking forward to least was Kid Nation. On the other hand I knew it was also the show that I was going to have to write about on the first Wednesday of the new TV season. Why? I guess that, because of the CBS PR machine and the inadvertent push from law suits, the controversy over child labour laws, and everything else that has gone on surrounding this series, it has become the most hyped TV series of the season. It's certainly the one that everyone has heard about and I fully expect that the first episode at least will be the most watched show of the week.

For me that's a bit of a problem because based on what I've seen in the first episode I'm pretty sure it doesn't deserve to be. My perception is that the show is pretty much a clone of Survivor and I'm not sure it's a particularly well done one. Oh sure, there are differences. No one gets voted off for one thing, although the kids can drop out at the various town meetings if they choose to. Still there are other aspects that are very much like Survivor. The kids are split into groups, called "districts" rather than tribes, and there are reward challenges. But I'm getting ahead of myself. Let's try a recap of this week's episode and see if we can spot some of the similarities to the established series.

The show opens with host Jonathon Karsh telling us the tale of Bonanza City, New Mexico a town – we're told at least – was abandoned in 1885 after the people of the town were unable to make it work. The town in fact is a set used for movies although it is built on the ruins of the real Bonanza City. Now we're told a new group of pioneers will try to make a go of it, but this group is made up entirely of children between the ages of 8 and 15. The kids, or at least 36 of them, arrive in a yellow school bus. They aren't taken into town though, but are left near some push carts, a corral of goats and some boxes of chickens. Then four more kids arrive aboard what appears to be a military helicopter (it has what appears to be an Air Force insignia on it but it may be a helicopter used for movies). These four, Spelling Bee contestant Anjay (12), Beauty Pageant contestant Taylor (10), Boy Scout Mike (11), and student leader Laurel (12), are the town council, selected by the producers of course. There first task is to lead their new pioneers to their new home for 40 days.

It isn't necessarily an easy task. The kids have to lead the kids (of the human and goat varieties) down a road. At times the carts get bogged down in some mud and at least one boy suffers a muscle cramp. There's also dissension as Greg, at 15 one of the oldest of the group, claimed that Mike wasn't doing his share of work (in this case at least Greg was probably in the right, but it was a sign of things to come where he wasn't so right). Once they arrived at the town they started exploring. They found bunkhouses with some mattresses but no beds. They also found a communal kitchen with a wood burning stove. The obvious thing to cook is macaroni and cheese, but the adage about too many cooks spoiling the broth proved to be true particularly when none knows how to cook. They put the macaroni in the water too soon and put in too much. Finally one girl, Sophia, steps forward and after throwing out the badly cooked macaroni manages to get the group fed. She does it again the next morning, making pancakes from a recipe in a cook book. She tells everyone to take only one but some of the kids take more than one so that some of the smaller kids don't eat. This leads to an unofficial town meeting in which Eric confronts Mike. It gets physical with Greg pushing Mike and trying to intimidate him before another boy, Eric, intervenes in support of Mike.

