Saturday, May 17, 2008

Video Links For The New Shows

Last year was a great time to blog about the new TV season and include clips from the new shows. NBC had its own YouTube Channel and CBS even provided a "bloggers kit" that provided links from their InnerTube video service. The other networks at least had clips on a page even if you couldn't embed them. This year it's not so easy to provide links. This season it's not so easy. NBC gave up on YouTube and put all their eggs in their Hulu basket, not that it matters much since they didn't do pilots this season. Similarly InnerTube seems to be gone, but CBS does have its own YouTube channel (with the series previews on their own playlist), as do The CW and FOX. But ABC provide you with...a PDF file. At least that's what they do officially. If you hunt around you can find clips at YouTube and other video sites such as Brightcove and DailyMotion...if they haven't been taken down yet. Under these circumstances, rather than provide hints on where to find clips it might be better just to show some. To help things along I've set up some playlists of my own with clips from the various networks.

We start off with CBS, and the first video in this group of five generated the most comment from the people who watched it on YouTube...mostly negative. It's for The Ex List, and the negative comments were because it is the show replacing Moonlight on Friday nights. And two more different show you're unlikely to see. Based on this clip I'm not likely to be watching. Following that are clips for The Mentalist and Eleventh Hour. Both show's look more than a little intriguing. Finally come clips for the two new sitcoms on the CBS line-up, Project Gary and The Worst Week. Neither one looks like something I'd be interested in watching, but bear in mind that it takes a lot to get me interested in sitcoms.


Next up we have clips from two of the three new CW shows. First are two clips from Surviving The Filthy Rich featuring Joanna Garcia with Lucy Kate Hale in the first, and with Micheal Cassidy in the second. Then there's a clip from the reality show Stylista that basically introduces Anne Slowey as she clumps (about the best way I can describe her walk in those heels). Nothing from 90210 yet, but a lot of the parts in that series have yet to be cast, and I don't think they've done a pilot.


Next up we have ABC's two new shows, neither from "official" sources. First up is a trailer for Life On Mars clearly taken from an Entertainment Tonight broadcast. It was another clip that got a lot of reaction most of it extremely negative. Of course, to be fair, a lot of those comments were coming either from people in Britain or from Americans who are fans of the original BBC series. The other clip is from the new Ashton Kutcher game/reality show Opportunity Knocks. Based on this, it looks awesomely awful and I would hope that it dies a quick and well deserved death.


Finally we have some clips from the new FOX shows, starting with Fringe. You can certainly pick up the X-Files vibe in this clip. Next we have the new comedy Do Not Disturb, which I fear is going to fall right into the trap of being a workplace comedy rather than something like the British Hotel Babylon. It looks pretty bad. Next we have two clips from Secret Millionaire, including the start and the reveal of one episode. I'm afraid it looks worse than I originally expected, but I still have no doubt that it will find an audience. Then there are a couple of clips from the two animated series, The Cleveland Show and Sit Down, Shut Up. I can't tell much about The Cleveland Show from this, but the clip from Sit Down, Shut Up features that very interesting cast of voice actors. Finally there's a clip from Dollhouse (which oddly enough is subtitled in Spanish) which gives a better sense of what the series is about than the other – non-subtitled – clip I've been able to find on YouTube.


Based on these clips I have a suspicion that I'm going to be watching a lot of shows on CBS with FOX coming in a close second. Mentalist and Eleventh Hour look very intriguing to me, as do Fringe and Dollhouse. Since I haven't seen the BBC original I don't know whether the criticisms of the American Life On Mars are justified but I'm not sure it will work. Surviving The Filthy Rich might work in a Gilmore Girls sort of way but it's probably not for me. The reality and game show clips are singularly unappealing to me – I'll stick to Survivor, Dancing With The Stars, and The Amazing Race thank you very much. As for the sitcoms, the two on CBS might work but the one on FOX looks far worse than the show it's replacing (Back To You). The bottom line on the new shows is this: they look to be adequate but hardly earth shaking or groundbreaking. And maybe that's the way that broadcast TV has to be. Sadly.

Friday, May 16, 2008

FOX's Fall 2008

Here's what FOX is doing with their schedule this year. As usual with FOX the line-up changes somewhat at January. Shows that are debuting or moving in January will be marked with a (J), although by the time these changes are supposed to go into effect who knows what the FOX line-up will really look like.

Cancelled:Back To You, Canterbury's Law, K-Ville, Nashville, New Amsterdam, Next Great American Band, Return of Jezebel James, Unhitched

Renewed:The Moment of Truth, So You Think You Can Dance, The Simpsons, Family Guy, American Dad, American Idol, America's Most Wanted, Are You Smarter Than a 5th Grader?, Bones, Cops, Don't Forget the Lyrics!, Hell's Kitchen, House, King of the Hill, Kitchen Nightmares, MADtv, The Moment of Truth, Prison Break, Talkshow with Spike Feresten, Terminator: The Sarah Connor Chronicles, 'Til Death, 24 (J)

New:Sit Down, Shut Up (J); The Cleveland Show (J); Dollhouse (J); Fringe; Do Not Disturb; Secret Millionaire (J)

Complete Schedule: (Changes in January as noted)

Monday
8:00-9:00 p.m. Terminator: The Sarah Connor Chronicles, DOLLHOUSE (J)
9:00-10:00 p.m. Prison Break, 24 (J)

Tuesday
8:00-9:00 p.m. House, American Idol (J)
9:00-10:00 p.m. FRINGE

Wednesday
8:00-9:00 p.m. Bones, House (J)
9:00-9:30 p.m. 'Til Death, American Idol Results Show (J)
9:30-10:00 p.m. DO NOT DISTURB, "FOX Comedy TBD" (J)

Thursday
8:00-9:00 p.m. The Moment of Truth, Hell's Kitchen (J)
9:00-10:00 p.m. Kitchen Nightmares, SECRET MILLIONAIRE (J)

Friday

8:00-9:00 p.m. Are You Smarter Than a Fifth Grader?, Bones (J)
9:00-10:00 p.m. Don't Forget the Lyrics, 'Til Death (9:00-9:30) and DO NOT DISTURB (9:30-10:00)

Saturday
8:00-8:30 p.m. Cops
8:30-9:00 p.m. Cops
9:00-10:00 p.m. America's Most Wanted: America Fights Back
11:00-12:00 p.m. MadTV
12:00-1:00 a.m. Talkshow with Spike Feresten

Sunday
7:00-8:00 p.m. The OT (NFL post-game), FOX Comedy Encores (J)
8:00-8:30 p.m. The Simpsons
8:30-9:00 p.m. King of the Hill, SIT DOWN, SHUT UP (J)
9:00-9:30 p.m. Family Guy
9:30-10:00 p.m. American Dad, THE CLEVELAND SHOW (J)

Fringe is a new series from J.J. Abrams, Roberto Orci, and Alex Kurtzman. Two FBI agents (Mark Valley and Anna Torv) investigate the mystery of the deaths of every passenger on an international flight that landed at Boston's Logan Airport. During their investigation they encounter "the son of this generation's Einstein" played by Joshua Jackson (Dawson's Creek). Their investigation into the deaths on the aircraft leads them to a much bigger truth that is revealed over time.

Do Not Disturb is a comedy about the goings on at what is described as one of the "hottest and hippest hotels" in New York. There is an "Upstairs, Downstairs" element to it although the focus seems to be primarily on "Downstairs" with the majority of the cast playing members of the hotel staff. The cast includes Jerry O'Connell (Crossing Jordan, Carpoolers) as the egocentric general manager, and Niecy Nash (Reno 911!), Molly Stanton (Twins), Brando Eaton (Zoey 101), Jolene Purdy (Donnie Darko), and Jesse Tyler Ferguson. Robert Wagner is a (presumably) recurring guest star as the hotel's owner.

Dollhouse is produced by Joss Whedon and features Eliza Dushku (Buffy The Vampire Slayer, Tru Calling) as Echo, one of a group of "Actives" who are imprinted with new memories and identities to carry out missions for an underground organization. Once their mission is completed their memories are again erased until they're needed for a new mission. But what happens when one of the Actives starts to get her memories back? Also stars Enver Gjokaj, Fran Kranz (Welcome to the Captain), Olivia Williams, and Tahmoh Penikett (Battlestar Galactica).

Secret Millionaire is a new reality series in which several millionaires go "undercover" in some of the most impoverished areas of the United States. Working side by side with members of the community and getting by on minimum wage – if they're lucky – they get to know the people of the community. When their time there ends they reveal their identities and award up to $100,000 of their own money to the person they think is most deserving of it.

Sit Down, Shut Up is an animated series but one with a twist in that it uses live action backdrops for the animated characters. The story centers around the faculty of a high school in a fishing town and features the voices of actors including Kenan Thompson (Saturday Night Live), Will Forte (Saturday Night Live), Jason Bateman (Arrested Development), Maria Bramford, Henry Winkler (Arrested Development, Happy Days), Cheri Oteri (Saturday Night Live), Nick Kroll (Cavemen), Will Arnett (Arrested Development) and Tom Kenny.

The Cleveland Show is a spin-off of Family Guy and features Peter's drinking buddy Cleveland Brown as he leaves Quahog and moves to Stoolbend Virginia to fulfill a promise to his high school sweetheart.

Comments:

Did you happen to notice the list of cancelled shows at the start of this post? That's right, every new show that FOX debuted last season with the exception of Terminator: The Sarah Connor Chronicles was canned last season. To be fair, few of them did generate much buzz with the audience, but even in the strike season few of them were given that much of a chance. In fact the order for New Amsterdam was reduced and the show shifted from a Fall debut to a midseason debut within weeks of the original FOX schedule being announced. The only reason why the show for as long as it did was probably the strike. And even that didn't save Return of Jezebel James from being cancelled after three episodes. By comparison Canterbury's Law, which ran for six episodes was lucky only to be moved to Friday nights.

