But on to the results. The following got no votes: Fringe, Community, Survivor: Redemption Island, John Noble, Mayim Bialik, and Delroy Lindo. And the winners – it was a three-way tie – are Anna Torv, Nick Offerman, and Kyra Sedgwick with one vote each (33.3%)
If this were the sort of poll where I’d cast a tie breaking vote, though it pains me to say it – because I am a huge fan of what Anna Torv has done on Fringe – I would have to cast my vote for Kyra Sedgwick. I think it was nearly criminal that Sedgwick, who was nominated and won in this category last year didn’t receive a nomination, while Mariska Hargitay has earned her eighth nomination (and won once) for Law & Order: SVU and Kathy Bates was nominated for Harry’s Law. I’m sorry but this just doesn’t seem right to me.
We had two comments about this category. Tim Tipton wrote the following:
Here's a great show that is always snubbed by the emmys and I never hear anyone speak in it's defense: it's always sunny in philadelphia. I think because it's low brow humor, it is overlooked. But Danny DeVito should at least get an emmy. He's funny.I know that there are a lot of fans of It’s Always Sunny In Philadelphia although it’s not a show that I have seen, and not one that, from the descriptions, particularly appeals to me. Still, it’s hard to argue against Danny DeVito in just about anything that he does. He is invariably funny. That being said, I think that he and the show have two things running against them. The first is that the show is a very dark comedy and to a large degree the characters are not particularly likable. The Emmys are not kind to dark comedies and to characters that appear to have few redeeming qualities. In other words it’s too dark to get the approval of the Academy.
The other comment came from Ben who wrote:
There are a lot of deserving should-be candidates here. As I commented earlier in the year, it reflects badly on the ATAS that neither Community nor Fringe get any nominations at all. Nick Offerman deserves recognition, but at least P&R has Amy Poehler.
I voted for Anna Torv. In Fringe's first season she played Olivia Dunham as a tightly controlled, unemotional cop, and many people thought she just couldn't act. Cut to season 3 and not only has Olivia gone through amazing development, but Torv plays a different version of the character with a whole other arc. Critics start to sit up and take notice, but the Emmys remain oblivious.
I happen to agree on both points. As I mentioned, I love what Anna Torv has done on Fringe, and cast my “non-vote” for Kyra Sedgwick only because the failure to recognize here work on The Closer this year is particularly magnified because she won the Emmy in her category last year. That being said, I can offer an explanation why Fringe – and by extension Torv – didn’t get nominations. Fringe is, to be frank, a low rated genre (aka Science Fiction) show on a broadcast network, and those three things combined are anathema to the Television Academy (I don’t consider Lost a genre show in this sense, although it increasingly became one as it went on). Despite some amazing groundbreaking work, neither Sarah Michelle Gellar nor Buffy The Vampire Slayer were ever nominated in the acting or series categories (and Joss Whedon was only nominated for Outstanding Writing in a Drama once…for the episode Hush, which was essentially a silent movie). I think you have to go back to 1997 when Gillian Anderson won for The X-Files to find the Emmy giving an award to a “genre” series in one of the major categories.Even if you include Lost, it only won as Outstanding Drama Series in its first season, only had one nominee in the Actor in a Drama Category, and won two Emmys in the Supporting Actor category. No actresses were even nominated for the show. But of course Lost had the advantage of being a highly rated show. If Game Of Thrones manages to win a major Emmy – and I think it’s possible – one of the biggest reasons for its success will be that it was on HBO and got a reasonably good audience for that premium network. Being on HBO gave it prestige, while being on FOX (on Friday night no less) does nothing to help Fringe.
As for Community, the big problem is probably that it is the lowest rated of the NBC Thursday comedies. When you look at the ratings, you find that Community had a lower number of total viewers and a lower 18-49 rating than the cancelled Outsourced (Community 4.475 million viewers (115) and 2.0/6 in 18-49 (81); Outsourced 5.187 million (99) and 2.4/6 in 18-49 (59)). And while the Emmys aren’t supposed to be influenced by ratings, the fact is that to a degree they are. I don’t think the voters felt they could justify having two thirds of the nominees in the category coming from NBC and so decided to ignore the lowest rated one.
New poll – the flip side of the Snubbed Poll – up in a couple of hours. Right now I need a nap.