The town councillors have been instructed to go to the town chapel where they'll find a book that will help them organize the town. They aren't able to do it the first day but eventually get around to it. The book tells them about the "history" of the town and suggests that they organize. There are four colours of bandanas in a box and the councillors are told to split the group into four teams – red, green, yellow and blue. The leaders are able to select the teams they'll lead based on whatever criteria they choose. Taylor on her Yellow team seems to gravitate to the younger children, while Anjay decides to go with Greg and his buddy Blaine on the Blue team or District. They seem to go a bit wild; during the night the graffiti (with chalk) most of the buildings in the word "Blue" and disrupt groups from the other districts by running in and shouting "BLUE!" Needless to say they believe that they`ll dominate things. Jonathon shows up again to tell the town that there are various jobs to be filled with money (in the form or Buffalo Nickels) to be paid, depending on which level of the town hierarchy they fall into. This will be decided based on "showdowns" which take place every three days. There are four levels: Laborers (paid 10 cents for duties including cleaning the outhouse, picking up garbage, and hauling water), Cooks (paid 25 cents to cook, wash dishes and care for the livestock), Merchants (paid 50 cents to run the grocery store, dry goods store and the saloon which serves root beer for a nickel), and the Upper Class (paid a dollar and basically can do what they choose). The first showdown requires the teams to carry derricks with pumps to various holes in the ground. There they pump water, which shoots out of the top of the derrick. They have to catch the water in buckets and then run back to the starting line to fill three bottles with water. The complication is that the water is coloured and you have to get your District colour. Which class a team ends up being depends on order of finish. In addition, if the task is completed within an hour the leaders will be able to choose between two bonus prizes for the whole town. Motivated by the desire to beat the Blue team with Greg and Blaine, Mike and the Red district manage to complete the challenge first with the Blue district coming second, the Yellow district third and the Green group fourth. They also manage – barely – to complete the showdown in time to win the bonus. It's a choice between seven additional outhouses or a Television. There's some debate before the leaders decide that seven outhouses (which one kid insists on calling a portapotty; anyone who has ever used an outhouse – and I have as a child – knows that there's a significant difference between the two) to supplement the one they have which to put it kindly stinks.

I missed much of the next section of the show – I was making my own dinner – so I missed the segment where the girls of the Yellow district made their first meal (apparently Taylor refused to clean up after saying "I'm a beauty queen; I don't do dishes."), the efforts by a couple of the boys to befriend little Jimmy (at 8 one of the youngest kids and terribly homesick), the spending spree by the Upper Class Red kids who spent most of their money on candy and pop, though one bought a copy of Henry V, or labourer Sophia dancing for nickels to buy a bike. Those I read about on the CBS website. What I did see however was the first official town meeting. The meetings are important in that they are an opportunity for the "citizens" of Bonanza City to change their leadership if they wish and to air grievances. Moreover they are an opportunity for any of the kids to declare their decision to go home because they can't cope. Jimmy, the 8 year old who was desperately homesick despite the best efforts of all of the other kids to make him feel like part of the group, decided to pull out. Taylor thought of leaving as well but eventually decided to stay. Finally came the awarding of the Gold Star. The council members had been told about the Star by Jonathon earlier but it came as a surprise to everyone else. The Star, supposedly made of real gold, is awarded to the person in town who the members of the council decide has been the hardest worker. It isn't just a trophy though, because the kid who wins it wins the value of the gold used to make it, $20,000. The council quickly decide to award it to Sophia for organizing in the kitchen before the official jobs board was created. It carried one further benefit – access to the only telephone in town for a phone call to her parents.

As you can probably tell, this has a lot of the characteristics of Survivor albeit without most of the backstabbing, though try telling Mike that after his several confrontations with Greg. There are challenges and rewards for both groups and individuals. At the same time the show's cast is entirely kids, and I hate to say it but more than a few of them are annoying, like the one who suddenly and inappropriately decided to quote Martin Luther King saying "I have a dream." The problem being that if I recall correctly this kid's dream had a lot to do with getting the extra outhouses. And that's part of the problem – kids on camera tend to be the biggest bunch of hams ever or they tend to shrink away from standing out. Another aspect is the behaviour of Greg in particular. He comes across as an out of control little punk – the town outlaw along with his buddy Blaine. Is this behaviour real or has he somehow been encouraged by the producers? Maybe he's just trying to gain camera time but it comes across as forced.

Then again the whole thing seems more than a little forced to me, the product of a bankruptcy of ideas that led someone to say "let's do Survivor but with kids." For all of the controversy, I am trying to write about the show as it is on the screen and what I'm seeing is depressingly ordinary. On Thursday I'll be watching adults doing much the same thing on Survivor and will, most likely, be more entertained. There at least I know what the point is – in this little saga of Bonanza City I'm not sure what anyone is trying to accomplish, most particularly the producers. For all of their talk before the show began of a society run by children what we are given is a town populated by children but one in which order and structure, in the form of pre-selected leaders, creation of groups and division of labour, and rewards (but so far at least no punishment), is imposed by adults even if the adults are unseen. The show has some attraction but on the whole I'm unhappy with the result even though I realise that there really aren't many other ways that this show could go. I'll probably stick with it for a couple of episode, but unlike K-Ville I have absolutely no expectation that it will improve beyond the current, rather lacklustre level. If I find something I like better I'll happily abandon this show.