If anyone should know the hazards of working for FOX it should be Joss Whedon – Firefly was effectively destroyed by the way the network ran it out of order, and what can be said about Drive except that it was cancelled before it had a chance to get started, practically before it debuted in fact. Still he keeps coming back to FOX. One can hope that Dollhouse will get a chance to build an audience and who knows, with Kevin Reilly as head of Entertainment at FOX it just might. It certainly sounds intriguing, the question is will there be an audience for a concept like this.

The other pseudo-science fiction series that FOX has is Fringe. From the description of the show it sounds vaguely like a cross between The X-Files and the series Vanished from a couple of years ago. I make this comparison because of the ongoing nature of the mystery/conspiracy that is being investigated by the two FBI agents, and the involvement of "the son of this generation's Einstein." I'm somewhat dubious about its chances of success because of the lack of patience that audiences (and network executives) seem to have for both science fiction series and series with long continuity arcs.

Do Not Disturb somehow reminds me of the British series Hotel Babylon which isn't a bad thing if they can bring that sort of "naughty" vibe of a hotel where the rich and famous go to be catered to for their every desire that the British series has to an American audience. What worries me – well worry might not be the right word – is that the show won't take that direction but instead will go down the road of standard workplace comedy. The presence of Jerry O'Connell is not a good sign in that respect.

I don't think I can say much about the two animated series. Such shows on FOX seem to be bulletproof (well except for Futurama). Certainly the list of voice actors for Sit Down, Shut Up is quite impressive.

I don't know what to think about Secret Millionaire. It seems as though FOX has taken a look at Extreme Makeover: Home Edition and Oprah's Big Give and decided that philanthropy sells. I'm sure that the PTC will find this show "heartwarming" but somehow (having seen only the description of course) I find the whole thing vaguely smarmy and off-putting, almost a case of slumming.

A couple of other notes. I am pleased to see that Prison Break has been moved out of the first hour of primetime. No doubt the PTC will be pleased as well – well, as pleased as they can be by that show which isn't very, and I'm not sure that its replacement with Terminator: The Sarah Connor Chronicles will please them either. The truth is though that one of the few things that I agree with the PTC over is that Prison Break is not really suitable for the first hour. I also have no doubt that the PTC won't be pleased that Moment Of Truth is back. I've never seen the show but I personally find the concept distasteful. If you have the Studio 60 DVD set, you might want to check out Jordan McDeere's comments on a reality show called Search And Destroy that she refused to bid on. That's how I feel about Moment Of Truth. Finally it's good to see that someone at FOX has realised the charismatic qualities that Gordon Ramsay brings to TV. Not only has Kitchen Nightmares (the inferior clone of Ramsay's British series) been renewed, but the next season of Hell's Kitchen has been rescued from the summer viewing ghetto and established in January when people are actually watching TV.

Thursday, May 15, 2008

The CW’s Fall 2008

I'm late with the CW's Upfront announcement primarily because I thought they were announcing on Wednesday afternoon rather than Tuesday afternoon, and then I had another commitment on Wednesday morning. The biggest announcement from The CW is that the network won't be programming Sunday night after their frankly disastrous efforts last season. Instead they are partnering with a company called Media Rights Capital a leading independent producer which will provide all the programs for Sunday night. MRC has not announced what shows they will be presenting yet.


Cancelled: Aliens in America, Life Is Wild, Girlfriends. Crowned, Pussycat Dolls Presents: The Search for the Next Doll, Beauty and the Geek (although there is a suggestion that in the case of Beauty and the Geek the network is giving it time to rest).

Renewed: America's Next Top Model, Smallville, Supernatural.

Moved: Gossip Girl, One Tree Hill, Everybody Hates Chris, The Game.

New: 90210, Surviving the Filthy Rich, Stylista

Also, Reaper will return for thirteen episodes during the midseason, currently scheduled to replace Smallville.

Complete Schedule (all times Eastern):

Monday
8:00-9:00 p.m. Gossip Girl
9:00-10:00 p.m. One Tree Hill

Tuesday
8:00-9:00 p.m. 90210
9:00-10:00 p.m. SURVIVING THE FILTHY RICH

Wednesday
8:00-9:00 p.m. America's Next Top Model
9:00-10:00 p.m. STYLISTA

Thursday
8:00-9:00 p.m. Smallville
9:00-10:00 p.m. Supernatural

Friday
8:00-8:30 p.m. Everybody Hates Chris
8:30-9:00 p.m. The Game
9:00-10:00 p.m. America's Next Top Model (encore presentation)

90210 is sort of a "next generation" version of the legendary FOX series Beverly Hills 90210 right down to a number of the cast members. When Annie Mills (Shenae Grimes, Degrassi: The Next Generation) and her adopted brother Dixon (Tristan Wilds, The Wire) move with their family to Beverly Hills they find adjusting to their new situation. Things are complicated by the fact that the new principal at West Beverly Hills High is their father, who moved the family back to Beverly Hills to care for his mother, a former TV star who is described as "a charter member of the Betty Ford Clinic" (Jessica Walter, Arrested Development). Of course most of the conflict will come with dealing with the students and staff at their new school, one of whom is Kelly Taylor (Jennie Garth reprising her original role from Beverly Hills 90210).

In Surviving The Filthy Rich, JoAnna Garcia (Reba and more recently Welcome To The Captain) plays Yale educated Megan Smith who, after losing her job at a tabloid suddenly finds herself hired as the private tutor for the two daughters of cosmetics mogul Lucy Limoges. The daughters, Rose (Lucy Kate Hale, Bionic Woman) and Sage (Ashley Newbrough) aren't exactly thrilled to have a tutor, but Megan is determined to carry on and not just because her new lifestyle includes a private suite, gorgeous convertible, and live in chef. Of course, there is also a romantic tangle to deal with. Megan catches the eye Will, who lives on the estate next door, and just happens to be dating Megan's estranged sister Lilly, while Megan's best friend Charlie (Michael Cassidy, Smallville, The O.C.) is secretly in love with her. Based on the book How To Teach Filthy Rich Girls by Zoey Dean, and produced by Rina Mimoun (Gilmore Girls, Everwood), Bob Levy (Gossip Girl) and Leslie Morgenstein (Gossip Girl).

Stylista is a reality show in which eleven contestants vie for an editorial job at Elle magazine by working as assistants to the magazine's demanding but well respected Fashion News Director, Anne Slowey. Each week the contestants will carry out assistant tasks and a fashion editorial assignment before Slowey and Elle's Creative Director, Joe Zee, decide on who will be fired that week.

Comments:
Of course the biggest news in this Upfront is that they've made the Media Rights Capital announcement, which had been discussed a bit beforehand official. It does make for a very interesting partnership, although the big question is what we'll see coming out of the partnership. The based on their IMDB page the company seems to have limited experience both working in TV and in producing their own material. It will be interesting to see what they'll come up with (they haven't announced any of their shows yet). I'd say they couldn't do worse than last season's CW Sunday line-up but that might just be seen as a challenge to the TV gods.

The other big news story is that MRC chose not to include Moonlight as part of their package of shows for The CW. And yet there are still persistent rumours that the show might still show up on the CW at the mid-season. There are a lot of reasons why this might make sense – the show is produced by Warner Brothers, one of the partners in the CW (and from some things I've seen reported an increasingly unhappy partner), and the show's audience when it was on CBS would dwarf that of even the most popular CW series. In fact if even half the Moonlight audience from CBS came over to the CW to watch it, it would still be one of the most popular CW shows.

Turning to the CW's actual line-up it looks solid – for them – if rather safe. The decision to move their two remaining sitcoms to Friday night is a reasonable one when you consider that The WB had considerable success with their Friday night comedy line-up, anchored by Reba (I know people say they hated that show but the fact remains that it was the highest rated comedy and the second highest rated show on The WB during the period when it aired). I am less than happy with what I consider to be a wrongheaded in airing a repeat – sorry "an encore presentation" – of America's Next Top Model rather than doing one or two more comedies (one if they had decided to save Aliens In America). I think a full Friday comedy block might have been a lucrative choice opposite reality shows on ABC, and game shows on NBC and FOX. Then again, what do I know.

As to the new shows, the less said about Stylista the better. It's The Apprentice in the fashion industry with a second rate Donald Trump. The only person who has had the personality to carry off a show like that successfully has been Gordon Ramsay with Hell's Kitchen and let's face it, we watch that show as much to see Ramsay explode at the wannabes as for the format. 90210 seems to me to be a fairly safe and pedestrian effort at reviving a classic series. Hardly original but done right it should be a solid performer by CW standards. Actually, the show that vaguely intrigues me is Surviving The Filthy Rich. This is mainly because of the presence of Joanna Garcia who was about the third funniest person on Reba (behind Steve Howey and Melissa Peterman) and the only reason I could come up with to watch Welcome To The Captain. I can certainly see this working more as a light hearted "dramedy" along the lines of a show like The Gilmore Girls. I'm just wondering how well it matches with 90210 – I mean besides the wealthy teenage angst thing.

CBS's Fall 2008

Here's what CBS has done with its schedule. Of all the networks this is likely the one with the least need to be adjused short of some slight tinkering.

Cancelled: Shark, Moonlight, Cane, Kid Nation, Power of 10, Secret Talents of the Stars, Viva Laughlin, Welcome to the Captain

Renewed: Survivor, 48 Hours Mystery, 60 Minutes, CSI, CSI Miami, CSI New York, Criminal Minds, Ghost Whisperer, How I Met Your Mother, NCIS, Numb3rs, Two and a Half Men, Cold Case, Big Bang Theory, The Amazing Race.

Moved: The Unit, New Adventures of Old Christine, Without A Trace,

New: The Worst Week, The Mentalist, Project Gary, Eleventh Hour

In addition Rules Of Engagement and new series Harper's Island will be held for the midseason.

Complete Schedule: (New shows in Capitals, except NCIS)
Monday
8:00-8:30 p.m. The Big Bang Theory
8:30-9:00 p.m. How I Met Your Mother
9:00-9:30 p.m. Two And A Half Men
9:30-10:00 p.m. THE WORST WEEK
10:00-11:00 p.m. CSI: Miami

Tuesday
8:00-9:00 p.m. NCIS
9:00-10:00 p.m. THE MENTALIST
10:00-11:00 p.m. Without A Trace (Moved)

Wednesday
8:00-8:30 p.m. New Adventures of Old Christine
8:30-9:00 p.m. PROJECT GARY
9:00-10:00 p.m. Criminal Minds
10:00-11:00 p.m. CSI: New York

Thursday
8:00-9:00 p.m. Survivor
9:00-10:00 p.m. CSI: Crime Scene Investigation
10:00-11:00 p.m. ELEVENTH HOUR

Friday

8:00-9:00 p.m. Ghost Whisperer
9:00-10:00 p.m. THE EX-LIST
10:00-11:00 p.m. Numb3rs

Saturday

8:00-9:00 p.m. Crimetime Saturday
9:00-10:00 p.m. Crimetime Saturday
10:00-11:00 p.m. 48 Hours: Mystery

Sunday

7:00-8:00 p.m. 60 Minutes
8:00-9:00 p.m. The Amazing Race
9:00-10:00 p.m. Cold Case
10:00-11:00 p.m. The Unit (Moved)

Based on a British series, The Worst Week is a comedy about a young man, Sam (Kyle Bornheimer) who is meeting the parents of his fiancé Mel (Erinn Hayes, Kitchen Confidential) for the first time. Sam not only has to deal with Mel's conservative parents (Kurtwood Smith, That '70s Show, and Nancy Lenehan, My Name is Earl) and informing them that not only is there a wedding being planned, but the bride is expecting. Matt Tarses (Scrubs) and Jimmy Mulville (Whose Line Is It Anyway?) are the Executive Producers.

In Project Gary, Jay Mohr stars as Gary Barnes, a recently divorced painting contractor. Gary not only has to deal with his relationship with his ex-wife Allison (Paula Marshall Nip/Tuck) and their kids, played by Laura Marano and Ryan Malgarini, but also his own re-entry into the dating stream after he connects with a Vanessa (Jaime King, The Class) a single mom whose condo he was hired to paint.

The Mentalist stars Simon Baker (The Guardian) as Patrick Jane, a detective who is also a private contractor for the California Bureau of Investigations. At one time Patrick used his highly developed observation skills to gain celebrity status as a psychic medium, something he now admits was faked. This doesn't exactly endear him to the people he works with at the CBI, particularly Senior Agent Teresa Lisbon (Robin Tunney, Prison Break).

Eleventh Hour is yet another American version of a British series, this time brought to us by CBS's favourite producer Jerry Bruckheimer. Rufus Sewell (Alexander Hamilton in the recent HBO mini-series John Adams) plays Jacob Hood, a special scientific advisor to the government who investigates scientific crises and oddities. His authority is absolute, and he is dogged in his pursuit of those who would use and misuse scientific discoveries for their own gain and with nefarious motives.

The Ex-List is about Bella (Elizabeth Reaser, Grey's Anatomy) a thirty-something woman who is single and successful. She is surprised when a psychic at her sister's bachelorette party tells her that she has already met and dated her future husband, but that if she doesn't find him within the next year she'll end up never marrying. The result is that Bella is forced to re-examine her various relationships over the years together with her circle of friends; Augie (Adam Rothenberg), Vivian (Alex Breckenridge, Dirt), and Cyrus (Amir Talai). Diane Ruggiero (Veronica Mars) and Jonathan Levin (Charmed) are executive producers.

Harper's Island is a drama about a group of friends and family attending a "destination wedding" at a secluded island of the coast of Seattle, an island infamous for a rampage by a homicidal maniac several years ago.

Comments:

There are a couple of rather interesting things to talk about before we look at the new shows. First up, you might notice the absence of any new reality shows. Oh sure, CBS still has two reality shows on the list but they're both veteran series, and in the case of The Amazing Race, the gold standard of the format (in my opinion). The second thing is that after a number of years CBS is trying to create a sitcom beachhead on a second night, something which none of the other networks has tried recently. I also think it's interesting that CBS is trying to resolve their huge problem in the third hour of Tuesday night not by throwing up another sacrificial lamb (like Cane in 2007-08, or Smith in 2006-07) but rather by throwing a successful veteran against Law & Order: SVU. Will it work?

Of the cancellations, the loss of Cane is sadly not a surprise based on the pre-strike ratings and of course the time slot it was in. Similarly the loss of Shark isn't a huge surprise. The show thrived in its first season when it was opposite ER (and following CSI) on Thursday nights, but it withered on Sundays after Without A Trace was restored to the Thursday timeslot. For me the biggest disappointment in the cancellations was Moonlight. Even though I gave the show a negative review at the start of the season, I have to say that the concept grew on me, particularly the difficult relationship between Mick and Beth. By the end of the season I was left wanting more and now I won't be getting it, and I don't think The Ex-List is an adequate substitute.

Turning – as we must – to the actual schedule, I'm not sure how I feel about it. The pairing of New Adventures Of Old Christine with Project Gary seems like a natural pairing, and depending on how the show is presented it could be more than the sort of standard, run of the mill family sitcom. On the other hand the other new sitcom on the CBS line-up sounds like an absolute disaster – and that disaster was called Big Day and aired on ABC. The Worst Week Of My Life, the British series that The Worst Week is based on, ran just six episodes which would seem to fit the finite nature of the show's premise. I mean can you really do twenty or twenty-four half-hours that details a week in this couple's life? And what do you do for a second season?

Of the dramas the one I expect to be the big loser is The Ex-List which vaguely reminds me of a serious version of Emily's Reasons Why Not. I just don't see this show working. I'm also a bit dubious of The Mentalist although it may turn out better than I expect. It seems vaguely like a mix of Medium and Psych with the latter played seriously. The thing it does have going for it is the cast, particularly Simon Baker. There are two shows I'm looking forward to. On is Eleventh Hour which has a major hard Science Fiction vibe to it and unlike many British series it seems sufficiently open-ended that it could sustain a twenty episode season without running out of stories. The other series is the mid-season replacement Harper's Island if the show has a dark and mysterious component which is what they seem to be aiming for.

Tuesday, May 13, 2008

ABC’s Fall 2008

Here's what ABC has done with its schedule.

Cancelled: October Road, Notes from the Underbelly, Men in Trees, Big Shots, Carpoolers, Cashmere Mafia, Cavemen, Miss/Guided, Women's Murder Club, Oprah's Big Give.

Retained: Brothers & Sisters, Desperate Housewives, Dirty Sexy Money, Eli Stone, Grey's Anatomy, Private Practice, Pushing Daisies, Ugly Betty, Samantha Who? America's Funniest Home Videos, Dancing With The Stars, Primetime: What Would You Do?, 20/20, Extreme Makeover: Home Edition.

Moved: Boston Legal (moved to Monday), Eli Stone (moved to Tuesday), Wife Swap (moved to Friday), Supernanny (moved to Friday).


New: Life On Mars, Opportunity Knocks.


ABC also has two new series, The Goode Family and an untitled Ashton Kutcher/Tyra Banks project, plus one series that has been on NBC, Scrubs, for mid-season. Also coming back at the mid-season are Lost, The Bachelor, and According To Jim.

Complete Schedule: (New shows in Capitals)

Monday
8:00-9:30 p.m. Dancing With The Stars
9:30-10:00 p.m. Samantha Who?
10:00-11:00 p.m. Boston Legal (New day)

Tuesday
8:00-9:00 p.m. OPPORTUNITY KNOCKS
9:00-10:00 p.m. Dancing With The Stars Results Show
10:00-11:00 p.m. Eli Stone (New day)

Wednesday
8:00-9:00 p.m. Pushing Daisies
9:00-10:00 p.m. Private Practice
10:00-11:00 p.m. Dirty Sexy Money

Thursday
8:00-9:00 p.m. Ugly Betty
9:00-10:00 p.m. Grey's Anatomy
10:00-11:00 p.m. LIFE ON MARS

Friday
8:00-9:00 p.m. Wife Swap (New day)
9:00-10:00 p.m. Supernanny (New day)
10:00-11:00 p.m. 20/20

Saturday
8:00-11:00 p.m. College Football

Sunday
7:00-8:00 p.m. America's Funniest Home Videos
8:00-9:00 p.m. Extreme Makeover: Home Edition
9:00-10:00 p.m. Desperate Housewives
10:00-11:00 p.m. Brothers & Sisters

Opportunity Knocks is a new reality show from Ashton Kutcher (who seems to have found his niche as a reality show producer – given the box office from What Happens In Vegas maybe he should stick to producing reality shows and give up on acting). Each week the show arrives in a suburban neighbourhood with a semi-trailer load of prizes and knocks on the door of one family. Show host J.D. Roth will ask them questions about themselves, the lives of other members of their families, and objects found around the home and if they're able to prove that they know their families "inside and out" they'll win the prizes of their dreams.