Wednesday, September 19, 2007

K-Ville – Not There Yet But Maybe With Time

I frequently worry about writing about the debut episode of a new series. Pilots are, on the whole, not typical of the totality of a show. Sometimes a show is better than you'd expect based on the pilot. Sometimes the pilot is as good as it gets (and in some cases that's damning with very faint praise). The fact is though that a pilot serves two very big purposes – to sell the show to the network and to get the viewers to watch next week's episode instead of something else. A pilot has to be packed with exposition to introduce us to the principal characters, but it also has to grip the audience, whether it's an audience of TV Executives or an audience on Monday nights. FOX's new series K-Ville certainly gets a grip on the audience and holds it but to use another metaphor, at times the pilot feels like it's a mile wide and an inch deep and if they don't improve on that they could have problems.

K-Ville sets its location most effectively. Marlin Boulet and his partner Charlie are trying to help refugees on the I-10 freeway during Hurricane Katrina. Sent to their car to get a blanket to help someone with an injured leg, Charlie instead takes the car and speeds off, leaving his friend and partner alone. Cutting from that vignette to today we see a montage of images of devastation before we are eventually reintroduced to Marlin. He's making a sandwich when he spots a kid digging up a tree outside his house. The kid is stealing the tree "because people gotta landscape." Marlin is personally insulted by this – not only is the tree his but it's a cypress of the type that used to grow all over the city but now doesn't because the salt water from the flooding killed them all. Still the kid is one of his neighbours and in an ordinary place he wouldn't be stealing anything, let alone his neighbour's tree. We're soon introduced to another of Marlin's neighbours, a jazz singer who just bought a classic car ("cost two FEMA checks").

When Marlin gets to work – his police unit is based out of what looks like an old warehouse because their new HQ isn't finished yet – his boss introduces him to his new partner, Trevor Cobb. Cobb is from Cincinnati, an ex-soldier who did a tour in Afghanistan; these facts are enough for Marlin to question his motives or at least his sanity: "What is he, some kind of nut job?" They soon get their first job together; security at a benefit for the 9th Ward, the area where Marlin lives (and which is usually featured on real world news reports about the continued devastation in New Orleans). The featured performer is Marlin's neighbour and the host is the daughter of one of the city's wealthiest men, the owner of a major casino. Things seem calm enough until gunfire erupts killing Marlin's neighbour. Marlin and Cobb go off in hot pursuit, a pursuit which ends at the casino. They lose their suspect in the building. Marlin initially suspects the murdered woman's ex-boyfriend and goes to "question him"; questioning being a kinder and gentler word for tying him up and dropping him off the side off his commercial fishing boat until he gives them an alibi. When the alibi checks out they're forced to go back to square one. Another charity event is shot up. There's no high speed pursuit this time – the bad guys have put a bomb in the police car. Marlin and Cobb figure out that going to the casino wasn't random – it was part of the escape plan all along. They go to the casino to check the security footage of the entrance in hopes of figuring out where the shooter went but mysteriously, the security cameras at that moment were out of position (suspicious in itself). After another encounter with Charlie, who is now working security in the hotel attached to the casino, Marlin discovers that the casino's head of security and some of the other people he met with was actually a Gulf War vet who became a mercenary working for a company – Black River – which had provided security during the clean-up. They immediately become suspects, particularly after