Life On Mars is the American adaptation of the hit BBC series. Sam Tyler (Jason O'Mara) as a 21st century cop who is involved in a car crash and finds himself mysteriously transported to 1973, still working as a cop but with far fewer of the modern techniques – and the modern attitudes – that he's used to. Is it real, a hallucination, or is he just dying? Co-stars include Rachelle LeFevre (What About Brian?) as Annie Cartwright, Colm Meaney (Star Trek: Deep Space Nine) as Gene Hunt, Stephanie Jacobsen (Battlestar Galactica: Razor) as Maya, Lenny Clarke (Rescue Me) as George Randall, Patrick Wenk-Wolff as Colin Raimes and Richard Benjamin as Milton Kornboll.

The Goode Family is and animated comedy about a family that always tries to do the "right" thing, environmentally, socially or politically. Since this is a comedy this inevitably has unintended but funny consequences. Mike Judge (who is also one of the producers), Nancy Carell, Dave Herman, and Abby Elliot provide the voices. This series will replace the Dancing With The Stars Results Show, partnered with Scrubs which has migrated from ABC.

Untitled Ashton Kutcher/Tyra Banks project is described as "A beauty pageant unlike any you've ever seen." It replaces Dancing With The Stars at the end of that show's fall series.

Comments:
There's surprisingly little change from ABC with this line-up. Quite frankly it's more like the stability that I'd expect to see from CBS. The Friday night use of reality shows is a bit of a disappointment to me. It seems as though the network is giving up on Friday night as a day for scripted series. Wife Swap and Supernanny have always been "cheap and cheerful" replacement series that could be put into production fairly quickly if a hole appeared in the line-up. Turning to the new series for a moment, I'm dubious about the two Ashton Kutcher projects, but I'll give him the benefit of the doubt – at least on Opportunity Knocks – because for reasons that I don't particularly understand the guy seems to have his finger on the pulse of the American TV viewer. Still I think ABC might want to line up some stars for a second season of Dancing With The Stars, you know, just in case he picks this as the time to fall flat on his face. While Life On Mars worked for American viewers as a BBC show I'm not entirely convinced that this sort of quirky series will work with American viewers when it's produced by an American company. We only have to look at Viva Laughlin to be reminded of that. After all, the thing with BBC series is that a season frequently only lasts six or eight episodes and they tend to be deliberately finite in terms of numbers of episodes produced. Will the show work with a 20 episode arc and the possibility of renewal for a second season of the same length, or will people who aren't part of the British show's cult following tune out while those who are part of it decide that the American version is inferior. I like the decision to take Scrubs on when NBC dropped it. ABC is hoping to build up its comedy portfolio (Ben Silverman of NBC "pointedly noted the network's bleak success/failure ratio in comedy" during the NBC "Infronts"). ABC Entertainment head Steve McPherson, speaking about NBC's treatment of Scrubs said, "It's been in 17 time periods and they never promoted it. It's a great opportunity for us." What I'm less than pleased with is the decision to pair the show with The Goode Family; when was the last time that a network other than FOX done a prime time animated series that lasted more than a season? Of the cancelled shows, the two that I feel most sorry about are Men In Trees, which received worse treatment from ABC than Scrubs got from NBC if you can believe that, and Women's Murder Club, a series that was starting to grow on me. By the way, it was Oprah Winfrey rather than ABC which made the decision to take Oprah's Big Give out of the line-up. Finally there's the Energizer Bunny of ABC series, According To Jim – will no one rid us of this meddlesome Belushi?!

NBC Lineup Poll – The Results

As most of you know, we are entering that most happy nerve wracking of times for the television industry, Upfront Week. It's that time when the US networks cut free those shows they no longer want and say hello to what they damned well hope (usually wrongly) will be The Next Big Thing. Of course the strike has made a lot of the suspense go away, with networks declaring some shows safe as early as February. But some shows at least were still hovering on the brink, caught in the limbo between renewal and cancellation. All of this is supposed to be a big secret until each network's day in the spotlight, but inevitably stories leak out, usually about what is cancelled and what has been saved. As usual, our beloved Nikki Finke has the latest scoop on what's going on before the networks make it official (along with a metric ton of other stuff for the people who want the sort of entertainment industry news that you don't get on Entertainment Tonight or Extra).

Traditionally, the first day of the Upfronts is traditionally given over to NBC. But of course in this brave new post strike world NBC has decided to march the very different beat of Jeff Zucker's drummer and announced their 52 Week Lineup for 2008-09 in April, in an event that the "clever" people at NBC labelled the "Infronts." NBC had an Upfront presentation on Monday but most of what was announced appears to have been very minor tweaking of the previously announced lineup. The big thing was the announcement that Jimmy Fallon will replace Conan O'Brian on Late Night when Conan takes over the Tonight Show.

Back in April I asked the question "Which of the new NBC shows sounds most promising?" Foolishly I forgot to include an option that said "they all sound like a big steaming pile of poo," (an option that will be in the next lineup poll I do I assure you). Maybe that explains why I only had six votes cast – I didn't give anyone a chance to express how they really felt about the NBC lineup. Anyway, here are the results. In a four-way tie for fifth place with no votes are The Philanthropist, Kath & Kim, Merlin, and Kings. In a three-way tie for second place are Knight Rider, Crusoe, and My Own Worst Enemy. But the "winner" with three votes is "The Office spinoff."

I find this result absolutely fascinating. I mean think of it; here we have a show with no announced title, no announced cast and no announced storyline – in fact it was reported at the time that "they don't even have a premise for the new series yet" – and it got as many votes as the other seven series combined! I mean this says a lot about something. Either it means that the people who voted trust the creative minds behind The Office to deliver another show with the same sort of creativity and comedy as the main show...or they think that the other shows on the list are a "big steaming pile of poo." I'm not entirely confident which is the real answer.

Sunday, May 11, 2008

Mothers Day 2008 – Not The Mama

The second part of our Mothers Day post today is about people who aren't actually mothers (well with one sort of exception). Instead, these are people who have been thrust into the maternal role by circumstance. After all a staple of sitcoms, particularly in the 1960s was the single parent household where the single parent was a man, usually a widowed father, who needed someone to fill the role of a mother for his child or children. And that, with a couple of exceptions is what we're dealing with here.

Fran Fine – The Nanny: Okay, so Fran became the mother – or rather the step-mother – when she married Maxwell Sheffield, and then later had her own twins in the final episode of the series. That doesn't matter, because Fran really was the surrogate mother for the three Sheffield kids, Maggie, Brighton, and Gracie. She adapted her role to the child she was working with. She became a big sister/best friend to the eldest, Maggie; a motherly confidant to middle child Brighton who was the only son; and a replacement mother to the youngest, Gracie. And yet the role of Fran as mother replacement was not all consuming. She still had time and the inclination to deal with her own family and her friend Val, to work together with Niles the butler, to spar with her rival C.C. Babcock, and of course flirt shamelessly with her boss which eventually led to her actually becoming the mother of the kids that she already thought of as her own.

Aunt Bee Taylor – The Andy Griffith Show and Mayberry RFD: Aunt Bee was the maiden aunt of Sheriff Andy Taylor who comes to live with her nephew and his six year-old son Opie, after their last housekeeper left to get married. Initially Opie didn't like Aunt Bee but by the end of the first episode he becomes reconciled to her and indeed very quickly comes to love her, or at the very least like a grandmother. Aunt Bee was actually a maternal figure for both Opie and Andy: for reasons which were never revealed in the show (this was after all made in the continuity sparse 1960s) she also raised Andy as a boy. While Aunt Bee had never married, it wasn`t as though she had given up. She had a number of romantic entanglements, although most of the early ones tended to be with unsuitable men. Aunt Bee was an excellent southern style cook, although less than successful in canning. Eventually, when Andy marries his long time sweetheart Helen Crump, Aunt Bee leaves the Taylor Home and became the housekeeper for another widowed father, farmer and town councillor Sam Jones and his young son Mike (played by Jodie Foster`s younger brother Mike; Jodie made her first appearances on Mayberry RFD). She stayed with Mayberry RFD for the first two seasons of that series, dispensing advice and fried chicken. There`s a bit of irony in that while Aunt Bee was a warm and loving woman, the actress who played her – Frances Bavier – is generally remembered by people who worked with her report that she was generally cool and frequently difficult to work with who felt that her acting abilities (she had been on Broadway and in a number of films) were underappreciated. In particular her relationship with series star Andy Griffith was often difficult to say the least.

"Granny" Daisy Moses – The Beverly Hillbillies: Although she's usually called "Granny Clampett" by those who don't know any better, Granny was really the mother of Jed Clampett's late wife Rose Ellen. According to producer Paul Henning this was done so that she could be overruled, which was something that he didn't think that they could do if she were Jed's mother and therefore the family matriarch. Even so she was still a matriarchal figure for the Clampett-Bodine young'uns and very much a "spare the rod and spoil the child" type at that. Her particular target was usually Jethro who was twice her size, but could still be brought to obedience with a hickory switch. She worried about Elly May being an old maid – why that gal was over 14 years old and not married – and feuded with her next door neighbour Mrs. Drysdale. She made moonshine – sorry "rheumatis medicine" – and fancied herself to be a fair country doctor and expert on herbal remedies. And her vittles, while they seemed far less appetizing that what Aunt Bee would cook up, were certainly satisfying for her kin folk. And if they repulsed the city folk, well that was just too bad.