Earlier Marlin's wife had been introduced. She's living in Atlanta with their very young daughter. The little girl was so traumatized by the storm that the sound of rain terrifies her, and even the sound of the wind means that her mother is up all night with her. They still love each other, but Marlin's attempt at a romantic evening with his wife are shattered when their daughter comes screaming down the stairs with a torrent of water following. A fire hose has been inserted into the daughter's room to flood it. Outside they find an ominous piece of graffiti – the address of Marlin's wife and daughter in Atlanta. Suddenly Marlin is mad. He brings in the three Black River mercenaries for questioning but between political interference – Black River is important for the war effort – and the fact that he has nothing proving positively that they are responsible for the murder or even the flooding of his house. They're let go. However Marlin discovers a motive for the attacks on the fund raising event. Large chunks of the 9th Ward have been bought up buy a development company, Orleans Renewal. The company is owned by Christina DuBois, the daughter of the Casino owner. She organized the relief events that were shot up but she also organised the attacks to scare people out of the 9th Ward. Her brother was killed in the area two years before the hurricane and she saw the aftermath of the storm as an opportunity to keep the people who had been forced out by the storm, people she felt had no sense of the value of human life, from coming back to the city. Cobb and Marlin arrest her, but before they can take her to jail, the Black River men attempt to silence her. They fail, but Marlin and Cobb take off in pursuit. The mercenaries seem to be getting away until Charlie crashes his car into theirs. He's taken hostage and the pursuit begins again, ending at a dock where the Black River men have a helicopter waiting. As the car with the wounded Charlie in it rolls off the dock, Cobb dives into the water to save him while Marlin uses a heavy chain to secure the helicopter to the dock. The denouement of the episode is a block party in Marlin's neighbourhood where his friends burn their "For Sale" signs because he has restored their confidence.

I am really torn about this show and I think it's because of the pilot. Anthony Anderson is superb as Marlin, a man suffering as much from Post Traumatic Stress Disorder as his ex-partner or his little girl. In Marlin it's held back but from time to time it shows up: he drinks on duty and doesn't give a damn and at a crucial moment he flashes back to his time on the bridge. It shows up in his choice not to follow the wife and child, both of whom he clearly loves, in abandoning the city that he's sworn to protect. What he went through during the storm made the city more important to him than his family; leaving it would be surrender. I'm less impressed with Cole Hauser as Trevor Cobb. Maybe it's because Cobb has a secret beyond what he's told anyone else – a secret that Marlin unravels in a single episode – or it may be that Cobb is currently a less interesting character because he doesn't have Marlin's faults (at least not that we know about yet). The fact remains that Hauser seems rather flat when compared with Andrews...and since most of his scenes are with Andrews that weakness is quite obvious. John Carroll Lynch is his usual workman-like self playing Marlin and Cobb's boss, Captain James Embry. Lynch clearly has a talent for accents – Embry's slight Nawlins patois is a long way from his most famous role as Norm Gunderson in Fargo, and while it's not as heavy as Dennis Quaid's accent in The Big Easy it is noticeable. We really don't get much time with most of the other cops on the team. In a guest role as Gordon Wix, leader of the Black River security team, William Mapother does his usual good job playing a superficially civilized but secretly very dark and dangerous man.

Where I really have a problem with K-Ville is in the writing. Strip away the whole post-Katrina New Orleans aspect and you have a standard cop who breaks the rules but gets results partnered with a straight arrow who is his exact opposite set-up. There's even the boss who isn't always in love with their methods but keeps them together because they're effective. It's pat and clichéd and the fact that it works in this case says more about Anderson and to a lesser extent Hauser than it does about the writing. I'd like to see a lot more character and story development here. In the episode there really wasn't much in the way of plot development; instead there were two big car chases. Right up until the revelation that Christina was behind the entire plot there was no indication that she was even connected to the Black River men. They could literally have been working for anyone at all. While her motivation was intriguing (not to mention more than slightly insane) we as an audience had absolutely no clue that it existed until it suddenly appeared seconds after Marlin found out about Orleans Renewal. I swear it seemed like it was revealed because they needed a mastermind and they needed to shoehorn everything about why everything was happening in between the incident at Marlin's home and the big car chase finale. More thought – and more time – was give to giving us the clues about Cobb's deep dark secret and how Marlin figures it out than was given to revealing the identity and motive of the person behind the major event of the episode. I find that to be extremely sloppy and poorly paced writing but it also doesn't entirely surprise me in a pilot episode where you are introducing not just the antagonists for the episode and their motivation but also the protagonists for the series. The question for me is will this continue.