Hazel Burke – Hazel: Veteran stage and screen actress Shirley Booth had won an Oscar and three Tony Awards before she first appeared on TV in 1954 and who first appeared on Broadway in 1925, but today is probably best remembered for her portrayal of Hazel on the show of the same name. Hazel wasn't a mother replacement – the Baxter family, for whom she worked as a live-in maid, had a full complement of parental units – she was a mother supplement. In fact many of the episodes feature Hazel in a conflict of wills with George Baxter (Hazel had worked for Dorothy Baxter's family before she married George, and knew enough not to do something that foolish). Still it was the relationship with the Baxters' son Harold where the right to be included in this list was earned. Harold basically worshipped Hazel, sometimes going to her before he went to his father, probably because Hazel usually seemed to know more than he did. And the kid may not have been far wrong – George may have had the book smarts but Hazel had the practical "kid's stuff." She could play ball, was a high average bowler, and in her spare time coached the New York Giants. Okay, she didn't actually coach the Giants, she just sent the plays (usually based on the Statue of Liberty play) one of which was actually used. When the series switched from CBS to NBC in its fifth season Don Defore and Whitney Blake (who played George and Dorothy Baxter) were dropped, with the explanation that they had been transferred to the Middle East. Hazel and Harold went to live with George's brother Steve, his wife Barbara, and their daughter Suzie, another child for Hazel to be idolized by. That version of the series lasted just one year.

Giles French – Family Affair: Okay, now I know that Mr. French lacks some of the attributes normally associated with a mother figure – specifically he's not a woman. Still when you look at the duration of Family Affair this "gentleman's gentleman" rather smoothly shifted into what amounted to the maternal role in the show. French cooked for the children made sure they did their homework, looked after them when they went to the park, cared for them when they were ill and made sure that Buffy had Mrs. Beasley. He was obviously always at home and present when they needed him. He rejected the concept that he was essentially a nanny but he was elated by and suffered with Buffy, Jody and Cissy in their various triumphs and setbacks. Most of all, while he probably would never admit it so overtly, he loved them like a parent.

Mothers Day 2008 – Moms In Odd Situations

It's that time of year again, and I'm not talking about Sweeps Weeks or Upfronts. No, it's Mothers Day which means that I usually write a couple of posts about Mothers on TV. Because after all who does a better job of portraying mothers than TV. I mean besides books, movies, plays, and country music. Certainly TV doesn't do the sort of job in portraying mothers that the PTC would want it to, but that's a subject for another time – or maybe not (if I can help it).

This year, I'll be doing two Mothers Day posts, the second one, ironically not about mothers but about people who have taken on the role of a mother without being mothers. This time though I'm focussing on mothers in "odd" situations. Some of them very very, odd.

99 Get Smart: Agent 99 of CONTROL, played by the stylish and stunning Barbara Feldon, owed her pregnancy to corporate machinations. After its cancellation by NBC in April 1969, the show was picked up by CBS as part of a major campaign on their part to build up network ratings. But CBS felt that there needed to be a new gimmick to bring the show back, and since 99 was married to Maxwell Smart, the obvious gimmick was to have 99 pregnant! This of course was in the days before the general feeling was that having characters have babies – or even get married – was death for a sitcom. And after all this was CBS where one of their greatest hits had featured the first woman to be pregnant on network TV – I Love Lucy. What could be funnier than Maxwell Smart with babies (because if one baby is funny, two must be comedy gold – 99 would have twins, a boy and a girl)? And so, Barbara Feldon strapped on the "pregnancy belly" for what must be one of the shortest pregnancies ever, an eight episode arc that ran from the show's debut on CBS on September 26, 1969 until the birth of the babies on November 14, 1969. The idea of spies with one or more kids is intriguing (as the Dennis Quaid-Kathleen Turner movie Undercover Blues came close to showing), but we'd never know it from Get Smart because after the birth their existence was pretty much ignored. In fact the twins never did receive names. And the ploy of having Max and 99 becoming parents didn't save the show. It had great ratings for the episodes leading up to the birth of the twins, but once it became clear that they weren't going to do much new or innovative with the show once they had the babies – and in fact were going to pretty much ignore their existence – well the ratings sank like a stone. Over 25 years later Fox would produce a new Get Smart series with Don Adams and Barbara Feldon reprising their roles as Maxwell Smart and 99, now Chief of CONTROL and a member of congress respectively, and Andy Dick as their son Zach. Their daughter was never mentioned, and given that Zach inherited his father's brains but neither of his parent's good looks one can only hope that Zach was a third Smart child, this one adopted.

Claire Littleton – Lost: Claire did not have an easy road to motherhood, and the crash of Oceanic 815 was only part of it. She was the child of a single mother who only met her father once, after her own mother was so badly injured in a car accident that she was reduced to a vegetative state. They fought and she never even learned his name. Once she got pregnant her boyfriend was initially excited about fatherhood only to change his mind well along in the pregnancy. She was ready to give the unborn child up for adoption when a "psychic" tried to persuade her to keep it. When that didn't work, the "psychic" informed her that the baby would be adopted by a couple in California and provided her with a ticket on Oceanic 815. Except of course there was no couple in California. When the airplane crashed she survived and after a bunch of perils – a false labour, abduction, amnesia and an apparent threat to her baby's health, not to mention a strengthening bond to a heroin addicted one hit wonder rock star named Charlie, she gives birth to her son Aaron who is then kidnapped by Rousseau. And that's just in the first season! Talk about mothers in "odd" situations.

Martha Kent – Smallville: It's not every woman who has her baby delivered not by a doctor after hours of excruciating pain, or by an adoption agency after years of jumping through hoops, but by the kid himself while she is help upside down in an overturned truck by her seatbelt after a devastating meteor shower just minutes after she made a wish to a little girl dressed as a fairy princess. That's how Clark Kent entered Martha Kent's life in the TV series Smallville. From that point on, a big part of Martha's life as a mother is a mixture of hiding her son's abilities from others, helping him to discover and control those abilities, providing insight into problems that Clark is trying to resolve, and helping to soothe his angst at not being able to do a lot of the things that "normal" boys are able to do. This is in addition to all of the stuff that mothers of ordinary teenage boys have to deal with. It's a very different take on the character of Martha Kent than has been seen in other representations of the character. For most of the time that the comic books were published, Martha Kent was portrayed as elderly by the time that Clark was a teenager, and he was already out performing as a superhero in the guise of Superboy. By the time he became Superman the Kents had died. After John Byrne rebooted the character of Superman in the 1980s the Kents were (and are) still alive but dealing with him more as an adult. The whole teen angst thing was never really a part of this version of the Superman character, so when the characters were included in Lois & Clark: The New Adventures of Superman they didn't have to deal with the discovery and conflicts that plagued their son's life – they were past that phase. Thus, Annette O'Toole's portrayal of the mother of the future Superman adds a depth to the character that we haven't seen before.

Dr. Maureen Robinson – Lost In Space: Maureen Robinson was an educated woman who was also a housewife and a mother of three who lived in a mobile home and over a period of three years lived in a variety of different locations, most of them quite hostile. Added to this is the fact that she had three boarders, one of whom was not particularly welcome, and you'd be excused for thinking that this was some sort dysfunctional '80s or '90s sitcom. But when you add in that her mobile home was actually an interstellar space ship which had suffered a catastrophic navigational failure, that one of her star boarders was six foot tall robot , while the other was named Dr. Smith, and you realise that you've entered the realm of mid-60s TV Science Fiction, Irwin Allen style, where the women were reduced to the role of nurturing caregivers who also handed out advice but rarely got involved in real action. In the first episode of the show it is mentioned that she has a doctorate in Biochemistry, but for the rest of the series that's never mentioned. Instead, this pioneer of what really was a "Wagon Train to the stars" (the description that actually sold Star Trek)
she cooks, tends the garden, helps with light construction and serves as a mother to her three very different children, Judy (Marta Kristen), Penny (Angela Cartwright), and the genius Will (Bill Mumy), as well as a support for her heroic husband. It isn't the way that the character would have been portrayed today, but part of what made Lost In Space the show that it was is the portrayal of the group (the men had adventures, the women – Maureen and Judy – stayed at home, and the kids – including Dr. Smith – got into trouble) was such a '60s stereotype.

Major Kira Nerys – Star Trek: Deep Space Nine: Major Kyra never had sex with the father of her son although she did live with him for a time, was not genetically related to her son, and indeed wasn't even the same species as the baby. The whole situation with Major Kira came about as a result of the circumstances of the actress who played the character, Nana Visitor. She and her husband at the time, fellow cast member Alexander Siddiq were expecting their first child together and it was decided that, rather than trying to hide the pregnancy it would be written into the plot of the show since she was an essential part of the cast pretty visibly pregnant. The problem was how they would explain how Kira – who at the time wasn't romantically involved with anyone – became pregnant. Setting aside the obvious ploy of a previously unmentioned relationship or a one night stand with an accident, the writers and producers decided to use technobabble. So, when an accident on a runabout severely injured Keiko O'Brien, the pregnant (human) wife of Chief Engineer Miles O'Brien, Dr. Bashir had been forced to use the transporter to transfer the fetus into the womb of the only available humanoid, Major Kira. However Bajoran physiology meant that the baby couldn't be transported back to Keiko's body without killing it. Thus a very pregnant Major Kira stepped out of the runabout and – in order for the baby's parents to feel closer to him – into the O'Brien quarters where she lived until little Kirayoshi O'Brien was born.

Friday, May 09, 2008

Who Does The PTC Hate This Week – May 9, 2008

Wow! If I had known that I wasn't going to be posting for this long I'd have put up the Campbell's Soup Can (the universal sign of a blogger who was going to be away for a while). But of course I didn't know this was going to happen. Basically I just couldn't summon up the fire and desire to write anything. I was feeling Blogger's Block which combined with the time of the year – nearly the end of the regular season, no new "spackle shows" available courtesy of the strike, and the summer reality blitz not yet ready to roll. In short hardly anything to write about (or at least nothing that I really have been enthusiastic enough to write about) except the PTC, and to be honest I haven't been feeling that hot about writing about them. But they just keep getting outraged, and as we'll see when we get to the "Misrated" part of this post, it's sometime over the most absurd things.

Before we begin dissecting the outrage of the PTC at this week's supposed despicable acts carried out by the networks against the parents of America – which of course means the PTC itself since they have determined that they know what TV shows everyone in the United States, regardless of age, should be permitted watch hence their near constant outrage – let us spend a moment to snicker in their general direction. Why are we snickering at the PTC? Well, you might remember the PTC's outrage at the decision by CBS to repurpose the Showtime series Dexter to broadcast TV as a result of the Writers Strike. Apparently, regardless of the time slot the show was seen in, this action would expose America's children (or maybe the child-like American population regardless of age) to a show where a serial killer was the "hero." That was what they objected to but they were rallying the troops even before the show aired (and aired with considerable editing to eliminate things such as nudity and obscene language) to protest to the FCC over such a worthless program that would turn America's children (or America's child-like adult population) into seething serial killers, and they deployed a mass of "experts" ranging from an actual expert – quoted somewhat out of context – to a retired army officer who has created his own field of study ("killology") to prove that the show was going to turn America's children into slavering monsters. On April 2nd, the University of Georgia announced that Dexter had won a George Foster Peabody Award, which "recognize distinguished achievement and meritorious public service by TV and radio stations, networks, producing organizations, individuals and the World Wide Web." Not a word commenting on the award has come from the PTC. They are still trumpeting the commitment by NBC to the Family Hour – even while they're complaining about an NBC series airing in the Family Hour (but more on that later). All together now – >snicker snicker snicker<.

Given that it is shareholders meeting season it should come as no surprise that the PTC is making the effort to reach out to advertisers to request/demand that the advertisers adhere to the PTC's vision of good advertising conduct by not putting their commercials into show that the PTC hates. But what about the commercials themselves? Recently a PTC representative appeared at the Pfizer Pharmaceuticals shareholders meeting to complain about the company's ad for a certain little blue pill (Viagra). PTC Director of Corporate Relations Glen Erickson expressed the organization's views: "I'm sure you'll agree that parents need to monitor and control what their children are watching but your commercial advertising offers no indication as to where these spots will suddenly appear. Moreover, because of the sheer volume of advertising weight that Pfizer supports this particular brand with, it is virtually impossible for a parent to identify what shows will have kid safe commercials. Recently, your ads have appeared in NCAA basketball, ABC's World News and during shows on family-targeted networks such as TV Land and Discovery Channel. We understand that you are targeting men with your message but please appreciate that children are watching these programs as well. We receive e-mails, letters and phone calls on nearly a daily basis asking the PTC to address their concerns with you. Parents are feeling powerless and find themselves addressing personal parenting issues at a time and place that seem to be dictated by these ED ads. Your spots when viewed by children are at least confusing, if not upsetting and embarrassing, to all family members trying to watch TV together."

One thing that I noticed about this statement is just how different it is from the usual plea that comes from the PTC which usually takes the form of the PTC begging the company to abstain from advertising on those harmful programs and to tread the paths of righteousness – with the help and advice of the PTC of course. This statement isn't like that. It's almost deferential to the company. And apparently it worked because Pfizer officials agreed to meet with representatives of the PTC this month.

The problem of course is that "all" the PTC wants Pfizer to do is to stop advertising to its key markets. Think of it for a minute; who buys Viagra? Answer: men, and in particular older men (also adult film actors, but the PTC hates anyone and anything even tangentially linked to porn – for example any woman who ever stripped off for Playboy). The peak market for sports is men, and there is a major component of TV news viewership tends to be male, and – as poster on the Internet keep pointing out – older. How many pre-teens or teens watch Katie Couric. I can't comment on advertising on TVLand and The Discovery Channel, because we get different versions of those channels here in Canada (and Shaw Cable doesn't carry the Canadian version of TVLand anyway) but I can't help but note that the PTC has chosen not to mention when the "offensive" ads on those channels aired. Does this mean that I support Pfizer over the PTC? Well I wouldn't necessarily go that far – I find the ads for Viagra, and competitor Cialis, to generally be tastefully done – but I can see that they might lead to potentially embarrassing questions. And maybe that's what the PTC objects to most, embarrassing questions from curious kids.

Another "snicker" moment coming up for the PTC. You may recall that the Council embraced Ben Silverman's announcement about keeping the first hour of prime time more "family friendly" as a victory for the illusory "Family Hour" (illusory because it simply doesn't exist). You will also remember the feeling of surprise that they actually bought into it expressed not just be me but by others including Tom Jicha of the South Florida Sun-Sentinel who wrote that, "NBC Entertainment President Ben Silverman isn't a snake-oil salesman. He's someone a snake-oil salesman would be wary of. Silverman, as is his job, is trying to get any positive publicity he can for his struggling network." He specifically pointed at My Name Is Earl and 30 Rock as examples of shows that the PTC would find and has found not very "family friendly." Sure enough, less than two weeks after the press release praising Silverman and NBC, the PTC has released a new press release, condemning NBC for "its abrupt about-face, as evidenced by a number of recent graphic scenes during Family Hour broadcasts." The specific content they objected to came from My Name Is Earl and 30 Rock; in the case of the content from My Name Is Earl it came from an episode that aired the day before the initial press release. In the case of 30 Rock it was the April 10th episode which featured mentions (and probably some footage – I don't watch the show) from a fictional reality series called MILF Island. Here's what the PTC press release states, "According to PTC research, the episode of "30 Rock" showed mothers on "MILF" Island competing for the attention of 8th grade boys. (The term "MILF" is an acronym for 'Mothers I'd Like to F***.') When the mothers are eliminated from the competition, they must remove their bikini tops and throw them in a fire. The young boys are shown watching the women dance provocatively." Presumably PTC research means that someone from the organization turned on the TV and watched the episode, which also featured Tina Fey's character Liz Lemon roundly condemning the fictional show. In a letter to Silverman Tim Winter, president of the PTC wrote: "We were the first to praise NBC for returning to the Family Hour, but we must now be the first to condemn their apparent abandonment of the previous week's so-called commitment. We repeat our request to NBC: please make the Family Hour truly family-friendly. Responsible television programming is good business. NBC could easily return to its roots with successful shows that appeal to the whole family, such as The Cosby Show. Committing to families must be more than empty talk. We expect NBC to make good on its pledge to keep the Family Hour intact and fill it with programming that even children can watch."

In his letter to Silverman, Winter also wrote the following: "I understand that 'family' is a broad category and it includes families with small children, families with older children, and even families without children. But all too often material is called 'Family Programming' when in fact it is nothing of the sort. Ugly Betty comes to mind. The PTC has also recorded scenes from that program which implied oral sex, reference to genital size, pornography, strippers, anal sex, threesomes, kinky and fetishistic behavior, statutory rape, S&M and partial nudity. Foul language in Ugly Betty frequently includes words like 'suck', 'bitch', 'ass,' 'screw' and 'damn'. This is hardly 'family' quality material." I mention this because one of the executive producers of Ugly Betty was none other than Ben Silverman, before he became head of entertainment programming at NBC. Knowing the shows that were already airing in the "Family Hour" (that doesn't exist) and the track record as a producer of the man who made the supposed pledge to promote family friendly programming, what exactly did they really expect would happen? Was Silverman supposed to pull already produced episodes of two shows – one of which aired before he made "the announcement" because he made this pledge? For that matter why did the PTC believe that the man who was the Executive Producer of Ugly Betty – a show that the PTC loathes as much as it loathes My Name Is Earl – would share the same concept of what "Family Friendly" means that they do? For that at the very least we can surely muster a bit of a snicker at the naivetĂ© of the PTC.

Remember when I said that the PTC gets outraged at the most absurd things as shown in the "Misrated" section of this post? Well, see what you think of this: they are objecting to the TV-PG rating for the April 7th episode of Dancing With The Stars! They think it isn't restrictive enough! So what happened? You may remember that Adam Corolla was a contestant this season. My brother, who loathes Dancing With The Stars thought he was the best one but that had a lot to do with him making a "farce" out of it. The PTC agrees with my brother, well except for that "best one" part. They write of Corolla, "Actor/comedian Adam Corolla, who has distinguished himself in the competition by making sleazy remarks at every opportunity, commented that he had been made to look more like a porn star than Zorro." In speaking with Tom Bergeron, following what turned out to be his last performance on the show (or possibly in the "confessional" sequence on the results show – the PTC doesn't offer access to this clip or maybe someone at ABC was smart and made them take it down) Corrola (according to the PTC) "thanked the wardrobe department for "dressing me like a silent porn star" to which his partner Julianne responded 'Oh (bleeped sh*t!)'" There; that's it; all of it. Adam Corrola said he thought he looked like a "silent porn star" and sweet little (Mormon) Julianne Hough said "shit" which the ABC standards and practices people were able to keep from being broadcast with a well placed "bleep." And if was a live sequence on the show that was even more impressive of them Well except for the PTC's explanation of the reasons why this show was misrated (though they don't actually say what it should be): "Such content is highly inappropriate for a program airing during the Family Hour, and which is one of the few programs left on prime time that parents could watch with their children. ABC's failure to rate this program appropriately stands as yet more evidence that the TV ratings system needs to be standardized – and taken seriously by the networks. Saying "porn star" which, no matter what the PTC thinks, are not bad words, and having a teenager (Julianne is 19) supposedly saying a word that was bleeped by the censors. And after all, TV-PG means Parental Guidance. I think the PTC is reaching way too far on this one people.