I look at K-Ville and right now I see a lot of potential which in the pilot episode at least hasn't really been tapped. FOX promoted the series as the next groundbreaking drama but except for making the city of New Orleans, recovering from one of the biggest natural disasters to hit a major American city probably since the San Francisco Earthquake of 1906, almost a character in the show it isn't breaking new ground but rather going over well tilled soil. I hope that in later episodes the series does push the envelope more. I want this show to live up to its potential; I want it to succeed if only to remind people each week about New Orleans and what still needs to be done. The pilot episode was something of a disappointment but there's a ton of room in which to grow and to become what Fox promoted it as being, a groundbreaking new drama. It is definitely a show that I'll be checking in with to see if it lives up to what it can become. I can't call it a failure but right now, by most measures I can't whole heartedly call it a success either. It is definitely one to keep monitoring.

Monday, September 17, 2007

Debuts and Premieres: September 17-23 – And A New Poll Too!

Just for the sake of this series of postings, Debuts refers to season debuts for older shows, while Premieres refers to new series. Just to flash things up a bit, new shows will be in Red. (Times are Eastern – adjust appropriately).

September 17th

  • Deal or no Deal (NBC) 8 p.m.
  • Prison Break (FOX) 8 p.m.
  • K-VILLE (FOX) 9 p.m.

September 18th

  • Beauty and the Geek (CW) 8 p.m.

September 19th

  • KID NATION
    (CBS) 8 p.m.
  • America's Next Top Model (CW) 8 p.m.
  • BACK TO YOU (FOX) 8 p.m.
  • Til' Death (FOX) 8:30 p.m.
  • KITCHEN NIGHTMARES
    (FOX) 9 p.m.
  • GOSSIP GIRL (CW) 9 p.m.

September 20th

  • Survivor: China 9 p.m.

September 21st

  • Friday Night Smackdown (CW) 8 p.m.

September 23rd

  • CW NOW (CW) 7 p.m.
  • ONLINE NATION (CW) 7:30 p.m.
  • The Simpsons (FOX) 8 p.m.
  • King of the Hill (FOX) 8:30 p.m.
  • Cold Case (CBS) 9 p.m.
  • Family Guy (FOX) 9 p.m.
  • Shark (CBS) 10 p.m.

Now here's the poll question: Which of the new series premiering this week will be cancelled first? I'm going to include being put on indefinite hiatus as being cancelled – these shows can be like zombies and spontaneously resurrect but for most of them dead is dead and they get even worse ratings than they did the first time they showed up. Note that there's a "None" category just in case you think that all of these shows will get an order to finish the season (actually I may cut Kitchen Nightmares some slack on this since I don't think it was meant to go more than 13 episodes based on the original Fox schedule). Wouldn't that be a shocker!

As usual feel free to comment or bloviate here (bloviate being one of the great words in the English language, even if I sometimes – sometimes?! – engage in it too much). I'll end this one next Monday.

Update: I had old information about the premiere date of Gossip Girl. I've changed it here, but I can't change the poll so I'll have it on the list for next week. Thanks to Annie in Comments for the information The debuts that Annie mentioned for Desperate Housewives and Brothers and Sisters is a bit misleading though. These are recap episodes of the past season of both shows; new episodes in terms of content and story lines start on September 30.

Brian And Stuey At The Emmy

I promised this at the beginning of my Live Blogging of the Emmys last night but no one had put it up on YouTube by the time I finished up last night. Funny stuff, but notice which networks don't get their trash talked about. That's right, no mention of The CW (which never gets mentioned on the Emmys anyway - maybe they're hoping if they ignore it, the weblet will just go away) and the network the Emmys were on this year - FOX.