Finally, because this week's "Worst Of The Week" is yet another diatribe about Family Guy, which is getting to be incredibly boring to me – the diatribes not the show (which I don't watch) – we turn to the most recent TV Trends which confronts the evils of the demon Mari-ju-wana (that pronunciation seems appropriate, but for the life of me I can't remember who said it that way). More accurately, what the PTC sees as the "glorifying" of marijuana use in the media. Of course they don't blame TV entirely – they blame Harold And Kumar Go To White Castle: "With the exception of the Cheech & Chong movie series, prior to the mid-1990s, "stoner films" glorifying the use of marijuana were rare; but popular culture since that time has seen an explosion of pot-themed movies. This trend shows no signs of abating; indeed, the new movie Harold & Kumar Escape from Guantanamo Bay is set for release on Friday, April 25th. This film, a sequel to the 2004 picture Harold & Kumar Go to White Castle, will again enlist teen viewers' enthusiasm for the dope-smoking duo – an enthusiasm hyperbolically proclaimed on certain Internet sites." They actually go so far as to quote (severely edited of course) a comment posted on IMDB about the movie Harold & Kumar Escape from Gauntanamo Bay as proof (click the link to see the full quote, in context): "One Internet Movie Database commentator says that the movie's 'multicultural slackers' are 'American every-men that we can all relate to…incredible human characters who are struggling with real challenges around parents, romance, friendship, the law, and race.'" They then add their own commentary: "One wonders whether today's teens and young adults universally agree that two moronic potheads are the finest representatives of their generation; but regardless, this movie will join many others in displaying a casual attitude toward marijuana consumption, if not actually glorifying it." Setting aside for a moment the fact that nowhere in the original quote – or even the quote as edited by the PTC writer – does the commenter describe the characters as "the finest representatives of their generation," one can scarcely believe that "today's teens and young adults" would universally agree about anything. I mean there are still some who support George W. Bush!

But of course it is not the movies that the PTC objects to, it is TV. As they put it, "And where movies and other pop cultural phenomena tread, TV follows." The first example of rampant pot use they describe is That '70s Show about which they say, "That '70s Show, given its time-period setting and its obsession with the raciest and most counter-cultural elements of the era, made endless references to the use of marijuana." And of course that show is now widely syndicated. But That '70s Show isn't the target of the PTC's real anger – that would be Gossip Girl on The CW and My Name Is Earl on NBC. The PTC points out numerous – well one or two – examples of a casual attitude to marijuana use in the show: "However, the program has also multiple instances of teen drug use without any stigma attached to such behavior. On the September 19th episode, Chuck asks Nate if he wants to go get some "fresh air" and mimics smoking a marijuana joint. Blair pulls Nate away, causing him to tell Chuck he will smoke pot with him later. And in a later episode in the series, several teens are shown passing a joint around." They note a number of occasions where the show has specifically made reference and condemned the use of harder drugs by adults and states, "Such scenes demonstrate that drug use is a bad thing, and portrays teens as noble and virtuous for opposing the use of drugs by their parents," but later they note, "Gossip Girl rightly condemns parental use of drugs like cocaine, pointing out the tremendous harm drug use can cause – but then assumes that underage teens drinking and smoking marijuana is harmless and normal."

As for My Name Is Earl, they first stick in their normal bit of vendetta against the show for not being Touched By An Angel or Highway To Heaven – in other words for not focussing entirely on Earl doing good: "The latest example of the casual attitude towards marijuana use on television occurred on the April 17th episode of the formerly family-friendly but now louche NBC comedy My Name Is Earl. This program has gone to pot in more ways than one in recent seasons – but never more literally than in this episode..." Now setting aside the fact that I'm a "tell it to Sweeney" kind of guy who finds the use of the word "louche" to be pretentious beyond words, I find the PTC's "logic" in this strained beyond the bounds of sensibility. In the episode, which is a flashback, Earl's father burns a duffel bag full of marijuana that has been stashed in Earl's truck by a dealer (he thinks the truck is an abandoned wreck). Earl, Randy and their father have to try to replace the marijuana when the dealer comes looking for it. In the end, Earl's father feels happy about the experience because he's had the opportunity to protect his family. But here's what the PTC has to say about all of this: "But while throughout lip service is paid to the fact that marijuana is illegal, nevertheless it is shown to be a positive influence. At the end of the episode, Earl Sr. reveals that the dope-filled incident made him happy, because buying from the drug dealer gave him a chance to become a hero – with the result that, indirectly, marijuana was a beneficial presence in his life." Even the date on which the episode aired (and the second Harold & Kumar movie debuted) came under fire from the writer: "In addition to the many moments portraying marijuana use as comedic and not harmful, this episode offered an additional wink to the pro-marijuana crowd. Like the upcoming Harold & Kumar movie, the Earl episode was released as nearly as possible to the date April 20th – the number '420' being drug subculture code for marijuana use."

I'm not even going to dignify the My Name Is Earl stuff with a response since it is so patently absurd and moronic in its efforts to make connections. However something does need to be said about the other two shows mentioned. First of all, as someone who was in high school and university during the real 1970s (and didn't use marijuana, or even beer for that matter – on marijuana I'm on the side of "legalizing, regulating and taxing") I will still insist that any portrayal of teens in that period has to at least acknowledge the use of pot by teens. I knew guys who came to class stoned – although it should be said that when I was in high school here in Saskatoon booze was the drug of choice for my classmates who indulged. Pot was more common when I went to university. As for Gossip Girl, that is an even more obvious case of trying to depict a particular circumstance with at least a slight bit of reality. How can you present even a fictionalized version of modern high school life anywhere, let alone an upper class private school in New York, without depicting at least some of them using marijuana? The PTC statement says that the show "assumes that underage teens drinking and smoking marijuana is harmless and normal." I don't know about harmless, and I'm not even prepared to claim normal but what I will say is that it is more common than the PTC is willing to accept, and it isn't because TV or the movies have "glorified" it.

Wednesday, April 09, 2008

Who Does The PTC Hate THIS Week?

Well, I've enjoyed my nice (and need I mention that I feel it was well deserved) break from going after the PTC, but it's probably time that I got back on the topic and pointed out the usual hypocrisy and mistakes that these people have been making. I won't go too far back; I did leave quite a backlog, and strange as it may seem sometimes I do try to keep this column down to a reasonable size.

Oh, and by the way, only one person has voted in my new NBC shows poll yet. Did I make a mistake by not putting "These shows all represent a big steaming heap of dog crap" as a possible response?

Speaking of the NBC lineup and steaming piles, the PTC is fulsome in their praise of the network for their commitment to "The Family Hour." This is one of the biggest piles of steaming you-know-what you are ever likely to come across. Sayeth PTC President Tim Winter, "We thank NBC for committing to air family-friendly programming during the Family Hour. Our recent research showed that this programming block has been flooded with adult content – on every broadcast network. Families do not want to be barraged with graphic sexual content, violence or profanity and want a time during the evening that is considered safe for the whole family to watch television. Responsible television programming is good business. We are heartened that NBC appears to be listening to the calls of so many parents and families, and we hope that other broadcast networks follow NBC's lead."

Well here's where the "big steaming pile" comes in. NBC may say that they're committed to the Family Hour (which as we all know doesn't exist) but an examination of the NBC lineup shows very little for the group to be praising if their own "Worst of the Week" is considered as a guideline. Here are the NBC shows for the first hour of primetime in the fall and I'll also include the winter lineup – new shows are in capitals:

M Chuck
TThe Biggest Loser
WKNIGHT RIDER
TMy Name Is Earl and 30 Rock
F CRUSOE / Deal or No Deal (W)
SFootball/ Dateline NBC (or MERLIN, depending on what you count as "The Family Hour" on Sunday nights).

Now here's the thing; setting aside Crusoe and Merlin for the moment because we don't know what the content of those shows will be, we are left with two shows that the PTC has criticized in the not so distant past. Although I can't find the specific reference at the moment, I seem to recall that the PTC was less than pleased with the scene in the Knight Rider where Mike Traceur is in bed with two women. And of course My Name Is Earl has been a frequent presence in the Misrated and Worst of the Week section of the PTC's site because of "sexual content", and because Jaime Pressly was in Playboy once upon a time which means she can't possibly be on the show except to titillate, and mostly I suppose because it isn't the "life affirming show" that the PTC wants it to be.

The PTC is using the statement by NBC Entertainment co-Chairiman Ben Silverman to highlight their Family Hour Study which "proves" that the "Family Hour" is rife with evil. Here are the statistics that the organization offers up:

  • In 180 hours of original programming, there were 2,246 instances of objectionable violent, profane and sexual content, or 12.48 instances per television hour. Since the average hour of primetime broadcast television contains about 43 minutes of non-commercial programming, this indicates that content inappropriate for children occurs about once for every 3.5 minutes of non-commercial airtime.
  • Scripted television was by far the most offensive overall with 16.68 incidents of overall foul content per hour, compared to 0.31 per hour for game shows and 5.82 per hour for unscripted programs.
  • Foul language was found in 76.4% of episodes that aired during the study period. Whether scripted or uttered on a reality program, foul language is found on almost every series airing during the Family Hour.
  • Throughout the study period, 677 sexual scenes or spoken sexual references were recorded, or 3.76 per hour.
  • The PTC recorded 754 violent acts and images during the study period, or 4.19 per hour.

Of course all of this has to be taken with a grain of salt when you consider what the PTC considers to be violence, sex, and foul language – they have a far more rigid concept in each of those areas than most people (for example, the body of a murder victim who has been killed off screen and is being examined – as on CSI – is considered an act of violence).

Still, to have a high official at a network, particularly one of the Big Four, come out and say something that sounds like a commitment to family friendly programming must seem like manna from heaven. So much so that they seem to ignore the fact that when he was the head of his own production company, Ben Silverman was the man behind Ugly Betty, another show which features prominently on the PTC hit list as well as reality fare like Parental Control and Date My Mom which hardly seem likely to meet with PTC approval. Tom Jicha of the South Florida Sun-Sentinel writes of Silverman, "NBC Entertainment President Ben Silverman isn't a snake-oil salesman. He's someone a snake-oil salesman would be wary of. Silverman, as is his job, is trying to get any positive publicity he can for his struggling network. All you need to know is NBC's 'Family Hour' will include My Name Is Earl and 30 Rock. These are terrific series. However, the storylines are often not very family friendly, especially according to the blue-nosed standards of the PTC and its also misleadingly titled runningmate, The American Family Association." Jicha finishes his column (which is devoted to this very press release by the PTC) by saying, "The PTC prefers to jump on Silverman's "Family Hour" categorization to make it look like they're actually getting things done. The pitch for donations will follow."

Turning now to the area of FCC fines, we find the PTC incensed about the refusal of the FOX network to pay an FCC levied fine of $91,000 related to a five year old reality show called Married By America. There's some interesting background on both the fine and one of the reasons why the network won't pay, but first let's see PTC president Tim Winter in full ire:

It is simply outrageous that Fox has chosen to fight its fine for clearly violating the indecency law. The $91,000 FCC fine is already paltry for a rich network that profits for free from the publicly-owned airwaves. Fox is intent on claiming the so-called 'right' to barrage families with sexually graphic content and appears willing to do everything it can to dodge its public responsibility by refraining from airing indecent material before 10:00 p.m.

Fox simply does not have the public's interest at heart. If it did, it would admit wrongdoing, pay the fine, and promise never again to air this kind of sexually graphic material before 10:00 p.m. The public airwaves are no place for the type of content that could be found on pay-per-view or premium cable channels. Fox must comply with the law if it is to continue using the public airwaves for free.

So what sort of content are we talking about here? Basically it was pixellated nudity. Ars Technica describes the scene in question: "The FCC first proposed a fine against the now-defunct Married in 2004 after it received complaints about a 2003 scene in which several engaged couples party at a strip club. According to the FCC's analysis, couples kiss, and lick whip cream off on-stage performers, whose naughty bits are pixelated." The problem is that, according to the FCC analysts, the pixelization wasn't enough. In denying FOX's appeal, the FCC wrote, "The fact that isolated body parts were 'pixelated' did not obscure the overall graphic character of the depiction. The mere pixelation of sexual organs is not necessarily determinative under our analysis because the material must be assessed in its full context. Here, despite the obscured nature of the nudity, it is unmistakable that the party goers are participating in sexual activities and that sexual organs are being exposed." FOX then submitted a response to the rejection of their appeal, which was rejected, unread, by the FCC. Why? Because it had too many pages and the network hadn't submitted a form ten days in advance telling the FCC that they would be submitting an appeal that was longer than 25 pages. FOX argued that since they were appealing on behalf of seven companies, each of which was permitted to send in a 25 page appeal, their 39 page appeal should have been acceptable. The whole thing smacks of Emperor Joseph II telling Mozart that his composition isn't any good because it had too many notes.

And then there's the size of the fines. Originally the fine was $1.18 million levied against 169 FOX stations, however, in going over the complaints filled with the Commission, it was discovered that there were only thirteen stations where the complaint had actually been filed from within that market. An examination of the companies involved points out an interesting thing. Among the stations fined were three FOX owned and operated stations, and stations from the Meredith Broadcasting Group, Journal Communications, Sunbeam Television, Sinclair Broadcasting and Mountain Licenses LLP. A check of those entities (except for Mountain Licenses) in Wikipedia indicates that most of their FOX stations are not located in small communities but in medium to large cities. Sunbeam for instance has only one FOX station and that's in Miami. Meredith's stations are in Portland Oregon, Las Vegas Nevada, and Greenville South Carolina. FOX's owned and operated stations are in the top 51 markets, with the single exception of a station in Ocala-Gainesville Florida. Does this mean that the show was considered obscene in New York but not in Louisville (just as an example) because there were no complaints from that market?

The PTC is of course taking their standard "the FCC is always right (unless they disagree with us) so don't you dare try to exercise your right to appeal you immoral swine" line on this matter. The problem is that the FCC is continuing its policy of changing what it defines as indecency as it goes along. Having defined an exposed female nipple as being indecent, they then moved on to the bare female buttocks in the NYPD Blue case. With that fined at the last minute they have now moved on to defining obscured nudity as indecent. The rejected FOX appeal (reported in the Ars Technica post) pointed out that a considerable amount of what the FCC cited as reasons for levying the fine was primarily in the mind of the analysts that the FCC used to form their decision. Take this for example: "At one point the FCC's analysis of the show claims that one performer places himself close to a woman in a miniskirt, 'apparently to lick off the whipped cream' from her body. But nobody actually licked whip cream off anyone's body in the program, Fox protests." Or this one: "The agency's summary charges that at another moment two performers wear tops 'but their buttocks are pixelated, presumably to obscure portions of their buttocks as well as the g-strings that cover their genitals.' But, as Fox attorneys note, the episode 'never showed the women without clothes or without pixelation, so there is no way for the Commission to know what undergarments they were wearing.'" FOX also pointed out that the FCC analysts used the word apparently a lot, so much so that the title of the Ars Technica piece is "Fox to FCC: your analysts' sexual fantasies not our problem." To quote again from the article, "the word 'apparently' constantly appears in the agency's analysis, one participant 'apparently about to kiss' a stripper; two strippers 'apparently kissing one another...' But none of these actions actually take place. 'The Commission repeatedly relies upon these assumptions about what it presumes is occurring off-camera to justify its description of the program as "sexually oriented",' Fox argues. 'In no event does [indecency] regulation extend to an imaginative viewer's or regulator's assumptions about what may be occurring between characters off-screen.' And finally, Fox asks, how can it be 'unmistakable that the party goers are participating in sexual activities and that sexual organs are being exposed' if all the performers' 'sexual' body parts are obscured by pixelation?" How indeed? It is the sort of thing that the PTC does all the time of course but one would tend to expect more from a government agency with the power to levy fines, or in the extreme pull a TV station's license. (Just as a side note, when the online version of the Washington Post reported on the FOX network's refusal to pay the fine, many of the posters were eager to see FOX punished, in part because it was FOX and in part – a big part – because they mistook the FOX Network for FOX News. They tended to ignore the fine points of the issue of freedom of speech and the definition of indecency.)

Of course for the PTC there doesn't have to be a sexual context – real, implied, or imagined – for the PTC to complain to the FCC and to rally their one million members to "The Cause." All it takes is any hint of nudity. The PTC has urged its members to lodge a complaint against the CW network for airing a nude photo shoot on their show America's Next Top Model, even though the nudity was blurred or pixelated. According to the PTC press release, issued on April 8th, "The episode showed a model posing fully nude for photographs while lying on a bed. The nudity was partially blurred. The episode aired on March 26, 2008, during the so-called 'Family Hour' at 8 pm ET/7 pm CT." Said PTC president Tim Winter, "It is irresponsible for the CW Network to air full frontal nudity on the public airwaves at 8:00 pm, and based upon our analysis of the broadcast in question we believe this has crossed the legal threshold for broadcast indecency. This episode portrays a photo-shoot where the model is entirely naked; and the nudity includes the model's pubic region in full view, albeit slightly blurred. This is not simply a matter of artistic freedom, as some might claim. Rather, this is about a television network intentionally pushing the envelope to establish a new acceptable nudity standard for the broadcast medium. The entire photo shoot scene, which lasted for more than a minute, is wholly gratuitous and undoubtedly intended to titillate. Sadly, it appears that CW believed this was appropriate content for children given that the show aired during the Family Hour. Even more children were exposed to this graphic content because of the time it aired."

For reference purposes I've managed to find an example of the "offensive" material which you can see above. I found it in the TVSquad recap of the episode in question. In case you aren't aware, TVSquad is owned by AOL, so I doubt that they'd post anything that any sane person would regard as indecent. The image in this case does appear to be more than "slightly blurred" to the point where – in this photo at least – it seems difficult to me to tell if she's fully nude or wearing large panties or indeed a body stocking. Now I understand that since a screen cap from a TV show only captures an instant in series of moving images there may have been scenes where her nudity was more obvious, but one can scarcely imagine based on this image that the photo session was intended to titillate. As for being gratuitous, the nude session, shot by a top photographer was a reward for an event in the show, and as any model worth her salt will tell you, nude photos are an important part of a model's portfolio. So I would hardly call this part of the show gratuitous. Nor do I believe that it is an effort to "establish a new acceptable nudity standard for the broadcast medium," given that we've seen nudity of equal measure in a show like Survivor. Indeed if anyone in this case is trying to "establish a new acceptable nudity standard for the broadcast medium," I would argue that it is the PTC in their effort to push back the established norms in this area. They did it with actual nudity in the NYPD Blue case, they did it in the Married By America case detailed above as related to obscured nudity with a (supposed) sexual contest, and now they're trying this. And if they succeed in this matter, what comes – or rather goes – in terms of what is acceptable next?